After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee is released and tries to fix her life. She finds a job in a bakery; she orders the ... See full summary »
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Hamburg, Germany. The small crime scene. Three friends: Gabriel from Turkey and just out of prison, Costa from Greece and together with Gabriel's sister, Bobby from Serbia and together with her best friend. Bobby wants to get more into organized crime and decides to apply for a membership in an Albanian gang. As a test, he has to beat up someone who owes his future boss. He can join. Later, when Bobby has to do a weapon's deal on his own, he tries to get his friends in, too. But Gabriel does not want to go back into crime, he is dreaming of a life at the southern Turkish coast, owning a boat rental shop. Costa, always out of money, joins Bobby for one last time before getting good. But before the deal is on, both women start leaving their men for others. And when the deal is on, it goes terribly wrong. Written by
Julian Reischl <email@example.com>
Why this movie was a failure at the German box-office will always be a mystery to me. Fatih Akin, the director, was obviously influenced by Martin Scorsese's and Brian DePalma's first movies but he didn't try to imitate them. Instead he made one of the first movies which truly celebrates the 'Multikulti'-society that Germany has become (At least in the larger cities).
You can't help but like the Turkish, Serbian and Greek protagonists albeit they are criminals. The characters are far too alive and three-dimensional to be seen as stereotypes/cliches thrown in to reinforce prejudices.
To me, KURZ UND SCHMERZLOS was the best German movie of 1998 (Even better than LOLA RENNT) and I recommend it to anyone who likes MEAN STREETS, Matthieu Kassovitz' LA HAINE or the films of Lars Becker. 9 out of 10.
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