With the death of a billionaire engaged in illegal practices, his billion-dollar fortune is up for the grabs. As his art collection is being prepared to be sold at an auction, two Turkish ... See full summary »
Mehmet Ali Erbil,
In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring ... See full summary »
Umay is a young woman of Turkish descent, fighting for an independent and self-determined life in Germany against the resistance of her family. Her struggle initiates a dynamic, which results in a life-threatening situation.
In the sixties Romano Amato, his wife Rosa and their two sons Giancarlo and Gigi emigrate from Solino in Italy to Duisburg in the Ruhr area and establish the first Pizza restaurant in town.... See full summary »
Hamburg, Germany. The small crime scene. Three friends: Gabriel from Turkey and just out of prison, Costa from Greece and together with Gabriel's sister, Bobby from Serbia and together with her best friend. Bobby wants to get more into organized crime and decides to apply for a membership in an Albanian gang. As a test, he has to beat up someone who owes his future boss. He can join. Later, when Bobby has to do a weapon's deal on his own, he tries to get his friends in, too. But Gabriel does not want to go back into crime, he is dreaming of a life at the southern Turkish coast, owning a boat rental shop. Costa, always out of money, joins Bobby for one last time before getting good. But before the deal is on, both women start leaving their men for others. And when the deal is on, it goes terribly wrong. Written by
Julian Reischl <firstname.lastname@example.org>
There are German films that aren't relationship comedies or delve into recent history. This film is a gangster melodrama, set in the Turkish community of Hamburg Altona. We care about the fates of the colourful, not-always-do-goods, emphasise with their struggle against the life they live. KURZ UND SCHMERZLOS manages to reach a rare quality: it feels "real".
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