With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
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Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry... See full summary »
This is the story of Enid and Rebecca after they finish the high school. Both have problems relating to people and they spend their time hanging around and bothering creeps. When they meet Seymour who is a social outsider who loves to collect old 78 records, Enid's life will change forever. Written by
eric from Mexico City
The cashier at Zine-O-Phobia who is talking about how to remove flesh from a corpse is also leafing through a supplemental catalog from Loompanics Unlimited, a company that sells controversial and unusual books. The book with the reddish cover on the counter in front of the cashier is "Secrets of a Super Hacker" (it's about computers, not machetes) which is available from Loompanics. See more »
When Doug is buying the beef jerky, he takes it out of a jar on the counter, removing a yellow lid and placing it next to the jar. In the next shot, the lid is back on the jar. See more »
[coming out of their high school graduation ceremony]
God, what a bunch of retards.
God, I know, I thought Chipmunk-face was never going to shut up.
I know, I liked her so much better when she was an alcoholic crack addict. She gets in one car wreck and all of a sudden she's Little Miss Perfect and everyone loves her.
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After all the credits roll, there's another take of the scene where Seymour (Steve Buscemi) gets attacked by Doug in the minimart. Only this time, Buscemi's characer easily wins the fight, choking Doug with his own weapon, and stomps out triumphantly. He finishes with a bunch of Mr. Pink type dialogue. See more »
Best friends Enid and Rebecca graduate from high school and find themselves forced to enter the real world. Enid (more than Rebecca) is a counter-culture rebel who hates this world of frauds and losers, and she subsequently has trouble getting and keeping a job. One day the girls decide to play a prank on a lonely middle-aged loser named Seymour. Their plan backfires, though, and Enid becomes a little obsessed with the man. First she feels sorry for Seymour, then he becomes something of a hero to her, and she resolves to help him at least find a girlfriend. "Maybe I just can't stand the thought of a world where a guy like you can't get a date," she tells him. Meanwhile, Enid seems to be avoiding the challenge of getting her own life started.
Terry Zwigoff ("Crumb") directs this film based on a script by Dan Clowes, who also created the original comic book. "Ghost World" attempts to be a kitsch-free, counter-culture coming-of-age film, and for the most part it succeeds. The characters are very believable, honest, and engaging. The downbeat Seymour is played wonderfully by Steve Buscemi, and Thora Birch in her striking performance as Enid follows up her "American Beauty" role with another discontent but sympathetic misfit teen character. Perhaps the greatest disappointment in "Ghost World," however, is that Scarlett Johansson as Rebecca is marginalized midway through the film. Regarding the story: It is debatable whether the film is entirely free of kitsch. As with "American Beauty," the sudden romantic opportunities which fall into Seymour's lap smell suspiciously of middle-aged wish fulfillment. Also, one might ask for a slightly tighter ending, as the film finishes without much resolution--except for one rather simple but touching scene between Enid and Seymour. On the whole, however, the film is a delight, producing some very memorable characters to whom, in the end, the audience will be sorry to say goodbye.
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