With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.

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Writers:

(comic book), | 1 more credit »
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2,223 ( 372)

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Nominated for 1 Oscar. Another 28 wins & 55 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Storyline

This is the story of Enid and Rebecca after they finish the high school. Both have problems relating to people and they spend their time hanging around and bothering creeps. When they meet Seymour who is a social outsider who loves to collect old 78 records, Enid's life will change forever. Written by eric from Mexico City

Plot Summary | Plot Synopsis

Taglines:

Il y a une vie après le lycée... (France) See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for strong language and some sexual content | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

21 September 2001 (USA)  »

Also Known As:

Prízracný svet  »

Filming Locations:

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Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend:

$98,791 (USA) (20 July 2001)

Gross:

$6,200,756 (USA) (1 February 2002)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Enid's notebook drawings were done by Sophie Crumb, Robert Crumb and Aline Kominsky's daughter (mentioned in closing credits). The production team reached out to Sophie Crumb after Daniel Clowes insisted to Terry Zwigoff that Enid's work had to be created by a female artist (Clowes insisted he should not do the drawings). See more »

Goofs

When Enid surprises Seymour at Cook's Chicken and Dana walks in, Seymour spills his ice all over the table and proceeds to scoop it into his cup but when the scene changes the cup is sitting on the table and Seymour's arms aren't moving (the sound effects continue). Then the cup disappears in front of Seymour. See more »

Quotes

[Enid and Seymour enter the Sidewinder to see Josh scooping some ice cream for a little girl]
Enid: Hi, Josh.
Josh: Hi.
Enid: Just stopping by to say "hi".
Josh: Yeah.
Enid: This is my friend, Seymour.
[Josh turns round, recognizes Seymour from the diner and accidentally drops the ice cream. The little girl starts crying]
Enid: OK. Well, we'll see you later Josh.
[Enid and Seymour exit]
Sidewinder Boss: Josh, what you goddamn doing? Clean up that fucking mess! Jesus!
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Crazy Credits

After all the credits roll, there's another take of the scene where Seymour (Steve Buscemi) gets attacked by Doug in the minimart. Only this time, Buscemi's characer easily wins the fight, choking Doug with his own weapon, and stomps out triumphantly. He finishes with a bunch of Mr. Pink type dialogue. See more »

Connections

References Las interesadas (1952) See more »

Soundtracks

A Smile and a Ribbon
Written by Robert Wells and Mark McIntyre
Performed by Patience & Prudence
Courtesy of Capitol Records
Under license from EMI-Capitol Special Markets
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User Reviews

 
Mature, intelligent and haunting (but in a good way)
11 June 2002 | by (London, England) – See all my reviews

Movies that criticise the world can fall into many traps, leaving the viewer to feel jaded by the film's experience. Ghost World's witty appraisal of 'America' successfully avoids being childishly caustic or self-important and thus emerges as one of the best films of 2001. We sympathise with Enid (the luscious Thora Birch) without being expected to completely believe that her cynical world-view is necessarily the right one. Enid's (and her best-friend Rebecca's)negativity is turned on all around them, and their obsessive need to be cool but on their own terms sees them take post-modernism to its absurd conclusion.

Enid's bizarre costume choices mean that she stands out from the rest of her baggy-panted generation, and in one scene is infuriated that no-one, even Rebecca, understands her 'original 1977 punk look' she's testing out.

The fact that we should not fully empathise with Enid is shown by the contrasting character arc of Rebecca. There is a definite sense that she grows up over the course of the movie, but not in a "what have we learned about life" Disney way. Perhaps she has sold out to the conservative ideals that seemed so repulsive to them at the beginning of the movie, but just as Enid ultimately fulfils her desires, so does Becky live out her 'seventh grade fantasy'. The important thing is not the choices people make, but whether they make choices with which they are happy.

The movie's main targets are people who betray themselves in an effort to fit in, and their resulting stupidity by doing so. But the people who have remained true to their values (like Steve Buscemi's Seymour, in a performance that should have been at least nominated for an Academy Award), are portrayed as leading equally vacuous lives. Seymour's infrequent attempts to achieve 'normality' are galling for us to observe, and near soul-destroying for him to experience.

This is an excellent movie. Thora Birch gives her most confident performance to date, and Scarlett Johansson is superbly laconic as Enid's icy side-kick. The supporting cast all shine. Strongly recommended!


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