With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.

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(comic book), | 1 more credit »
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Nominated for 1 Oscar. Another 28 wins & 55 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Storyline

This is the story of Enid and Rebecca after they finish the high school. Both have problems relating to people and they spend their time hanging around and bothering creeps. When they meet Seymour who is a social outsider who loves to collect old 78 records, Enid's life will change forever. Written by eric from Mexico City

Plot Summary | Plot Synopsis

Taglines:

Il y a une vie après le lycée... (France) See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for strong language and some sexual content | See all certifications »

Parents Guide:

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Details

Country:

| |

Language:

Release Date:

21 September 2001 (USA)  »

Also Known As:

Prízracný svet  »

Filming Locations:

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Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend:

$98,791 (USA) (20 July 2001)

Gross:

$6,200,756 (USA) (1 February 2002)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The male Satanist is played, uncredited, by production designer Edward T. McAvoy. He got the part at the last minute, based largely on his resemblance to Anton LaVey, the director's first choice, who died in 1997. McAvoy had to shave his head completely bald for the scene. See more »

Goofs

The amount of malt liquor in the bottle on top of the car varies. See more »

Quotes

[Enid and Rebecca try to call on Josh at his apartment. But there's answer at the door]
Enid: I bet he's in there jerking off.
Rebecca: I bet he never jerks off.
Enid: Yeah, he's beyond human stuff like that.
Rebecca: Should we leave a note?
Enid: Yeah, you got a pen?
[Rebecca pulls out a pen, Enid takes a tag left on Josh's door handle and writes on it, leaning on Rebecca's back]
Enid: [writing] Dear Josh, we came by to fuck you, but you were not home. Therefore you are gay. Signed Tiffany and Amber.
[...]
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Crazy Credits

After all the credits roll, there's another take of the scene where Seymour (Steve Buscemi) gets attacked by Doug in the minimart. Only this time, Buscemi's characer easily wins the fight, choking Doug with his own weapon, and stomps out triumphantly. He finishes with a bunch of Mr. Pink type dialogue. See more »

Connections

References Rosemary's Baby (1968) See more »

Soundtracks

Bucket
Written by E. Bush and Brian Muhammad
Performed by The Unknowns
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User Reviews

 
This is a fine, fine film.
6 June 2002 | by (Ohio, USA) – See all my reviews

I guess different people can extract different meanings from GHOST WORLD and all nail exactly why it was made. For me, it was the chronicle of that small group of people who don't, and probably never will, quite fit into this world. They're here on the fringes though, just existing in their own parallel universe, or their own "ghost world." Though it sounds depressing, this film is hardly a downer, it's full of humor, satire and acute observations on life. The overall production is excellent (the brightness and colors in the photography, costumes and sets is stunning)... plus it pulls off the impossible by successfully steering toward dead-on seriousness near the conclusion to drive it's point across.

It begins at graduation with Enid (Thora Birch) and Rebecca (Scarlett Johansson), two very perceptive high school outcasts who see right through the facade of their juvenile peers and want nothing to do with it. For Rebecca this self-ostracizing is just a passing phasing, but for Enid you get the strong impression this is going to always be her way of life. It's not that she doesn't get it, it's that she's doesn't understand IT or people or the games of life. There's a brief emotional turning point for Enid when a cruel practical joke backfires and she becomes involved with the target, the nerdy and very sardonic Seymour (Steve Buscemi), who may just be the kindred spirit Enid was looking for. The shared scenes between Enid and Seymour, though doomed to take a bad turn, are handled with tenderness by the director and actors and are quite memorable and touching.

Highlights are an excellent scene in a blues club that just about nails the American outlook on life and our lack of reverence and the ones in Enid's remedial art class, with the most misguided and pretentious teacher (Illeana Douglas) you could imagine. The girls are wonderful, and Steve Buscemi was unfairly overlooked at awards time (big shocker). Anyway, he's never been this good before. The fact this premise, these ideas and these original and interesting characters came from a comic book makes me realize I've completely overlooked the artistic possibilities within that medium.


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