Annaluise & Anton
(1999)
|
|
| 0Share... |
Annaluise & Anton
(1999)
|
|
| 0Share... |
| Cast overview, first billed only: | |||
|
|
Elea Geissler | ... | |
|
|
Max Felder | ... | |
| Juliane Köhler | ... |
Bettina Pogge
|
|
|
|
August Zirner | ... |
Richard Pogge
|
|
|
Meret Becker | ... |
Elli Gast
|
| Sylvie Testud | ... |
Laurence
|
|
|
|
Gudrun Okras | ... |
Dicke Bertha
|
| Benno Fürmann | ... |
Carlos
|
|
|
|
Michael Hanemann | ... |
Professor Bremser
|
| Helmfried von Lüttichau | ... |
Giovanni
|
|
|
|
Thomas Holtzmann | ... |
Man in the pawnshop
|
|
|
Vincent Aydin | ... |
Ricky
|
|
|
Florian Wiechmann | ... |
Charly
|
|
|
Hubert Mulzer | ... |
Police officer
|
|
|
Arnd Klawitter | ... |
Card seller
|
Pünktchen and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken. Written by Julian Reischl <julianreischl@mac.com>
I normally don't like to compare a movie with the book it is based on (because a book is a book, and a movie a movie, simple as that), but in this case I have to make an exception. "Pünktchen und Anton" by Erich Kästner was a exceptionally progressive book when it came out, because it took children seriously, and unlike many other books of that time it didn't moralize or belittle them -- Kästner essentially wrote literature for children. Unfortunately, the movie is rather conventional in an end - of - 20.th - century way, in that it suckers up to the children and idealizes them. The result is an enjoyable, but rather conventional and very much unbrilliant movie, though I have to admit that my nephews enjoyed watching it (then again, they are young and haven't had the chance to develop a cinematic taste yet).
What spoilt it for me was that I frequently had the impression that the film makers had tried less hard than they would have with an adult movie, simply because they felt that the standards for a children's movie are by definition lower.