From a bland tract house on the outskirts of Los Angeles, Simon Geist (with occasional help from his platonic girlfriend Darla) wages war against all of modern American popular culture. ... See full summary »
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Four friends search for their dead friend Beetsa. No one, not even her parents, will tell them where she is buried. These four will do anything and everything to keep Beetsa, and the reality of her death, away from them.
From a bland tract house on the outskirts of Los Angeles, Simon Geist (with occasional help from his platonic girlfriend Darla) wages war against all of modern American popular culture. Geist starts up a magazine called "The Next Big Thing", which he uses to confront and insult upcoming actors, comics, models and rock bands. As Geist's mysterious Underground Agenda escalates, will he become the "last big thing", or be co-opted by the very forces he is railing against? Written by
Van Film Fest
This film is as good as it is difficult to find. The film's hero (and writer and director) is Simon Geist- a man "with an agenda." He creates a fake magazine just to have the authority to interview the swine of Los Angeles- the actors, the models, the musicians- who believe that their own defecation doesn't smell. With clever dialog, Zucovic succeeds in doing this. Sure, the budget for this film was probably what he paid for a used car, but this film is so solid and so well written that it works very well. Any person who can reenact Edward Munk's 'The Scream' in the reflection of a silver trashbin at a local coffee house should be nominated for some type of award. Give this film a chance and listen to what it says... because they HAVE been making the same car since 1986... it's called 'the car.' Bravo, Zucovic, bravo!
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