A woman walking home late at night is attacked by an unknown assailant who knocks her out with chloroform. When she regains consciousness, she finds herself tied to a bed in a blood- ...
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A group of guys capture a young girl with the intent of hurting her. They torture her in many ways, from beating her to putting a sharp piece of needle-like metal through her eye which ... See full summary »
An artist finds and rescues a mermaid in a sewer. He takes her home with him and she develops sores all over her body that begin to pustulate and bleed. He uses what oozes from her sores to... See full summary »
A men gets depressed because his girlfriend has dumped him for a friend. He tries to attempt suicide but to no avail, so he decides to scare the guy that stole his girl, by throwing his own... See full summary »
Two women are abducted by a group of snuff filmmakers and brought into a Hellish nightmare of unmistakable brutality, viciousness and destruction that will leave every viewer shocked, amazed and awestruck.
An unnamed doctor has always had everything he's ever wanted, but that has only made him develop more extreme and depraved needs. He kidnaps a young couple in the prime of their life ... See full summary »
A woman walking home late at night is attacked by an unknown assailant who knocks her out with chloroform. When she regains consciousness, she finds herself tied to a bed in a blood- spattered dungeon, at the mercy of a white-faced man in a samurai helmet who wants to turn her into a "flower of blood and flesh." He then proceeds to slowly dismember and disembowel her as the camera records it all. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
The film gained some notoriety in 1991 when actor Charlie Sheen viewed it and came to believe that it was an illegal snuff film. He contacted the FBI with his complaint and an investigation ensued, but the movie was eventually proven to be merely a very realistic (yet completely fictional) horror film, and not a document of an actual murder. See more »
After the woman gets decapitated, her head flies into a wall; it is not possible for a head to go flying that fast, after it's dismembered. See more »
Brutal, uncompromising, plotless... and fascinating
Guinea Pig II: The Flower of Flesh and Blood (Hideshi Hino, 1985)
Hideshi Hino is, simply, one of Japan's finest exports. Writer, graphic artist, rabid media critic, all-around fun guy, but for as long as civilization exists he will be best remember as the guy who drove Charlie Sheen to the FBI.
Sheen saw _Guinea Pig II: The Flower of Flesh and Blood_ in 1990 at a party he was attending, and he was convinced that it was a true snuff film, so he took the copy and gave it to the local branch of the FBI. Large-scale investigations in both American and Japan followed, culminating ultimately in (a) the finding that GP2, like all other supposed snuff films, isn't real, and (b) Hino exploding in popularity in the United States (it's not a coincidence that an American graphic arts publisher started releasing Hino books in America in 1992, all of which I recommend very highly as a fantastic glimpse into the collective subconscious of post-WW2 Japan). The darker underbelly of the investigation resulted in the banning of Guinea Pig in Japan. To date, no distributor has picked up and reprinted the films officially (though the ban has not stopped new ones from leaking out, and the series now stands at nine), and so when one finds copies of Guinea Pig films, they are often fourth- and fifth-generation dubs of questionable quality at best. I have my doubts as to whether even owning them in the United States is legal, but one assumes that if it weren't, the sellers on ebay would be arrested pretty quick... but I'm relying on supposition here. (If I disappear quickly, you know why.)
Yesterday I received a third-generation copy of II and III (see below). GP2 is the most infamous of the series. It is also the shortest, clocking in at a scant forty-two minutes. It has no plot to speak of. A woman is abducted by a man dressed as a fourteenth-century Samurai warrior and systematically dismembered. And while, if you know the basics of film composition and realize that the cut shots could not have been done in the ways they are if this were actually being filmed in real-time, there are a few points where the best thing one can do is to sit and repeat to oneself "this is not real." The effects are, quite simply, spectacular (within the framework of what's going on), and I was pleasantly-- if anything about this can possibly be said to be pleasant-- surprised by the fact that other than the differing genders of the two players in this twisted, brutal sturm und drang (and much more drang than sturm, if you translate it literally), any sexuality involved is read into it by the viewer.
Guinea Pig 2 is not something to be enjoyed; it is something to test the boundaries of one's endurance. How is it possible to rate such an experience? And do you really want something like this in your home? In my case the answer is an unqualified "yes," but then, I'm depraved. Going strictly on the quality of my copy and the shattering effectiveness of the film at what it sets out to do, I'm forced to give it *** 1/2.
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