The boyfriend (Cantinflas) of the servant of a rich industrial man, gets into the house in order to kill a mad dog. Suddenly this man appears so the servant tells him that Cantinflas is his... See full summary »
Cantinflas is a private, who doesn't know anything about discipline or following rules. He only wants to think about his girlfriend, the maid in an opulent hacienda. The owner has an ugly ... See full summary »
Miguel M. Delgado
Daniel 'Chino' Herrera
Lopez, treated derisively by all as Lopitos, is a humble but loyal citizen of Los Cocos Republic, working as an assistant at the chancellery, helping to process visas. Through a sudden ... See full summary »
It is the story of a sportsman who is a little bit dumber than most people but nevertheless he succeeds in getting a job at a sports article saler's. Having this job is the beginning of a ... See full summary »
Miguel M. Delgado
Joaquín García Vargas
'Día Con el Diablo' ('One Day with the Devil') was a vehicle for the comedic talents of Mexican star Cantinflas, who was proclaimed by none other than Charlie Chaplin himself as "the world's greatest comedian". He's probably best know in America for playing Passepartout in the 1956 version of 'Around the World in 80 Days', despite being known as the world's highest paid comedian, reportedly earning in excess of $1.5m a year in the late 1950s. He's at the height of his powers here, carrying this entire film with his physical comedy and rambling monologues.
This really is a surprisingly entertaining movie; surprising because it's had so little exposure outside of Mexico. During an unspecified war (not WWII, as this war doesn't last very long, although it does seem to be against the Japanese) Cantinflas (playing an unnamed character) is mistaken for a deserter. Our untrained hero is forced into the army and eventually sent off to war. There are shades of 'Sgt. Bilko' and even 'Blackadder Goes Forth' as he tries every trick in the book to dodge death on a daily basis.
The fantasy elements all take place in the final third of the film. They involved a meeting with St. Peter and the 1,100 virgins in Heaven and an emotional meeting with Satan in Hell. These were of course, very apt spoofs at the time, as cinema-goers were inundated with these types of fantasy films in the mid 1940s, mainly coming from Hollywood of course.
You may struggle to find this film, particularly with English subtitles, but if you get the chance, see it. Not all the jokes transfer to English perfectly but the humour that does transfer is as funny as anything made at the time. Highly recommended.
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