Based on Shakesphere's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the... See full summary »
Violetta meets Alfredo and quickly falls for him. After the lovers run away together, they live in bliss for a short time. However, Alfredo's father, Giorgio, starts to interfere, concerned... See full summary »
Catania, Sicilia 1854. A serious epidemic of cholera is hitting the region. Maria a 16 years old novice leaves her convent and returns her home to avoid contamination. Here she finds a ... See full summary »
Billy Flynn, a former boxing champion, is now horse trainer in Hialeah. He makes just enough money to raise his little boy T.J., over whom he got custody after his wife Annie left him seven... See full summary »
The two young lovers Tao and Valeria decide to go and enjoy a beautiful holiday in privacy, away from the daily routine and their parents. After a journey full of adventures, aboard a ... See full summary »
"Cavalleria Rusticana" reflects a timeless Sicilian conflict between love and honor, justice and violence. Mascagni's opera also has a conflict: a truly ugly theme with some of the most beautiful music ever written and performed in opera. Zefferelli's production does justice to all sides. It's not staged--instead, it's filmed on location in Sicily, which adds greatly to the power and beauty of the story and performances. Zefferelli is almost the equal of Francis Coppola in his fanatical attention to detail and to quality. The Easter procession, "Ineggiamo il Signore e Risorto," combines a cast of hundreds in late 19th century period costume with some of the most awesome music in opera to create a scene of transcendent power and authenticity--I bet the procession is performed just that way, every year, in the town that Zefferelli filmed (trust him to find it). Placido Domingo is in splendid voice as Turiddu, and Elena Obratszova sings Santuzza in a steely, authoritative soprano. She's supported by the great Fedora Barbieri as Mamma Lucia. This is a peerless, definitive production of a great opera experience that never fails to move me.
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