| Videos (see all 2) |
| Kevin Zegers | ... | Josh Framm | |
| Dale Midkiff | ... | Patrick | |
| David Glyn-Jones | ... | Minister | |
| Caitlin Wachs | ... | Andrea Framm | |
| Chilton Crane | ... | Jackie Framm | |
| Chantal Strand | ... | Tammy | |
| Brodie Biles | ... | Boy at Wedding | |
| Martin Ferrero | ... | Snerbert | |
| Duncan Regehr | ... | Geoffrey Putter | |
| Don McMillan | ... | Webster | |
| Brittany Paige Bouck | ... | Emma Putter | |
| Patricia Idlette | ... | Mrs. Brimstone | |
| Shayn Solberg | ... | Tom | |
| Julie Patzwald | ... | Kate | |
| Shane Vajda | ... | Moose | |
| Miguel Sandoval | ... | Coach Montoya | |
| Levi James | ... | Sam Drake | |
| Chris Wilding | ... | Mike | |
| Jay Brazeau | ... | Referee #1 | |
| Frank C. Turner | ... | Referee #2 | |
| Tom Shorthouse | ... | Old Man | |
| Fred Keating | ... | Coach Sterns | |
| Mark Pawson | ... | Assistant Coach | |
| Jeremy Guilbaut | ... | Steve Stearns | |
| Eric Hui | ... | Spartans Player | |
| Nick Misura | ... | Janitor | |
| Briana Scurry | ... | Herself | |
| Scott Watson | ... | Announcer Brad | |
| Kelly Herron | ... | Announcer Ted | |
| Dave Cameron | ... | World Cup Announcer #1 | |
| Paul Carson | ... | World Cup Announcer #2 | |
| Brandi Chastain | ... | Herself | |
| Tisha Venturini | ... | Herself | |
| Dakota | ... | Buddy | |
| Walker | ... | Buddy | |
| Shooter | ... | Buddy | |
| Tango | ... | Buddy | |
| Poacher | ... | Buddy | |
| Emma | ... | Molly | |
| rest of cast listed alphabetically: | |||
| Sarah Deakins | ... | Mother (uncredited) | |
| Alexander Ludwig | ... | Actor (uncredited) | |
| Peter Madsen | ... | World Cup International Coach (uncredited) | |
Directed by | |||
| Bill Bannerman | |||
Writing credits(WGA) | ||
| Kevin DiCicco | (character "Air Bud") | |
| Mick Whiting | (written by) and | |
| Robert Vince | (written by) & | |
| Anne Vince | (written by) | |
| Paul Tamasy | (characters) & | |
| Aaron Mendelsohn | (characters) | |
Produced by | |||
| Richard Bullock | .... | line producer | |
| Ian Fodie | .... | producer | |
| Michael Strange | .... | executive producer | |
| Anne Vince | .... | executive producer | |
| Robert Vince | .... | executive producer | |
Original Music by | |||
| Brahm Wenger | |||
Cinematography by | |||
| Cyrus Block | |||
Film Editing by | |||
| Kelly Herron | |||
| Lara Mazur | |||
Casting by | |||
| Lorna Johnson | |||
| Ellie Kanner | |||
Production Design by | |||
| Carmi Gallo | |||
Art Direction by | |||
| Norma Rodgers | |||
Set Decoration by | |||
| James Willcock | |||
Costume Design by | |||
| Kate Healey | |||
Makeup Department | |||
| Emanuela Daus | .... | key makeup artist: second unit | |
| Christie Dillabough | .... | first assistant makeup artist | |
| Tanya Hudson | .... | hair stylist: additional photography | |
| Simon Karpowicz | .... | assistant hair stylist | |
| Rebecca Lee | .... | second assistant makeup artist | |
| James Dean Patten | .... | assistant hair stylist | |
| Dean Ryan | .... | key hair stylist | |
| Lisa Waddell | .... | makeup department head | |
| Vince Yoshida | .... | fabricator (uncredited) | |
Production Management | |||
| Ian Birkett | .... | unit manager | |
| Richard Bullock | .... | production manager | |
| Anna McRoberts | .... | production supervisor: additional photography (as Anna-Maria McRoberts) | |
| Joel Segal | .... | executive in charge of production | |
| Scott Watson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Marina Alstad | .... | trainee assistant director: second unit | |
| Scott J. Ateah | .... | second unit director | |
| Keith R. Giesbrecht | .... | trainee assistant director: additional photography | |
| Eddy Hardy | .... | third assistant director | |
| David Massar | .... | first assistant director: second unit | |
| Nicole McKay | .... | second assistant director: second unit | |
| Jordan Roberts | .... | second assistant director | |
| Tanis Roese | .... | trainee assistant director | |
| Drew Taylor | .... | third assistant director: second unit | |
| Josh Skye | .... | third assistant director (uncredited) | |
Sound Department | |||
| Tyler Berrie | .... | foley recordist | |
| Tyler Berrie | .... | sound re-recording mixer | |
| Beau Biggart | .... | adr recordist: Los Angeles | |
| Marc Chiasson | .... | supervising sound editor | |
| Kris Fenske | .... | sound effects editor | |
| Dean Giammarco | .... | sound re-recording mixer | |
| Darren Gilmore | .... | adr assistant | |
| Evani Goll | .... | second assistant sound editor | |
| Tony Gronick | .... | sound effects editor | |
| Randall Lee | .... | chief engineer | |
| Samuel Lehmer | .... | supervising re-recording mixer | |
| Johnny Ludgate | .... | sound effects editor (as John Ludgate) | |
| Jesse Lyon | .... | adr recordist | |
| Grant McAlpine | .... | adr recordist | |
| Carolyn Motyer | .... | boom operator | |
| John Motyer | .... | location sound mixer | |
| Maureen Murphy | .... | foley walker | |
| Tim Peters | .... | first assistant sound editor | |
| Rick Senechal | .... | sound effects editor | |
| Daniel Sperry | .... | stereo sound consultant: Dolby (as Dan Sperry) | |
| John R.S. Taylor | .... | adr editor | |
| John R.S. Taylor | .... | dialogue editor | |
| Cam Wagner | .... | foley walker | |
Special Effects by | |||
| David Barkes | .... | special effects assistant: second unit | |
Visual Effects by | |||
| Michael Dalton-Smith | .... | visual effects compositor | |
| Steven Hodgson | .... | visual effects supervisor | |
| Mary Holding | .... | visual effects compositor | |
| Grant Lindsay | .... | visual effects producer | |
| Christopher Dusendschon | .... | optical compositor: THDX (uncredited) | |
Stunts | |||
| Richard Brooks | .... | stunt player | |
| Garvin Cross | .... | stunt player | |
| Ryan Ennis | .... | assistant stunt coordinator | |
| Danny Gurniak | .... | stunt player | |
| Brad Kelly | .... | stunt player | |
| Randy Lee | .... | stunt coordinator | |
| Fred Perron | .... | stunt player | |
| Jeff Rupp | .... | stunt player | |
| Lori Stewart | .... | stunt player | |
Casting Department | |||
| Sandra-Ken Freeman | .... | principal and background casting associate: Canada | |
| Linda Pao-Inthara | .... | casting assistant: USA | |
| Audrey Skalbania | .... | extras casting: Canada | |
| Jared Valentine | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kathy Kertesz | .... | key costumer: second unit | |
| Jessica Lythgoe-Green | .... | second assistant costume designer | |
| Jody Leanne Petford | .... | assistant costume designer | |
Editorial Department | |||
| David Armstrong | .... | color timer | |
| Francesca Benedetti | .... | post-production coordinator | |
| Janet Gaynor | .... | post-production assistant | |
| Andrew Notman | .... | assistant editor | |
| Jason Pielak | .... | assistant editor | |
| Jodie Davidson | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Glen Alan | .... | assistant music engineer | |
| Hal Beckett | .... | music contractor | |
| Hal Beckett | .... | music editor (as Hal Foxton Beckett) | |
| Michael Colomby | .... | scoring mixer: songs | |
| Victor Costanzi | .... | concert master | |
| Dean Maher | .... | assistant music engineer | |
| Don Mann | .... | music editor | |
| Roger Monk | .... | score mixer (as Roger Monn) | |
| Gregory Prechel | .... | orchestrator | |
| Brahm Wenger | .... | conductor | |
Transportation Department | |||
| Peter Huff | .... | transportation coordinator | |
| Fred Moroz | .... | transportation captain: second unit | |
| John O'Toole | .... | transportation captain | |
| Blair Smith | .... | transportation coordinator: additional photography | |
| Larry Tardif | .... | driver: bus | |
| Brian Whitlock | .... | transportation co-captain | |
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| Air Bud: Seventh Inning Fetch | Air Bud: Golden Receiver | Air Bud | Air Bud: Spikes Back | Air Buddies |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
At least if you're a Disney fanatic (well, of the variety who loves their live-action films as well as the animated stuff), if you're a kid, if you're a kid at heart almost to the extent that you hardly realize you're an adult, if you love absolutely any film that features animals, especially when they're doing tricks, or if you're just not too demanding, Air Bud: World Pup is somewhat enjoyable to watch. I'm a Disney fanatic. I enjoyed this film enough, and I'll gladly watch it again.
But boy does it have a lot of problems. The main flaw arises from a combination of too many characters, too many plot threads and not enough time to take care of them all. In the space of 82 minutes, we've got adults getting married, teens falling in love and trying not to be awkward at it, teen competition for love and jealousy, preteens playing spy games, dogs falling in love, dogs playing soccer, dogs having puppies, manipulative parents who'll do anything to make their kids win being taught a lesson by their kids, housekeeper dilemmas, and crooks cooking up and executing elaborate plots. I'm probably forgetting something, but that's 10 big plot issues to be dealt with, with less than 10 minutes per thread to deal with them, and presumably weave them into a coherent whole that's both not too complicated--this is a kids' film, after all--and that's also humorous and heartwarming. Not surprisingly, director Bill Bannerman, on his first turn being completely in charge (he has a lot of previous second unit experience), wasn't quite up to the task. I'm sure it didn't help that there were at least three screenwriters involved, and probably dictating producers, as well.
The end result is that Air Bud: World Pup is extremely choppy. Events occur with little justification, and worse, often little explanation. People figure out and do things primarily because they need to--and fast--so that everything can arrive where it needs to arrive in less than 90 minutes. From one cut to the next, time might jump ahead six months or so. We have both adults who seem like maybe they're mentally disabled and kids who just intuitively figure out what a dog is thinking and rush into some unexpected action. Some of the threads should have simply been removed, because it's difficult to become too engaged in the film when as soon as you're introduced to an idea, it's already passed you by.
Also not helping is the fact that one of the threads is basically a rip-off of One Hundred and One Dalmatians (1961), minus a Cruella De Vil character. And another problem is that given the way the film is edited, I have to assume that the dog, Air Bud, probably couldn't do much with the soccer ball. Unlike the first two films, a dog playing a sport is almost an afterthought here, and when we see him, it's in very quick glimpses; every once in a while, these snippets appear to be even aided by computer animation.
Yet, for someone like me, there's a cheesy charm to Air Bud: World Pup. The script and performances often teeter between ridiculous, hokey and kinda clichéd. I tend to like that combination. It makes the film both a bit predictable and subtly bizarre. And at times, like the ending, when the film completely abandons consistency and basically becomes a commercial for the U.S. Women's Soccer Team, Air Bud: World Pup is so blatantly tacky that you can't help but love it.