Five years after Yippie founder Abbie Hoffman goes underground to avoid a drug-related prison sentence, he contacts a reporter to get out the story of the FBI's covert spying, harassment ... See full summary »
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England 1949. Broke for cash, Orson Welles has agreed to play a part in a spy movie, "The Third Man." The pivotal scene of the movie is about to be shot. But there is a problem: Orson isn't happy with Harry Lime's lines.
Five years after Yippie founder Abbie Hoffman goes underground to avoid a drug-related prison sentence, he contacts a reporter to get out the story of the FBI's covert spying, harassment and inciting of violence they then blame on the Left. The skeptical reporter interviews Anita, Hoffman's wife, a single mom on welfare in New York City; Hoffman's attorney, Gerry Lefcourt; and others. As they talk, we see Hoffman's career in flashbacks, from early civil rights organizing through the trial of the Chicago Eight. While underground, as mental illness takes its toll, he meets Johanna Lawrenson, and an odd family develops: Abbie, Anita, their son, and Johanna. Will vindication ever arrive? Written by
Hoffman asks a young soldier what he thought about Jimi Hendrix at Woodstock. Hoffman talks about Jimi playing before half a million people. In fact, Hendrix was one of the last acts to play - on Monday morning of the weekend concert. About 40,000 - 50,000 people were left to see his performance. See more »
The film is an interesting look, at what appears to be an interesting man. The style of film is distracting at first - it's all a little too busy, but once you get get by that the film is an interesting ride. The performances are great - Janeane Garolfalo and Jeanne Tripplehorn play the women Abbie loved and do it very effectivly. And D'Onofio is great as Hoffman himself - fiery, passionate and very effective. If there's a problem with the movie, it's that it seems too in love with Hoffman to give a truly accuarate picture. It romaticizes his struggle and seems to think that Hoffman did nothing wrong when he sold what appears to be a lot of cocaine to an FBI agent. True, he was set up, but he still sold it. The film breezes past Hoffman's suicide and paints a man like a golden boy, a truly great man. I would have appreciated a more honest look.
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