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Eva Dandridge is a very uptight young woman who constantly meddles in the affairs of her sisters and their husbands. Her in-laws, who are tired of Eva interfering in their lives, decide to ... See full summary »
Kenya McQueen, an accountant finds love in the most unexpected place when she agrees to go on a blind date with Brian Kelly, a sexy and free-spirited landscaper.
Director:
Sanaa Hamri
Stars:
Sanaa Lathan,
Fuzzy Fantabulous,
Golden Brooks
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
Director:
Kevin Smith
Stars:
Elizabeth Banks,
Seth Rogen,
Craig Robinson
Holden and Banky are comic book artists. Everything's going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
In 1976, Drew Tate is a young teenager who has trouble dealing with life after he accidentally sets his house on fire. His parents Kenny and Brenda decide to go to Martha's Vineyard to ... See full summary »
On the wedding day of a writer's friend, things aren't looking good when the groom goes missing before the ceremony. During his and his other male friend's effort to retrieve him, that writer named Mike can't help but tell the story of his youth with his friends. Ever since he met them on his first day at a new school, they shared the common experiences of growing up and life's discoveries. Written by
Kenneth Chisholm <kchishol@execulink.com>
In a recent visit to USC, his alma mater, Rick Famuyiwa revealed that Paramount executives wanted the character of Mike to pinch Alicia's buttocks in the end scene for added laughs. Needless to say, Famuyiwa balked at this and never shot this. The opening Steadicam shot took almost an entire day to shoot. See more »
Goofs
When Stacy is driving the boys to the dance, Too Short's "Freaky Tales" can be heard playing in the background. The setting for this part of the movie is 1986, and "Freaky Tales" wasn't released until 1988. See more »
Quotes
Lisa:
Ya'll must think I'm stupid like one of those Thelma & Louise bitches!
Mike:
Nah, Nah----
Lisa:
Car broke down?! Tell that fool he could at least faced me like a man!
Mike:
But, But--
Lisa:
I'm not gon' cry! I'm not! I spent too much time on this damn make-up!
Mike:
Lisa, calm down...
Lisa:
I am calm!
Mike:
So then why are you yellin'?
See more »
Three hours before his wedding and Roland is nowhere to be found. His best friends, Mike and Slim, are both stressed trying to work out where they could be when they both get pages from his ex-girlfriend. They go to her house to find him drunk and experiencing doubts. As they drive around, sober him up and dry clean their suits for the wedding, they take time to uncover why he has doubts and also take a trip down memory lane and where they grew up in Inglewood.
Having seen several films on the trot where race is used to `comic' effect in a string of endless racist jokes it was refreshing to sit and watch a film where the cast were almost 100% black but the story was not told in relation to the colour of it's characters. Instead the story is a straight story of childhood memories and it could easily have been any culture telling it. Of course there is a thread of black culture running through the film but it is simply there as opposed to being the focus.
The story is slight and not totally together but it is interesting. The reasons for Roland's doubts are not made totally clear by the end of the film and there is a suggestion that it is really just a frame for the memories to occur within. This isn't too bad as the memories are really more of the story than the modern day trigger is. Both strands work quite well as long as you don't expect too much, it has a gentle humour that is pleasant and enjoyable and both strands seem to be able to carry it. The `to-camera' narration was a bit of a risk that I thought it didn't totally carry off but, happily, after the first 10 minutes it is pretty much absent for the rest of the film. Some of the strands don't totally come to a close and the fact that the main plot (Roland going missing on his wedding day) is mostly a side issue is a distraction but not to a detrimental point.
The cast are all pretty good. Epps is a good lead and is a likeable character. Diggs is good looking but he doesn't act as well as he can for much of the movie his `drunk' acting is pretty poor although he gets better as he sobers up. Jones is a bit of a comedy figure but does his job well despite being the least developed of the three. The teenage actors all carry themselves well, although in this modern tabloid world of hysteria it is a little uncomfortable to watch two young teenagers have sex (although I was relieved to find that the sexy one of them, Malinda Williams, was actually 24 when she played a 14 year old). The women are all very good looking but have lesser roles as the males take the meat of the story Tamala Jones is good and Epps' co-star from Love & Basketball (Sanaa Lathan) joins him for a brief role.
Overall it is a very light film that has a plot in a very basic sense but is really more of a nostalgic trip down the teenage years that is told with honesty and humour. It may not resemble any life I ever had but there were themes I could relate to. Slight but fun and, after seeing National Security, Undercover Brother and Bringing Down the House (where race is used for humour, rather than being a side issue) The Wood was also a breath of fresh air.
12 of 12 people found this review helpful.
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Three hours before his wedding and Roland is nowhere to be found. His best friends, Mike and Slim, are both stressed trying to work out where they could be when they both get pages from his ex-girlfriend. They go to her house to find him drunk and experiencing doubts. As they drive around, sober him up and dry clean their suits for the wedding, they take time to uncover why he has doubts and also take a trip down memory lane and where they grew up in Inglewood.
Having seen several films on the trot where race is used to `comic' effect in a string of endless racist jokes it was refreshing to sit and watch a film where the cast were almost 100% black but the story was not told in relation to the colour of it's characters. Instead the story is a straight story of childhood memories and it could easily have been any culture telling it. Of course there is a thread of black culture running through the film but it is simply there as opposed to being the focus.
The story is slight and not totally together but it is interesting. The reasons for Roland's doubts are not made totally clear by the end of the film and there is a suggestion that it is really just a frame for the memories to occur within. This isn't too bad as the memories are really more of the story than the modern day trigger is. Both strands work quite well as long as you don't expect too much, it has a gentle humour that is pleasant and enjoyable and both strands seem to be able to carry it. The `to-camera' narration was a bit of a risk that I thought it didn't totally carry off but, happily, after the first 10 minutes it is pretty much absent for the rest of the film. Some of the strands don't totally come to a close and the fact that the main plot (Roland going missing on his wedding day) is mostly a side issue is a distraction but not to a detrimental point.
The cast are all pretty good. Epps is a good lead and is a likeable character. Diggs is good looking but he doesn't act as well as he can for much of the movie his `drunk' acting is pretty poor although he gets better as he sobers up. Jones is a bit of a comedy figure but does his job well despite being the least developed of the three. The teenage actors all carry themselves well, although in this modern tabloid world of hysteria it is a little uncomfortable to watch two young teenagers have sex (although I was relieved to find that the sexy one of them, Malinda Williams, was actually 24 when she played a 14 year old). The women are all very good looking but have lesser roles as the males take the meat of the story Tamala Jones is good and Epps' co-star from Love & Basketball (Sanaa Lathan) joins him for a brief role.
Overall it is a very light film that has a plot in a very basic sense but is really more of a nostalgic trip down the teenage years that is told with honesty and humour. It may not resemble any life I ever had but there were themes I could relate to. Slight but fun and, after seeing National Security, Undercover Brother and Bringing Down the House (where race is used for humour, rather than being a side issue) The Wood was also a breath of fresh air.