The Wood (1999)

While dealing with a friend's cold feet on his wedding day, a writer reminisces about his youth with his best friends.

Director:

Rick Famuyiwa

Writers:

Rick Famuyiwa (story), Todd Boyd (story),

Stars:

Elayn J. Taylor, Omar Epps, Richard T. Jones

1 win & 7 nominations.

Cast

Cast overview, first billed only:
Elayn J. Taylor	...	Roland's Mother (as Elayn Taylor)
Omar Epps	...	Mike
Richard T. Jones	...	Slim
Sean Nelson	...	Young Mike
Duane Finley	...	Young Slim
Trent Cameron	...	Young Roland
Malinda Williams	...	Young Alicia
Patricia Belcher	...	Mrs. Hughes
Taye Diggs	...	Roland
Tamala Jones	...	Tanya
De'aundre Bonds	...	Stacey (as De'Aundre Bonds)
Cynthia Martells	...	Mike's Mother
Wyking Jones	...	Cashiers in Mini Mart
Geoffrey Blackshire	...	Cashiers in Mini Mart
Jascha Washington	...	Mike's Brother

Storyline

On the wedding day of a writer's friend, things aren't looking good when the groom goes missing before the ceremony. During his and his other male friend's effort to retrieve him, that writer named Mike can't help but tell the story of his youth with his friends. Ever since he met them on his first day at a new school, they shared the common experiences of growing up and life's discoveries.

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Plot Keywords:

wedding | friendship | flashback | fisticuffs | coming of age | 

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Taglines:

From boyhood to manhood, you can always count on your best friends.

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Genres:

Comedy | Drama | Romance

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Motion Picture Rating (MPAA)

Rated R for strong language and some strong sexuality

Details

Official Sites:

Paramount Pictures

Country:

USA

Language:

English

Release Date:

16 July 1999 (USA)

Also Known As:

Amigos por siempre

Filming Locations:

Inglewood, California, USA

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$8,515,223 (USA) (16 July 1999)

Gross:

$25,047,631 (USA) (15 October 1999)

Company Credits

Production Co:

Bona Fide Productions, MTV Films

Technical Specs

Runtime:

106 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

In a recent visit to USC, his alma mater, Rick Famuyiwa revealed that Paramount executives wanted the character of Mike to pinch Alicia's buttocks in the end scene for added laughs. Needless to say, Famuyiwa balked at this and never shot this. The opening Steadicam shot took almost an entire day to shoot.

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Goofs

When Stacy is driving the boys to the dance, Too Short's "Freaky Tales" can be heard playing in the background. The setting for this part of the movie is 1986, and "Freaky Tales" wasn't released until 1988.

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Quotes

Lisa: Ya'll must think I'm stupid like one of those Thelma & Louise bitches!
Mike: Nah, Nah----
Lisa: Car broke down?! Tell that fool he could at least faced me like a man!
Mike: But, But--
Lisa: I'm not gon' cry! I'm not! I spent too much time on this damn make-up!
Mike: Lisa, calm down...
Lisa: I am calm!
Mike: So then why are you yellin'?

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Connections

References Dance Fever (1979)

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Soundtracks

"Ready or Not"
Performed by After 7

User Reviews

Light and low on plot but an enjoyable little film with charm

Three hours before his wedding and Roland is nowhere to be found. His best friends, Mike and Slim, are both stressed trying to work out where they could be when they both get pages from his ex-girlfriend. They go to her house to find him drunk and experiencing doubts. As they drive around, sober him up and dry clean their suits for the wedding, they take time to uncover why he has doubts and also take a trip down memory lane and where they grew up in Inglewood.

Having seen several films on the trot where race is used to `comic' effect in a string of endless racist jokes it was refreshing to sit and watch a film where the cast were almost 100% black but the story was not told in relation to the colour of it's characters. Instead the story is a straight story of childhood memories and it could easily have been any culture telling it. Of course there is a thread of black culture running through the film but it is simply there as opposed to being the focus.

The story is slight and not totally together but it is interesting. The reasons for Roland's doubts are not made totally clear by the end of the film and there is a suggestion that it is really just a frame for the memories to occur within. This isn't too bad as the memories are really more of the story than the modern day trigger is. Both strands work quite well as long as you don't expect too much, it has a gentle humour that is pleasant and enjoyable and both strands seem to be able to carry it. The `to-camera' narration was a bit of a risk that I thought it didn't totally carry off but, happily, after the first 10 minutes it is pretty much absent for the rest of the film. Some of the strands don't totally come to a close and the fact that the main plot (Roland going missing on his wedding day) is mostly a side issue is a distraction but not to a detrimental point.

The cast are all pretty good. Epps is a good lead and is a likeable character. Diggs is good looking but he doesn't act as well as he can for much of the movie – his `drunk' acting is pretty poor although he gets better as he sobers up. Jones is a bit of a comedy figure but does his job well despite being the least developed of the three. The teenage actors all carry themselves well, although in this modern tabloid world of hysteria it is a little uncomfortable to watch two young teenagers have sex (although I was relieved to find that the sexy one of them, Malinda Williams, was actually 24 when she played a 14 year old). The women are all very good looking but have lesser roles as the males take the meat of the story – Tamala Jones is good and Epps' co-star from Love & Basketball (Sanaa Lathan) joins him for a brief role.

Overall it is a very light film that has a plot in a very basic sense but is really more of a nostalgic trip down the teenage years that is told with honesty and humour. It may not resemble any life I ever had but there were themes I could relate to. Slight but fun and, after seeing National Security, Undercover Brother and Bringing Down the House (where race is used for humour, rather than being a side issue) The Wood was also a breath of fresh air.