| Photos (See all 202 | slideshow) | Videos (see all 8) |
| Michelle Pfeiffer | ... | Claire Spencer | |
| Katharine Towne | ... | Caitlin Spencer | |
| Miranda Otto | ... | Mary Feur | |
| James Remar | ... | Warren Feur | |
| Harrison Ford | ... | Norman Spencer | |
| Victoria Bidewell | ... | Beatrice | |
| Diana Scarwid | ... | Jody | |
| Dennison Samaroo | ... | PhD Student #1 | |
| Jennifer Tung | ... | PhD Student #2 | |
| Eliott Goretsky | ... | Teddy | |
| Rachel Singer | ... | PhD Student #3 | |
| Daniel Zelman | ... | PhD Student #4 | |
| Ray Baker | ... | Dr. Stan Powell | |
| Wendy Crewson | ... | Elena | |
| Amber Valletta | ... | Madison Elizabeth Frank | |
| Joe Morton | ... | Dr. Drayton | |
| Sloane Shelton | ... | Mrs. Templeton | |
| Tom Dahlgren | ... | Dean Templeton | |
| Micole Mercurio | ... | Mrs. Frank | |
| Donald Taylor | ... | Male EMT Worker | |
| rest of cast listed alphabetically: | |||
| Jayson Argento | ... | Cafe Customer (uncredited) | |
| J.C. Brandy | ... | Band Member (uncredited) | |
| Mark Patrick Costello | ... | (uncredited) | |
| Fabio May | ... | Lab Tech (uncredited) | |
| Julian Roca-Chow | ... | Dorm Student (uncredited) | |
| Carolyn Weidell | ... | Restaurant Patron (uncredited) | |
Directed by | |||
| Robert Zemeckis | |||
Writing credits(WGA) | ||
| Clark Gregg | (screenplay) | |
| Sarah Kernochan | (story) and | |
| Clark Gregg | (story) | |
Produced by | |||
| Steven J. Boyd | .... | associate producer (as Steven Boyd) | |
| Joan Bradshaw | .... | executive producer | |
| Mark Johnson | .... | executive producer | |
| Cherylanne Martin | .... | associate producer | |
| Jack Rapke | .... | producer | |
| Steve Starkey | .... | producer | |
| Robert Zemeckis | .... | producer | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Don Burgess | (director of photography) | ||
Film Editing by | |||
| Arthur Schmidt | |||
Casting by | |||
| Marcia DeBonis | |||
| Ellen Lewis | |||
Production Design by | |||
| Rick Carter | |||
| William James Teegarden | (as Jim Teegarden) | ||
Art Direction by | |||
| Stefan Dechant | |||
| Tony Fanning | |||
| Elizabeth Lapp | |||
Set Decoration by | |||
| Karen O'Hara | |||
Costume Design by | |||
| Susie DeSanto | |||
Makeup Department | |||
| Janice Alexander | .... | key hair stylist | |
| Alan D'Angerio | .... | hair stylist: Ms. Pfeiffer (as Alan Dangerio) | |
| Deborah La Mia Denaver | .... | key makeup artist | |
| Michael Kriston | .... | hair stylist: Mr. Ford | |
| Michael Laudati | .... | makeup artist: Mr. Ford | |
| Ronnie Specter | .... | makeup artist: Ms. Pfeiffer | |
| Francie Fillatti | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Cherylanne Martin | .... | unit production manager | |
| Peter M. Tobyansen | .... | production supervisor (as Peter 'Toby' Tobyansen) | |
Second Unit Director or Assistant Director | |||
| Paula Case | .... | second second assistant director (as Paula Harris) | |
| Carla Corwin | .... | first assistant director: underwater unit | |
| Basil Grillo | .... | second assistant director: second unit (as Basil Bryant Grillo) | |
| Max Kleven | .... | underwater unit director | |
| Josh McLaglen | .... | first assistant director | |
| Darin Rivetti | .... | first assistant director: second unit | |
| Rich Sickler | .... | second assistant director (as Rich T. Sickler) | |
| Steve Starkey | .... | second unit director | |
Art Department | |||
| William Acedo | .... | set dresser | |
| Charlie Araki | .... | construction accountant (as Charles Araki) | |
| Carlo Basail | .... | greensman | |
| Tristan Paris Bourne | .... | gang boss (as Tristan P. Bourne) | |
| Steve Brennan | .... | assistant property master (as Steven Brennan) | |
| Jon J. Bush | .... | second leadperson (as Jon Bush) | |
| Sophie Carlhian | .... | buyer: Vermont (as Sophie V. Carlhian) | |
| Ronald Carreiro | .... | swing gang: Vermont (as Ron Carreiro) | |
| Chris Chichotka | .... | construction foreman | |
| Randy L. Childs | .... | propmaker gang boss | |
| Denis Cordova | .... | general foreman | |
| Chris Cummings | .... | art department coordinator | |
| Michael N. Dupuis | .... | labor foreman | |
| Beverli Eagan | .... | set designer | |
| Andrea Mae Fenton | .... | assistant set decorator | |
| Anthony Feola | .... | labor foreman | |
| Chris Fousek | .... | swing gang: Vermont (as Chris 'Curtis' Fousek) | |
| Kyra Friedman Curcio | .... | buyer: Vermont (as Kyra Friedman) | |
| Harry Frierson | .... | set dresser (as Harry Frierson Jr.) | |
| Michael Gastaldo | .... | property master: second unit | |
| Nancy Gomes | .... | paint supervisor | |
| Pat Gomes | .... | paint foreman | |
| Will Grant | .... | set dresser | |
| James E. Hurd Jr. | .... | set dresser | |
| Chris Johnson | .... | art department production assistant (as Chris L. Johnson) | |
| Richard W. Jones | .... | greensman | |
| Richie Kawamoto | .... | set decoration coordinator | |
| Pamela Klamer | .... | set designer (as Pam Klamer) | |
| Ann Knight | .... | set dresser | |
| Frank Laux | .... | draper (as Frank S. Laux) | |
| Tony Leonardi | .... | stand-by painter (as A.J. Leonardi) | |
| Kathy Lucas | .... | buyer (as Katherine Lucas) | |
| Alicia Maccarone | .... | set designer | |
| P.K. MacCarthy | .... | storyboard artist (as Kevin McCarthy) | |
| Kevin Mangan | .... | greensman foreman | |
| James E. Marchwick | .... | on-set dresser (as James Marchwick) | |
| Louis Marquis | .... | gang boss | |
| Cynthia Martinez | .... | floral designer | |
| Masako Masuda | .... | set designer | |
| Cameron Matheson | .... | carpenter | |
| Maureen McGuire | .... | props department assistant | |
| Andrew Menzies | .... | assistant art director | |
| Robin L. Miller | .... | property master | |
| Steven O'Bannon | .... | hod carrier | |
| Dan Ondrejko | .... | greensmen coordinator (as Danny Ondrejko) | |
| Jose Orozco | .... | greensman | |
| Tim Payson | .... | swing gang: Vermont (as Timothy D. Payson) | |
| David C. Potter | .... | lead person | |
| Mario Presterone | .... | swing gang: Vermont (as Mario J. Presterone) | |
| Paul Richards | .... | leadperson: Vermont | |
| Richard Robinson | .... | construction foreman | |
| Doug Sieck | .... | set dresser | |
| Bob Skemp | .... | greens foreman | |
| Steve Sola | .... | construction foreman | |
| John F. Soria | .... | labor foreman (as John Soria) | |
| Patte Strong-Lord | .... | set designer | |
| Jim Stubblefield | .... | assistant property master (as D. James Stubblefield) | |
| Theodore Suchecki | .... | construction foreman | |
| Christine Sysko | .... | draper: Vermont | |
| Beck Taylor | .... | set designer | |
| Jeffrey Thomas | .... | greens stand-by | |
| Robert Van Dyke | .... | general foreman (as Robert J. Van Dyke) | |
| John Villarino | .... | construction coordinator | |
| Mike Villarino | .... | construction foreman (as Michael Villarino) | |
| Mark Weber | .... | construction foreman | |
| Christine Wick | .... | buyer: Vermont | |
| Timothy S. Wiles | .... | set dresser (as Tim Wiles) | |
| Greg Aronowitz | .... | model maker (uncredited) | |
| Richard J. Bell | .... | greensman (uncredited) | |
| Todd Bennett | .... | plaster foreman (uncredited) | |
| Mickey Carter | .... | swing gang: Vermont (uncredited) | |
| Ralph Contrado | .... | scenic (uncredited) | |
| Jennifer Engel | .... | set dresser (uncredited) | |
| Heather Kelton | .... | art department coordinator (uncredited) | |
| Jeff Khachadoorian | .... | carpenter (uncredited) | |
| Andrew Leman | .... | graphic designer: props (uncredited) | |
| Gregory Lynch Jr. | .... | carpenter (uncredited) | |
| Mark A. Mancinelli | .... | plasterer gang boss (uncredited) | |
| Alexander 'Sandy' Nesbitt | .... | prop maker (uncredited) | |
| Jack O'Neil | .... | carpenter (uncredited) | |
| Jeff Ogg | .... | carpenter (uncredited) | |
| Eugene Pope | .... | carpenter (uncredited) | |
| Peter Regnier | .... | set dresser (uncredited) | |
| Peter T. St. Onge | .... | carpenter (uncredited) | |
| Edward Tamayo | .... | set dresser (uncredited) | |
| Cole Taylor | .... | set construction foreman (uncredited) | |
Sound Department | |||
| Eleanor Beaton | .... | assistant foley editor | |
| Jessica Bellfort | .... | assistant dialogue editor | |
| Beau Borders | .... | assistant sound designer | |
| Tony Eckert | .... | foley mixer | |
| Andrea S. Gard | .... | sound effects editor (as Andrea Gard) | |
| Scott Guitteau | .... | sound effects assistant editor | |
| David C. Hughes | .... | sound effects editor (as David Hughes) | |
| Tom Johnson | .... | sound re-recording mixer | |
| William B. Kaplan | .... | production sound mixer | |
| Joanna Laurent | .... | supervising assistant sound editor | |
| Mary Helen Leasman | .... | foley editor | |
| Dennis Leonard | .... | supervising sound editor | |
| David Lucarelli | .... | adr recordist | |
| Marilyn McCoppen | .... | adr supervisor | |
| Marilyn McCoppen | .... | dialogue supervisor | |
| Frank 'Pepe' Merel | .... | foley recordist | |
| Peggy Names | .... | cable person (as Peggy A. Names) | |
| Jonathan Null | .... | foley editor | |
| Charleen Richards | .... | adr mixer | |
| Earl Sampson | .... | boom operator (as Earl F. Sampson) | |
| Dennis S. Sands | .... | sound re-recording mixer (as Dennis Sands) | |
| Steve Slanec | .... | adr assistant | |
| Steve Slanec | .... | dialogue assistant | |
| Ewa Sztompke | .... | dialogue editor (as Ewa Sztompke-Oatfield) | |
| Randy Thom | .... | sound designer | |
| Randy Thom | .... | sound re-recording mixer | |
| Dennie Thorpe | .... | foley artist | |
| Jana Vance | .... | foley artist | |
| Brian Chumney | .... | digital sound technician (uncredited) | |
| Sean England | .... | machine room operator (uncredited) | |
| Thomas Giordano | .... | sound technician (uncredited) | |
| Phil Hadaway | .... | adr engineer (uncredited) | |
| David Hunter | .... | digital sound technician (uncredited) | |
| Brian Magerkurth | .... | machine room operator (uncredited) | |
| Stuart McCowan | .... | apprentice sound designer (uncredited) | |
| Larry Oatfield | .... | conforming sound editor (uncredited) | |
| Steve Romanko | .... | sound re-recordist (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Charles Belardinelli | .... | special effects coordinator | |
| Thomas L. Bellissimo | .... | special effects supervisor (as T. Brooklyn Bellisimo) | |
| Jerry Donegan | .... | special effects (as Jerry Donegan Jr.) | |
| Trevor Hensley | .... | art department: Stan Winston Studio | |
| Grady Holder | .... | mold/technical department: Stan Winston Studio | |
| Frank Iudica | .... | special effects (as Frank Iudica Jr.) | |
| Carey Jones | .... | mold/technical department: Stan Winston Studio | |
| Mark Jurinko | .... | art department: Stan Winston Studio | |
| Richard J. Landon | .... | mechanical effects coordinator: Stan Winston Studio (as Richard Landon) | |
| Shane Mahan | .... | special effects supervisor: Stan Winston Studio | |
| Keith Marbory | .... | mold/technical department: Stan Winston Studio | |
| Jason Matthews | .... | key artist: Stan Winston Studio | |
| Tony McCray | .... | mold/technical department supervisor: Stan Winston Studio | |
| Mark 'Crash' McCreery | .... | concept art director: Stan Winston Studio | |
| Andrew Miller | .... | special effects (as Andy Miller) | |
| Michael Ornelaz | .... | key hair stylist: Stan Winston Studio | |
| Joey Orosco | .... | key artist: Stan Winston Studio | |
| Christy Sumner | .... | special effects | |
| Malia Thompson | .... | special effects technician (as Malia K. Thompson) | |
| Shannon J. Thompson | .... | special effects | |
| Thomas Zell | .... | special effects | |
| Joel P. Blanchard | .... | special effects technician (uncredited) | |
| Ron Bolanowski | .... | special effects coordinator (uncredited) | |
| Darin Bouyssou | .... | mold technician: Stan Winston Studio (uncredited) | |
| Keith Marbory | .... | special effects supervisor (uncredited) | |
| Daren Rouse | .... | special effects (uncredited) | |
| Jon Thackery | .... | special effects (uncredited) | |
Visual Effects by | |||
| Amit Agrawal | .... | software development department manager: SPI | |
| Ted Alexandre | .... | senior systems engineer: SPI | |
| Chris Allen | .... | software engineer: SPI | |
| Maura Alvarez | .... | rotoscope lead artist: SPI (as Maura N. Alvarez) | |
| Christopher Arreola | .... | lead scanning technician: SPI | |
| Bill Houston Ball | .... | match move artist: SPI (as William Ball) | |
| Brian Battles | .... | high speed compositing artist: SPI | |
| John Berri | .... | visual effects avid editor: SPI | |
| Steven Blakey | .... | technical director: SPI (as Steve Blakey) | |
| Marzette Bonar | .... | production still supervisor: SPI | |
| Richard Bugge | .... | systems administrator: SPI | |
| David Burton | .... | visual effects: Travelling Pictures (as Dave Burton) | |
| Timothy Michael Cairns | .... | visual effects production assistant: SPI | |
| Sean Callan | .... | technical assistant: SPI | |
| Marguerite Cargill | .... | high speed compositing artist: SPI | |
| Rich Cole | .... | senior coordinator: archives, SPI | |
| Danielle Conroy | .... | senior manager: digital operations, SPI | |
| Lisa Deaner | .... | high speed compositing artist: SPI | |
| Debbie Denise | .... | visual effects executive producer: SPI | |
| Tony Diep | .... | high speed compositing artist: SPI | |
| Jeff Dillinger | .... | lead technical assistant: SPI | |
| Colin Drobnis | .... | digital compositor: SPI | |
| R. Stirling Duguid | .... | technical director: SPI | |
| David Emery | .... | modeler: SPI | |
| Rob Engle | .... | software engineer: SPI | |
| Ian Fellows | .... | digital paint artist: CFC | |
| Thomas F. Ford IV | .... | high speed compositing digital production manager | |
| Crys Forsyth-Smith | .... | visual effects digital producer: SPI | |
| Kevin Freeman | .... | technical assistant: SPI | |
| Layne Friedman | .... | digital compositor: SPI | |
| Jenny Fulle | .... | senior staff: SPI | |
| Amy Garback | .... | visual effects: Travelling Pictures | |
| Ruth Greenberg | .... | visual effects coordinator: CFC | |
| Darrel Griffin | .... | digital studio: CFC | |
| Dawn Guinta | .... | head of high speed compositing: SPI | |
| Brian Hall | .... | software engineer: SPI | |
| Todd Hara | .... | technical assistant: SPI | |
| Anthony Harris | .... | assistant digital color timer: SPI | |
| Simon Haslett | .... | high speed compositing artist: SPI | |
| Matthew Hausman | .... | technical director: SPI (as Matt Hausman) | |
| Tom Hershey | .... | senior staff: SPI | |
| Kevin Hudson | .... | digital character model lead: SPI | |
| Benjamin Jacobe | .... | systems engineer: SPI | |
| George H. Joblove | .... | senior staff: SPI | |
| Creola N. Jones | .... | systems engineer: SPI | |
| Drew Jones | .... | senior effects producer: CFC | |
| Manson Jones | .... | bonsai team leader: SPI | |
| Dan Kaufman | .... | technical director: SPI | |
| Richard Kidd | .... | digital effects supervisor: SPI | |
| Zsolt Krajcsik | .... | technical director: SPI | |
| David C. Lawson | .... | technical director: SPI | |
| Robert Legato | .... | visual effects supervisor | |
| Didier Levy | .... | match move artist: SPI | |
| Lauren A. Littleton | .... | visual effects production manager: SPI (as Lauren Ann Littleton) | |
| Mark Alan Loso | .... | high speed compositing artist: SPI | |
| Tom Lynnes | .... | technical director: SPI | |
| Skye Lyons | .... | digital coordinator: SPI | |
| Louis Marquis | .... | modeler | |
| Sam J. Marrocco | .... | visual effects: Travelling Pictures (as Sam Marrocco) | |
| Kevin May | .... | high speed compositing artist: SPI | |
| John McGee | .... | texture painting artist: SPI | |
| Paul McGhee | .... | assistant digital color timer: SPI | |
| Robb Miller | .... | visual effects accountant: SPI | |
| Bruce Navsky | .... | software engineer: SPI | |
| John Nicolard | .... | digital color timer: SPI | |
| Rachel Nicoll | .... | match move artist (as Rachel T. Nicoll) | |
| Jeff Olm | .... | high speed compositing artist: SPI | |
| Ethan Ormsby | .... | digital compositor: SPI (as Ethan A. Ormsby) | |
| Reuben Pasquini | .... | software engineer: SPI | |
| Loree Perrett | .... | rotoscope artist: SPI | |
| Todd Pilger | .... | senior character animator: SPI | |
| Derrick Quarles | .... | lead film recordist: SPI | |
| Jay Redd | .... | technical director: SPI | |
| John P. Refling | .... | software engineer: SPI | |
| Sam Richards | .... | technical director: SPI | |
| Rosendo Salazar | .... | technical assistant: SPI | |
| Michael Sanchez | .... | modeler: SPI | |
| Richard Sandoval | .... | technical assistant: SPI | |
| Tim Sarnoff | .... | senior staff: SPI | |
| Eric Scott | .... | visual effects associate coordinator: SPI | |
| Min-Zhi Shao | .... | software engineer: SPI | |
| Jeff W. Smith | .... | match move artist: SPI | |
| Andrea Solis | .... | software engineer: SPI | |
| Dee Storm | .... | negative line-up: SPI | |
| Robert Stromberg | .... | matte painting artist: SPI | |
| Greg Stuhl | .... | modeler: SPI | |
| Stan Szymanski | .... | senior staff: SPI | |
| David Takayama | .... | high speed compositing artist: SPI | |
| Cari Thomas | .... | senior visual effects producer: SPI | |
| Joseph Thomas | .... | match move artist: SPI | |
| Jon Thum | .... | senior compositor: CFC | |
| Andrew Titcomb | .... | technical director: SPI (as Andrew E. Titcomb) | |
| Donna Tracy | .... | texture painting artist: SPI | |
| James Valentine | .... | rotoscope artist: SPI | |
| Ron Vargas | .... | senior visual effects video editor: SPI | |
| Alberto Velez | .... | systems engineering department manager | |
| Bill Villareal | .... | vice president of technical operations: SPI | |
| Carey Villegas | .... | associate visual effects supervisor: SPI (as Carey Grant Villegas) | |
| Gary Walker | .... | high speed compositing artist: SPI (as Garry L. Walker) | |
| Barry Weiss | .... | senior staff: SPI | |
| Alex Whang | .... | modeler: SPI (as Alexander Whang) | |
| Guy Wiedmann | .... | visual effects editor: SPI (as Guy T. Wiedmann) | |
| Jeff Willette | .... | visual effects: Travelling Pictures | |
| John Willette | .... | visual effects: Travelling Pictures | |
| Chris Winters | .... | visual effects: Travelling Pictures | |
| Kathleen Woolery | .... | digital color timing coordinator: SPI | |
| David Worman | .... | match move artist: SPI | |
| Alfredo R. Barcia | .... | senior production services technician: SPI (uncredited) | |
| Dominick Cecere | .... | CG character animator (uncredited) | |
| David Cornelius | .... | motion control technician (uncredited) | |
| Jeff Deyoe | .... | motion control technician: SPI (uncredited) | |
| Thomas R. Dickens | .... | senior modeler: SPI (uncredited) | |
| Taigne Hammock | .... | resource administrator (uncredited) | |
| Michael Kabella | .... | lead software engineer (uncredited) | |
| Stephen Kowalski | .... | systems engineer (uncredited) | |
| Don Lee | .... | digital compositor (uncredited) | |
| Roz Lowrie | .... | visual effects editorial: CFC (uncredited) | |
| Todd W. Spencer | .... | motion control technician: SPI (uncredited) | |
| Todd W. Spencer | .... | video assistant: SPI (uncredited) | |
| David Takemura | .... | visual effects (uncredited) | |
| Delio Tramontozzi | .... | character animator (uncredited) | |
Stunts | |||
| Jack Carpenter | .... | stunts | |
| Jeffrey J. Dashnaw | .... | additional stunts (as Jeff Dashnaw) | |
| Darrell Davis | .... | additional stunts (as Craig Davis) | |
| Tim A. Davison | .... | stunt coordinator | |
| Jared S. Eddo | .... | stunt diver | |
| Jon H. Epstein | .... | stunt double: Mr. Ford (as Jon Epstein) | |
| Debbie Evans | .... | additional stunts | |
| Cinda-Lin James | .... | additional stunts | |
| Kris A. Jeffrey | .... | additional stunts (as Kris Jeffrey) | |
| Tracy Keehn-Dashnaw | .... | additional stunts (as Tracy Dashnaw) | |
| Steve Madaras | .... | additional stunts (as Steve Maderas) | |
| Patricia M. Peters | .... | stunt double: Ms. Pfeiffer (as Tricia Paters) | |
| Troy Robinson | .... | additional stunts | |
| Pat Romano | .... | additional stunts | |
| Michael Runyard | .... | additional stunts (as Mike Runyard) | |
| Debbie Evans | .... | driving stunt double: Michelle Pfeiffer (uncredited) | |
| Leigh Hennessy | .... | utility stunts (uncredited) | |
| Cinda-Lin James | .... | stunt double: Amber Valetta (uncredited) | |
Casting Department | |||
| Judith Bouley | .... | additional casting | |
| Jennifer Euston | .... | casting assistant | |
| Amanda Koblin | .... | casting associate | |
| Wendy Washbrook | .... | casting associate | |
| Steve Spiker | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Timothy Alberts | .... | dresser: Mr. Ford (as Timothy J. Alberts) | |
| Elinor Bardach | .... | costume supervisor | |
| Caroline Errington | .... | seamstress | |
| Caroline Errington | .... | tailor | |
| Deborah Hall | .... | key costumer | |
| Jennifer Morrison Holyfield | .... | dresser: Ms. Pfeiffer | |
| Parrish Kennington | .... | costumer | |
| Susan Kistler | .... | key costumer | |
| Joyce Kogut | .... | costumer | |
| Dennis McCarthy | .... | set costumer | |
| Bernie Pollack | .... | costume designer: Harrison Ford | |
| Sabrina Rosen | .... | costume assistant: Mr. Ford | |
| Shawna Trpcic | .... | costume illustrator (as Shawna Leavell) | |
| Tyra Youland | .... | costumer | |
Editorial Department | |||
| John Peter Bernardo | .... | apprentice editor (as J.P. Bernardo) | |
| Gary Burritt | .... | negative cutter | |
| Peter Ciardelli | .... | editorial production assistant | |
| Martin Cohen | .... | post-production executive | |
| R. Orlando Duenas | .... | associate editor | |
| Jeremiah O'Driscoll | .... | first assistant editor | |
| Stephen M. Rickert Jr. | .... | second assistant editor | |
| Jeff Smithwick | .... | color timer | |
| Kevin Du Toit | .... | post-production assistant (uncredited) | |
| Katie Hedrich | .... | assistant editor (uncredited) | |
| Ron Orenstein | .... | colorist: dailies (uncredited) | |
Music Department | |||
| David Bifano | .... | scoring coordinator | |
| Sandy DeCrescent | .... | music contractor | |
| Kenneth Karman | .... | music editor (as Ken Karman) | |
| Dennis S. Sands | .... | music recording mixer (as Dennis Sands) | |
| Joel Sill | .... | music consultant | |
| Alan Silvestri | .... | conductor | |
| Jacqueline Tager | .... | assistant music editor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Mark Graham | .... | music librarian (uncredited) | |
| John Rodd | .... | orchestral scoring recordist (uncredited) | |
| Alan Silvestri | .... | orchestrator (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
Other crew | |||
| Newell Alexander | .... | adr loop group (as Alexander Newell) | |
| Gregory Alpert | .... | location manager (as Gregory H. Alpert) | |
| Libuse Binder | .... | production assistant | |
| Matthew J. Birch | .... | production coordinator: Vermont | |
| Seth Blackman | .... | location scout: Vermont | |
| Kayce Brown | .... | assistant: Ms. Pfeiffer | |
| Tom Burruss | .... | marine crew | |
| Jared Bush | .... | assistant: Mr. Rapke | |
| Kami Calevro | .... | assistant accountant: Vermont | |
| Craig Donald Carlson | .... | location scout: Vermont (as Craig D. Carlson) | |
| Mitch Carter | .... | adr loop group | |
| Cristina Christian | .... | accounting assistant | |
| Kelsey Clark | .... | assistant: Mr. Zemeckis | |
| Michael Clemens | .... | assistant: Mr. Zemeckis | |
| Jason Cosgrove | .... | assistant: Mr. Rapke | |
| David Cowgill | .... | adr loop group | |
| Randy Crowder | .... | stand-in: Mr. Ford | |
| Tara De Bach | .... | double: Ms. Pfeiffer (as Tara DeBach) | |
| Maria DeVane | .... | post-production accountant | |
| Scotty 'Boats' Di Biaso | .... | marine crew (as Scotty 'Boats' DiBiaso) | |
| Cheryl Donaldson | .... | assistant: Mark Johnson | |
| Moosie Drier | .... | adr loop group | |
| Ike Eisenmann | .... | adr loop group (as Jake Eisenmann) | |
| Mary Jane Faris | .... | accounting assistant | |
| Sharon Felder | .... | assistant: Mr. Zemeckis | |
| Michael George | .... | marine coordinator | |
| Colleen Gibbons | .... | travel coordinator | |
| Juliandra Gillen | .... | stand-in: Ms. Pfeiffer | |
| Jan Ellen Goldstein | .... | assistant location manager: Vermont | |
| Joe Guest | .... | production assistant: Vermont (as Joe C. Guest) | |
| Joe B. Hall | .... | accounting assistant | |
| Rowena Hammill | .... | cello instructor: Ms. Pfeiffer | |
| Cheryl Harris | .... | animal trainer (as Cheryll Harris) | |
| Anna E. Hayward | .... | set production assistant | |
| Tim Hillman | .... | location manager (as Timothy Hillman) | |
| James Hirahara | .... | puppeteer | |
| Bridget Hoffman | .... | adr loop group | |
| Lori Ikeda | .... | payroll accountant | |
| Caren Kaplow | .... | assistant: Ms. Pfeiffer | |
| Luke Khanlian | .... | puppeteer | |
| Samara Koffler | .... | assistant: Mr. Ford | |
| Christine Haas Korkosz | .... | production coordinator (as Christine Haas) | |
| Luca Kouimelis | .... | script supervisor | |
| Stacy Layne Kramer | .... | accountant: Vermont | |
| Richard J. Landon | .... | puppeteer (as Richard Landon) | |
| Donna Lynn Leavy | .... | adr loop group | |
| Jim Lipman | .... | marine crew | |
| Denise Louiso | .... | marine assistant | |
| Shane Mahan | .... | puppeteer | |
| Judy Malinoski | .... | medic | |
| Jason Matthews | .... | puppeteer | |
| Tony McCray | .... | puppeteer | |
| Kerry Lyn McKissick | .... | script supervisor: underwater unit | |
| Bob Merrick | .... | assistant: Ms. Bradshaw | |
| Hayley B. Miller | .... | assistant: Mr. Starkey | |
| Edie Mirman | .... | adr loop group | |
| Gregory Nicotero | .... | puppeteer (as Greg Nicotero) | |
| Risa Peoples | .... | laboratory consultant (as Dr. Risa Peoples) | |
| Scott Puckett | .... | production assistant | |
| Mayda Renizzi-Holt | .... | first assistant accountant | |
| Dhana Rivera | .... | assistant production coordinator | |
| Vanessa Rooke | .... | double: Ms. Pfeiffer | |
| Jane E. Russell | .... | unit publicist | |
| Angie Ryan | .... | accounting assistant | |
| Ken Ryan | .... | production accountant | |
| Philece Sampler | .... | adr loop group | |
| Julie Schultz | .... | animal trainer | |
| Tony Schultz | .... | preview system technician | |
| Ben Selkow | .... | set production assistant | |
| David Steiman | .... | production assistant | |
| Shawn Sweeney | .... | location manager: Vermont | |
| Stephen Sweeney | .... | production assistant: Vermont | |
| Jim Turner | .... | production controller | |
| Doug Valenzuela | .... | marine crew (as Douglass Valenzuela) | |
| Mike Villarino | .... | general foreman | |
| Peter Vogel | .... | production secretary | |
| Claudette Wells | .... | adr loop group | |
| Tim Werle | .... | medic | |
| J. Wilfrid White | .... | marine crew (as Wilfrid White) | |
| John Wright Jr. | .... | craft service (as John C.V. Wright Jr.) | |
| John 'Magic' Wright | .... | craft service | |
| Eliot Yaffe | .... | location projectionist: Vermont (as Eliot L. Yaffe) | |
| Jesse Yoshimura | .... | key set production assistant | |
| Gerard Averill | .... | location scout: Boston (uncredited) | |
| Dawn Barkan | .... | animal trainer (uncredited) | |
| Jason Corgan Brown | .... | production assistant (uncredited) | |
| Gary Ferraro | .... | caterer (uncredited) | |
| Andrew Goodman | .... | assistant to producer (uncredited) | |
| Peter Hansen | .... | caterer (uncredited) | |
| Mike Jacobs | .... | set production assistant (uncredited) | |
| Michael B. Louis | .... | set staff assistant: second unit (uncredited) | |
| Steven R. Molen | .... | production executive (uncredited) | |
| Steven Spielberg | .... | idea (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
It is interesting to revisit the archived reviews available at EbertandRoeper.tv and listen to their comments regarding this film and their perception of its ability to frighten, its technical construction, and its characters' success in aiding the narrative. Each of the respective critics dislike What Lies Beneath in both its construction (camerawork and plot development) and its effectiveness in creating suspense. While this movie is enjoyable regardless of whether it was viewed on opening weekend or whether it is the third or fourth viewing on television, it is more understandable that Ebert and Roeper had some issues with the film during its theatrical release (whether they have altered their views upon its DVD release, I do not know). The true beauty of this film is the manner in which it holds up over time and how it DOES splice all of the great filmmaking techniques together into a nice homage to classic suspense films.
The plot, including the incremental revelations of paranormal activities within the newly gone-off-to-college childless home of Pfeiffer and Ford, is not really what drives this movie. Ebert and Roeper complained in their critiques that there are too many red herrings that serve no purpose but to mislead the audience; thus, when they are exposed as mere ruses, much of their existence within the film is superfluous. But that is the fun of the movie. That is the fun of many classic suspense films, even numerous Hitchcock films. There are situations that are added because they lend a hand in the build-up fear, not the characters' fears, but the viewers' fears. In Psycho, the image of the cop's face outside Leigh's car window, masked by sunglasses, expressionless, and looming over the camera is scary to viewers. Yes it fits into the script because she is frightened as a result of her thievery. But ultimately, it is the viewers' own fear of cops' intimidation tactics that makes the scene effective. In What Lies Beneath, hearing cries of distress through a fence that offers no real visibility of the cause of such pangs is very similar. Who cares if it is mainly a device to build uneasiness?
To be fair, Ebert and Roeper really seemed more irritated that too much of the plot and its elements of mystery were revealed in the marketing of the film . The true cause of the haunting that Pfeiffer's characters is terrorized by was apparently revealed rather blatantly in the trailers and television spots used to promote the film. Therefore, Ebert and Roeper seemed more angry that they were not even given the chance to enjoy the unfolding of the plot and the subsequent suspense. However, it is only know that their argument seems to be more fallacious in its use of logic. I understand that each person has a reaction to a film based on the uniqueness of their own likes, dislikes, and inclinations to genre, but there is an established set of framing techniques, camera movements, and lighting designs that reliably cause an emotional reaction by the viewers. It is very hard to find Ebert and Roeper's critiques impervious to default when this film does not tend to lose much of its emotional effects upon repeat viewings.
To elaborate, the unknown ghost, its motivation, and its history and relevance to Claire (Pfieffer) are plot points for the basic construction of a three act narrative; and, a three act narrative is a contrivance proved to be effective for the assimilation of information by means of tapping into the inherent way humans use logic to invent concepts from raw data (if a, then b, and if b, then c: therefore if a, then c). Subsequently, the artist now has a template on which to attach the expressions of humanity that create the emotional impact of the film (or play, etc.). In a sense, the structure of What Lies Beneath is very simple and only attempts to create a large enough template to succeed in allowing the viewer to follow the basic arc of the narrative. The strength of the film exists in the the technical construction and how precisely orchestrated it is to get the most emotional impact from the various moments in the film. Watching the film for the third or fourth time, the plot isn't new or exciting, the characters aren't complex, yet the film is still suspenseful. It is not the unfolding of the story creating all the suspense; rather, it is Zemeckis's camera use, his choices for sound and light design, and his ability to precisely coordinate a myriad of elements that enables the film to work as a whole. This is not a film that would survive on its script. This is not a film that would survive by its stars alone. This film succeeds because of the choices in direction.
Finally, to counter Ebert and Roeper's unsound critiques of this film, attention should be paid to their mention of films that they found parallel to What Lies Beneath, whether thematic or visually reminiscent in some way. Roeper states that the movie has too many cliches and that the ending is reminiscent of Carrie, Cape Fear, and even Gone with the Wind. On the other side of the aisle, Ebert compares the film to Ghostbusters because of moments he found comedic that were not intended to be so (although I don't find any scene unintentionally comedic). The odd aspect of their critiques is the absence of any mention of the numerous shots Zemeckis directly lifted from several of Welles' films and a litany of shot selections that pay homage to Hitchcock. While this movie isn't groundbreaking, it is a great exercise in technique that results in a fun, effective film.