Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
Rachel Carlson, a successful novelist moves to a small Scottish village to move on with her life after the death of her son. Strange things start to happen when she is haunted by ghosts and real life terror.
Henry Ian Cusick,
Norman Spencer, a university research scientist, is growing more and more concerned about his wife, Claire, a retired concert cellist who a year ago was involved in a serious auto accident, and who has just sent off her daughter Caitlin (Norman's stepdaughter) to college. Now, Claire reports hearing voices and witnessing eerie occurrences in and around their lakeside Vermont home, including seeing the face of a young woman reflected in water. An increasingly frightened Claire thinks the phenomena have something to do with the couple living next door, especially since the wife has disappeared without apparent explanation. At her husband's urging, Claire starts to see a therapist; she tells him she thinks the house is being haunted by a ghost. His advice? Try to make contact. Enlisting the help of her best friend, Jody, and a ouija board, Claire seeks to find out the truth of What Lies Beneath. Written by
Eugene Kim <email@example.com>
This is the most suspenseful thriller I have seen in the past year. As a refreshing change to more formulaic chillers, WLB takes its time to build the suspense. It is allowed to do this by virtue of Harrison Ford, and, especially, Michelle Pfeiffer, who, I feel, deserved an Oscar nomination for her convincing portrayal of a happy, but suddenly lonely, wife. It is just about as Hitchcockian as you can get, and I rate the bath sequence as gripping (pardon the pun) as taking a shower at the Bates Motel. The plot is thin and the action is played out sedately. Yet it seems perfectly timed in setting the mood of the whole piece. I particularly liked the music,and the supporting actress Diana Scarwid, whose lighthearted attitude during the seance scene made it all the more chilling. A perfect example of good film-making with only a slight plot. I am sure this movie will mature with age until it is rightfully regarded as a modern classic. Count the number of times you jump!
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