6.7/10
3,034
74 user 62 critic

Tumbleweeds (1999)

PG-13 | | Drama, Comedy | 3 March 2000 (UK)
A woman and her daughter have been constantly moving from town to town for years, but their newest home might be different from all the others.

Director:

Writers:

(story), (screenplay) | 1 more credit »

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ON DISC
Nominated for 1 Oscar. Another 10 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mary Jo Walker
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Ava Walker
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Dan Miller
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Jack Ranson
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Laurie Pendleton
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Ginger
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Mr. Cummings
Ashley Buccille ...
Zoe Broussard
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Adam Riley
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Mrs. Boman
Brian Tahash ...
Winston Jackson
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Billy Jo
Dennis Ford ...
Check-out Clerk
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Rachel Riley
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Vice Principal
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Storyline

A woman constantly runs from town to town with her 12 year old daughter to escape failed relationships. The film opens with one escape and the shift into a new start in San Diego. There Mom takes up with a controlling trucker and fights with her weirdo boss. Meanwhile, the daughter, used to making the constant shifts, finds a fit at school including getting chosen for a play lead. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

Taglines:

They ran away from everything but each other.

Genres:

Drama | Comedy

Motion Picture Rating (MPAA)

Rated PG-13 for language, sensuality and a scene of domestic discord | See all certifications »
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Details

Country:

Language:

Release Date:

3 March 2000 (UK)  »

Also Known As:

Huyendo del pasado  »

Filming Locations:

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Box Office

Budget:

$312,000 (estimated)

Opening Weekend USA:

$41,202, 28 November 1999, Limited Release

Gross USA:

$1,281,176, 16 January 2000

Cumulative Worldwide Gross:

$1,788,168, 21 January 2000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film is based on Angela Shelton's real-life and her experience growing up with her mother, who was erratic and made her move often from one town to the next. See more »

Goofs

Camera lens and cameraman's hand reflected in Mary-jo's mirror. See more »

Connections

Featured in The 2000 IFP/West Independent Spirit Awards (2000) See more »

Soundtracks

One Night Stand
Written & Performed by Lucinda Williams
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User Reviews

An unoriginal premise made good by the writing and performances
13 April 2004 | by See all my reviews

Mary Jo Walker is constantly on the road. She moves from state to state as one relationship ends and she heads out looking for another. Her daughter is used to the unsettled lifestyle but starts to feel at home in her new school once she gets a lead role in the school play. Mary Jo gets herself a job and a new boyfriend, trucker Jack, however how long will it be before problems put her on the road again?

As a concept, this film lacks originality - the plot and the characters will be recognisable from other films, but that in itself is not a bad thing as nothing is ever totally unique (well, rarely). That said, this film still manages to be enjoyable and engaging thanks to a well written script that gives us characters and not caricatures combined with some very good performances to deliver them. The story relies heavily on the characters and this really does a good job of bringing those out to the strength of the film. It struggles towards the end with a bit of sentimentality that betrays what has gone before but mostly it is pretty true to itself.

The writing allows Mary Jo to be a complex character but yet one that we can understand and sympathise with even if we can't empathise. Likewise her relationship are real rather than just being one-dimensional - with Jack we can easily see the major problems between them but we can also see what drew them together. This works because the film has the cast to deliver these characters well. McTeer was Oscar nominated for this film and she deserved t hat at least. Her thunder was stolen a year or so later by Roberts' doing a similar performance but in a bigger film (thus more kudos). She is very good and she made the film. Brown is just as good and isn't the `cute kid' that can kill movies. Sanders has the worst role and he knows it - his white knight threatens the whole film but it is not his fault. O'Conner gets the triple by being good as Jack as well as doing the business with directing and writing.

Overall, I wasn't sure if I'd like this film as generally the genre doesn't always do it for me, but here the performances really bring a well written script to live. It doesn't quite know what to do with itself towards the end and risks it's integrity a bit but mostly it is very good and worth seeing.


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