| John Morton Blum | ... | Himself | |
| John Milton Cooper | ... | Himself | |
| Edith Derby Williams | ... | Herself | |
| John Gable | ... | Himself | |
| William Harbaugh | ... | Himself | |
| Nancy Jackson | ... | Herself | |
| Walter LaFeber | ... | Himself | |
| David McCullough | ... | Himself | |
| Jason Robards | ... | Narrator | |
| Theodore Roosevelt IV | ... | Himself | |
| Kermit Roosevelt | ... | Himself | |
| P. James Roosevelt | ... | Himself | |
| Theodore Roosevelt | ... | Himself (archive footage) | |
| Tweed Roosevelt | ... | Himself | |
| Jean Strouse | ... | Herself | |
| William Howard Taft | ... | Himself (archive footage) | |
| Woodrow Wilson | ... | Himself (archive footage) (uncredited) |
| Episode Crew |
Directed by | |||
| David Grubin | |||
Writing credits(in alphabetical order) | ||
| David Grubin | writer | |
| Geoffrey C. Ward | writer | |
Produced by | |||
| Judy Crichton | .... | executive producer | |
| Margaret Drain | .... | executive producer | |
| David Grubin | .... | producer | |
| Larry LeCain | .... | field producer | |
| Allyson Luchak | .... | coordinating producer | |
| Bob M. McCausland | .... | field producer | |
| Susan Mottau | .... | coordinating producer: American Experience | |
| Chas Norton | .... | field producer | |
| Mary Recine | .... | associate producer | |
| Mark Samels | .... | senior producer: American Experience | |
Original Music by | |||
| Michael Bacon | |||
Cinematography by | |||
| James Callanan | |||
| David Grubin | |||
| William McCullough | |||
| Alex Zakrzewski | |||
Film Editing by | |||
| Geof Bartz | |||
| Howard Sharp | |||
Art Direction by | |||
| Michael Shaw | |||
Set Decoration by | |||
| Janine Michelle | |||
Production Management | |||
| Christine Larson | .... | unit manager | |
Art Department | |||
| George Apostol | .... | props | |
| Shawn Carroll | .... | art assistant | |
| Graydon Pihlaja | .... | props | |
Sound Department | |||
| John Bowen | .... | sound designer | |
| Ken Hahn | .... | sound re-recording mixer | |
| David Jaunai | .... | sound designer | |
| Ray Palagy | .... | sound editor | |
| Roger Phenix | .... | production sound | |
| Tony Slocum | .... | sound designer | |
| Tony Slocum | .... | sound editor | |
Visual Effects by | |||
| Ralph Pitre | .... | photo animator | |
Camera and Electrical Department | |||
| Frances Catalano | .... | grip | |
| Neil Christie | .... | best boy | |
| Nick Cupkovic | .... | gaffer (as Nicholas Cupkovic) | |
| Rob Featherstone | .... | assistant camera | |
| Don Grissom | .... | assistant camera | |
| W.L. Jackson | .... | key grip | |
| Gill McDowell | .... | gaffer | |
| Jonathan Nichols | .... | key grip | |
| Roger Phenix | .... | additional cinematographer | |
| Paul Reuter | .... | assistant camera | |
| William Rexer | .... | assistant camera | |
| Michael Stiller | .... | gaffer | |
| Tom Truitt | .... | best boy | |
| Frank Vigilante | .... | grip | |
Editorial Department | |||
| Dale Boyce | .... | on-line editor | |
| Diane Butler | .... | assistant editor | |
| Jim Dalglish | .... | colorist | |
| Riad Deeb | .... | editing intern | |
| Pamela B. Jacobson | .... | post-production assistant: American Experience | |
| Amina Megalli | .... | second assistant editor | |
Music Department | |||
| Paula Kimper | .... | score preparation | |
| Charles Kuskin | .... | composer: theme music | |
Other crew | |||
| Michael Azevedo | .... | interactive media | |
| Johanna Baker | .... | publicist | |
| John Morton Blum | .... | advisor | |
| Alan Brinkley | .... | advisor | |
| Todd P. Burger | .... | film researcher | |
| Rob Carson | .... | production assistant | |
| John Milton Cooper | .... | advisor | |
| Jonathan Daitch | .... | production secretary | |
| Danielle Dell'Olio | .... | interactive media | |
| Nancy Farrell | .... | project administration | |
| Cheryl Gall | .... | additional photo researcher | |
| Lewis Gould | .... | advisor | |
| Diane Hamilton | .... | photo researcher | |
| William Harbaugh | .... | advisor | |
| Walter LaFeber | .... | advisor | |
| Zachary Levy | .... | production assistant | |
| Stephen Lyons | .... | proposal consultant | |
| David McCullough | .... | advisor | |
| Susan Nickerson | .... | film researcher | |
| Daphne B. Noyes | .... | publicist | |
| Bill Nye | .... | production assistant | |
| Amanda Pollak | .... | research associate | |
| Stacy Pucillo | .... | controller | |
| Helen R. Russell | .... | project administration | |
| Vincent J. Straggas | .... | on-air promotion | |
| Jean Strouse | .... | advisor | |
| Joseph Tovares | .... | series editor | |
| Rosie Vanek | .... | post-production researcher | |
| Midge Woolsey | .... | production executive | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Rocky Collins | multiple episodes | |
| Henry Hampton | creator | |
Produced by | |||
| Rocky Collins | .... | producer (multiple episodes) | |
Sound Department | |||
| Doug Madick | .... | foley artist (multiple episodes) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Documentary section | IMDb USA section |
This is part of a multi-part series on the life of Teddy Roosevelt from the PBS series "The American Experience". Considering what a complex and amazing man Roosevelt was, it's actually surprising to me that it took this long for the series to feature his life. It's not surprising, then, that the total story of his life was stretched out to nearly four hours--and could have EASILY been much longer.
The show was narrated by Jason Robards and features a variety of interviews--mostly by various grand and great-grandchildren of the man as well as a group of historians. And, along with these, a LOT of stock footage and family photos were used. Together, they did a great job in telling the story.
I do have a few small quibbles with this first portion--and it probably comes from my having read David McCullough's wonderful book about the early years of Theodore Roosevelt. So much that I loved about the book was not in the show--such as the possible psychosomatic basis of his asthma, his exploits while at Harvard and his reaction to the deaths of his wife and mother on the same day. I do understand why the show didn't go into all this--after all, it had to trim a bit to get the story told in its allotted time. But I sure would love to see a show based on the McCullough book (McCullough, by the way, did take part in the show and you see him interviewed several times). I think I wanted to see more of this because it really helped further explain the formation of his character and helped mold him into the great man that he was. I also was a bit surprised how quickly the film talked about Roosevelt's famed charge up San Juan Hill--there was MUCH more to it and lots of interesting yet insane aspects to it that weren't mentioned (such as this cavalry unit not having room on their hastily assembled boats for most of their horses!!).
It's a testament as to how good this show was that in spite of going too quickly through his early life that I still think it earns a 10. A superb show about one of the most complicated and interesting Americans in history. By the way, while quite good, part two feels a bit anticlimactic as you watch--though it's still very, very worth seeing.
By the way, at the 63 minute mark, look for the political cartoon featuring a bound Roosevelt being drug along with McKinley's political parade. It's really quite funny--and rather cute. Also, the images of J. P. Morgan later in the episode were VERY unusual. While it was not mentioned in the film, images of Morgan that were not retouched are very rare. This is because he had a disgusting nose--truly wretched looking due to Rhinophyma and because he was so incredibly rich and powerful, he had pictures of him fixed to hide this. An odd but true fact.