David loves his wife, Gillian. Unfortunately, she died two years ago. David deals with his grief by continuing his romance with Gillian during walks with her "ghost" on the beach at night. ... See full summary »
Monty Wildhorn, an alcoholic novelist of Westerns, has lost his drive. His nephew pushes him to summer in quiet Belle Isle. He begrudgingly befriends a newly single mom and her 3 girls who help him find the inspiration to write again.
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
A portrait of a fictional town in the mid west that is home to a group of idiosyncratic and slightly neurotic characters. Dwayne Hoover is a wealthy car dealer-ship owner that's on the ... See full summary »
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
Two jilted lovers spend fifteen years of marriage together, only to find that they might no longer love each other. In this time they have two children and go through the various (dramatic and comical) events that take place in an average marriage. Written by
Brian Levin <COMICY@aol.com>
Portraying an unhappy housewife came relatively easy for Michelle Pfeiffer, who at the time of filming had to deal with the dissolving of her production company as well as the death of her father. See more »
The Ford Expedition's rear window defroster appears and reappears during different driving scenes. See more »
Fear is the main motivation for everything. That and guilt, are the two emotions that keep a society humming.
See more »
This is a pretty film, often poignant, and a bit too close to the bone at times for my liking. Still, it carries you along quite nicely - making it's point that time grinds marriages down more often than affairs - and then sort of stops.
The leads were great: Willis was really good, Pfeiffer was fantastic (hey, i'm a fan, okay). But, the characters were tough to take. The self-pity was intercut with nice bits of comedy, but it felt like Reiner was cutting from a wake to a pratt-fall on occasions.
The final scenes, with Pfeiffer's frightening display of multi-emotional skill (at once excellent and utterly ghastly), betrayed the characters. Normality was implausibly resumed, and Pfeiffer came across as at fault for taking the whole film to get real, and Willis looked much relieved that she'd taken the sanity pill and he could quit trying to change himself.
And the end was a surprise. I thought there was going to be more: a deeper level of story. But it ended without a sense of closure.
9 of 13 people found this review helpful.
Was this review helpful to you?