Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
David Lewis is affected by the death of his wife Gillian, who fell from the mast pole of their boat on a sailing trip two years ago. David deals with his grief by continuing his romance ... See full summary »
Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
Two jilted lovers spend fifteen years of marriage together, only to find that they might no longer love each other. In this time they have two children and go through the various (dramatic and comical) events that take place in an average marriage. Written by
Brian Levin <COMICY@aol.com>
Portraying an unhappy housewife came relatively easy for Michelle Pfeiffer, who at the time of filming had to deal with the dissolving of her production company as well as the death of her father. See more »
During the dinner when the family is discussing their high lows of the day, Erin's food on her plate keeps changing. See more »
Once you establish *anything* truly intimate with another person - even *talking* - it has to affect the person you're supposed to be the most intimate with.
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When "The Story of Us" opened in 1999, the critical disdain was so overwhelming, that my fiancee and I opted not to see it. After all, the ads focussed on its romantic comedy aspects, directed by Rob Reiner (When Harry Met Sally), and starred Bruce Willis (who had just undergone a public divorce).
In retrospect, it's easy to assume why it got panned... this is NOT a romantic comedy, although there are comedic elements. Those expecting a Harry/Sally II would be clearly be disappointed. Those expecting some insight to Bruce Willis' marriage, too, would be disappointed. The film is neither of those things.
Of course, had the associations not existed, and the ad campaign refocussed its efforts, the film would be far better respected. That's why time will be very kind to this film.
Not everything works. Some scenes, like the language of the women, are too profanity-laced to sound like real women (making David Mamet's writing seem like Jane Austen by comparison). There's a terrible scene with Willis in a restaurant--unrealistic, unfunny.
Why then recommend the film? Because the agony, the depth of painful emotions, are real. Find a better acting job by Willis or Pfieffer. Find one!!! Can't be done.
Do you not see it? Do you not recognize that this film has one foot firmly planted in the light comedy world, and another foot firmly planted in the incredible realism (almost too realistic) angst of a failing marriage? Do you not see it? Do you not hear Reiner's concerns projected in the scene where Willis requests to Reiser his dream of writing a book on his grandmother--is this not Reiner saying that he WOULD go further with the serious story here, but the audience, too set by his own past achievements, will not let him? Is this not exactly what happened, when _Story of Us_ was released?
Don't be fooled. This is one serious movie. It should be required viewing for all engaged couples. It's a fantastic wake-up call. The circumstances that lead up to the arguments are simplified, but the emotions are raw. I repeat, time will be very kind to this movie.
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