Monty Wildhorn, an alcoholic novelist of Westerns, has lost his drive. His nephew pushes him to summer in quiet Belle Isle. He begrudgingly befriends a newly single mom and her 3 girls who help him find the inspiration to write again.
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
Two jilted lovers spend fifteen years of marriage together, only to find that they might no longer love each other. In this time they have two children and go through the various (dramatic and comical) events that take place in an average marriage. Written by
Brian Levin <COMICY@aol.com>
Bourée From Suite For Orchestra #1 in C Major BWV 1066
Composed by Johann Sebastian Bach
Performed by Camerata Romana
Conductor: Eugen Duvier
Courtesy of Point Classics
by Arrangement with Source/Q See more »
This is a pretty film, often poignant, and a bit too close to the bone at times for my liking. Still, it carries you along quite nicely - making it's point that time grinds marriages down more often than affairs - and then sort of stops.
The leads were great: Willis was really good, Pfeiffer was fantastic (hey, i'm a fan, okay). But, the characters were tough to take. The self-pity was intercut with nice bits of comedy, but it felt like Reiner was cutting from a wake to a pratt-fall on occasions.
The final scenes, with Pfeiffer's frightening display of multi-emotional skill (at once excellent and utterly ghastly), betrayed the characters. Normality was implausibly resumed, and Pfeiffer came across as at fault for taking the whole film to get real, and Willis looked much relieved that she'd taken the sanity pill and he could quit trying to change himself.
And the end was a surprise. I thought there was going to be more: a deeper level of story. But it ended without a sense of closure.
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