After the police raid a house and find evidence that terrorists may be planning an attack in London with Sarin gas, Danny and Fiona Carter, who has now transferred to MI-5 from MI-6, follow up on a ...
Set in 2013 Britain, following a devastating terror attack on London, this drama from the makers of Spooks follows the lives of young MI5 officers fighting to return Britain to normality. ... See full summary »
None of the episodes had any on-screen credits when first broadcast. That's why everyone is (or should be) listed as (uncredited). See more »
At numerous times throughout series 1 notably in "One Last Dance" and "Traitor's Gate" close-ups of intelligence files show that all the information is the same and all relates to Mary Kane's terminated pregnancy from episode 1 "Thou Shalt Not Kill". See more »
I found this in the Student Bookshop.
[gives Tom a Koran]
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The show does not have any end credits, ending each episode with a trailer for the next episode and only showing a BBC production information screen. It does not list any cast/crew. Just the caption "A Kudos Production". See more »
I read all the hype in advance of this program being shown on ABC-TV in Australia, and thought: yeah, yeah, show me something different. Maybe it's not too different, but it does deliver. I was a bit bored inititally by the straight delivery of MI-5 characters, and how terribly seriously they take their jobs. Matthew MacFadyen is a fine choice for Tom Quinn - he's big and tall, straight-faced, and very, very serious. Keeley Hawes is also very well cast, and eminently believable.
However the last two episodes shown here - the one about the mock terrorist attack, and last night's episode about the visit of the American presidential `circus' were rivetting stuff. I found myself holding my breath for a lot longer than was healthy for me! I was fascinated by how the US presidential entourage insisted they take over MI-5 files for `security purposes'. A metaphor for the world at the moment?? The suspicion that George Bush Jnr was visiting London specifically for a secret meeting with Colonel Gadaffi to negotiate compensation for Locharbie losses was very pertinent, given that Libya came forth with compensation - in the `real' world - just this week.
I look forward to more episodes of this straighter-than-straight, larger-than-life, but very entertaining series. I don't think it's very realistic, but then, who watches TV to indulge in more reality?
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