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1965, three Mossad agents cross into East Berlin to apprehend a notorious Nazi war criminal. Thirty years later, the secrets the agents share come back to haunt them.
In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
Director:
Florian Henckel von Donnersmarck
Stars:
Martina Gedeck,
Ulrich Mühe,
Sebastian Koch
Jean-Baptiste Grenouille, born with a superior olfactory sense, creates the world's finest perfume. His work, however, takes a dark turn as he searches for the ultimate scent.
Director:
Tom Tykwer
Stars:
Ben Whishaw,
Francesc Albiol,
Dustin Hoffman
The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
Stars:
Michael Chiklis,
Catherine Dent,
Walton Goggins
The lamp shades hanging from the ceiling of the Grid in season 1 are actually bins from Ikea turned upside down. See more »
Goofs
At numerous times throughout series 1 notably in "One Last Dance" and "Traitor's Gate" close-ups of intelligence files show that all the information is the same and all relates to Mary Kane's terminated pregnancy from episode 1 "Thou Shalt Not Kill". See more »
The show does not have any end credits, ending each episode with a trailer for the next episode and only showing a BBC production information screen. It does not list any cast/crew. See more »
I've seen these on A&E in America and from the first I was hooked. The pressure cooker atmosphere and the modern day dot-com look puts this show about "counter intelligence" on another level than today's so called spy shows.
It's not the eye-candy of Alias and frankly its better than the flat delivery of the now canned Agency or Threat Matrix (both of which strive to be too PC in their "diverseness").
The writing is very well layered. It pulls the viewer in, and there's enough original material that many times you can't "skip ahead" to the fourth act in your mind. Meaning, you haven't figured out the end by the second break.
MI-5, or Spooks, puts enough plot twists in for any true fan of the genre. Well worth the time and effort to watch. Too bad American network television can't produce a show of this caliber.
(11/17/05 comment) Also, I was so intrigued by the UK version of Spooks, that I got into downloading the shows via the Internet, and I have to say it's an even better experience. I wish A&E would run the entire episode and not a chopped up version. The editing has to do with advert breaks more than content. If you only see this on A&E then I would suggest downloading it or renting/buying the DVD sets.
65 of 72 people found this review helpful.
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I've seen these on A&E in America and from the first I was hooked. The pressure cooker atmosphere and the modern day dot-com look puts this show about "counter intelligence" on another level than today's so called spy shows.
It's not the eye-candy of Alias and frankly its better than the flat delivery of the now canned Agency or Threat Matrix (both of which strive to be too PC in their "diverseness").
The writing is very well layered. It pulls the viewer in, and there's enough original material that many times you can't "skip ahead" to the fourth act in your mind. Meaning, you haven't figured out the end by the second break.
MI-5, or Spooks, puts enough plot twists in for any true fan of the genre. Well worth the time and effort to watch. Too bad American network television can't produce a show of this caliber.
(11/17/05 comment) Also, I was so intrigued by the UK version of Spooks, that I got into downloading the shows via the Internet, and I have to say it's an even better experience. I wish A&E would run the entire episode and not a chopped up version. The editing has to do with advert breaks more than content. If you only see this on A&E then I would suggest downloading it or renting/buying the DVD sets.