Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
At a Wisconsin university, local farmer's daughter Paige Morgan is intrigued by odd Danish exchange student Edvard 'Eddie', who is ignorant of many aspects of daily life, such as all ... See full summary »
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
She's All That is your typical high school prom king and queen story and the run in defending the star status in the upcoming election. High school hottie, Zach Siler is dumped by his prom-queen girlfriend, the equally hot and extremely popular, Taylor Vaughan who fell for a second-hand world reject TV soap star who she met over the spring break. Having publicly dumped, Zach defends his discomposure by stating that Taylor is all make-up and wonder-bra and he can make any ordinary girl a prom queen with similar package. His high-school buddy, Dean Sampson, engages him in a bet following the statement and picks the geeky looking Laney Boggs out of the crowd as the girl Zach must transform into the new prom queen. Zach agrees since he has no options but as time passes and Laney begins to transform, Zach finds her to be unusually attractive. While all that falls beautifully in place, it's not your typical fairy-tale either. Throw in Dean Sampson to complicate the situation and he does ... Written by
When Zach looks at his college acceptance letters, the inside addresses shown are those of the colleges. In a real letter, the inside address would be that of the recipient. The school's address would be shown elsewhere on the letterhead. See more »
Simon! Simon, I have got your breakfast! Are you up?
Give me a couple of minutes.
Simon Boggs, there are children in Mexico who have already been up for three hours making clothes for corporate America.
See more »
The individuals thanks/acknowledgments in the end-credits are prefaced by the heading "They're All That". See more »
I'm actually surprised at all the negativity aimed at this movie. But I really shouldn't be, you know? It's a formulaic, stereotypical movie about high school and teenagers. In short, it's another teen movie (Not Another Teen Movie - get it?). But there is something disarming about "She's All That." It's sweet, it's funny, it's cute, it's charming, and it's kind of innocent (in its own unique way, of course).
OK, maybe I'm being a little hyperbolic with calling this movie "innocent," but I'm making these judgments because this is a movie that I've always admired since it first came out in 1999 - I was 14 and in middle school that year, so I was definitely within its target audience
and I eagerly rented it on VHS from Blockbuster Video after being
released on home video. Regrettably, I never really watched it again after that for some reason; I really wish I could come up with a reasonable explanation, but I honestly have none. (As an aside, a few months ago I purchased the movie on Blu-ray DVD and I finally had the opportunity to watch the movie in its entirety for the first time in 12 years.)
I personally feel that, unlike many of the teen comedies released on the tail end of the oh-so-cynical seen-it-all '90s, "She's All That" was one of the far better movies from that time. It was incredibly well-acted (by its wholesome, good-looking leads, played by Freddie Prinze, Jr. and Rachael Leigh Cook), well-written (by R. Lee Fleming, Jr), and directed (by Robert Iscove). I felt that the budding romantic chemistry between the two leads was real and believable. Additionally, the characters, especially Cook's character, Plain Jane art student Laney Boggs, seemed real, three-dimensional, and sympathetic.
I single out Rachael Leigh Cook because this was really her movie all the way. In other words, she simply wasn't running her character through the motions of Fleming's script, and she made Laney Boggs all her own - a living, breathing human being and not a brown-eyed, brunette-haired bombshell. She doesn't go from zero to 10 in the time it takes for you to zip up your jacket, no (even though in the real world, it would be utterly ridiculous for her to be considered, even in her "ugly duckling" stage, anything less than "very, very pretty"; all she needs to do is lose the glasses, do her hair, and update her wardrobe and she's done - instant prom queen status). Her transformation into a beauty queen is something that is seen as a gradual process and is full of real effort on her part. In other words, She really is All That.
At the beginning of the film, all-American jock - star soccer player - and class president and essentially nice good-guy Zack Siler (Prinze, Jr.) is publicly dumped by his shallow, self-absorbed girlfriend Taylor Vaughan (Jodi Lyn O'Keefe) for an annoying reality TV star from "The Real World" named Brock Hudson (Matthew Lillard, of "Scream"). Zack bets with his best friend Dean (Paul Walker) that he can turn any girl in the school into a prom queen in six weeks. Dean chooses Laney Boggs. Predictably, Zack starts to fall for Laney - especially after his younger sister Mackenzie (Anna Paquin) gives her an extreme makeover - and soon finds himself questioning his bet with Dean.
As I stated earlier, there isn't a whole lot to the plot that hasn't been seen before in earlier, better teen pictures (like, say, for instance, 1987's "Can't Buy Me Love," which this film could be considered in some ways a modern update of). But what saves it are its performances from two real, likable characters who are given a chance on-screen to really learn from each other, and learn ABOUT each other and make some unique discoveries about themselves in the process. It's just a quality that I wish more teen films shared these days.
"She's All That" - It really is All That, and then some more.
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