Critic Reviews
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75
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Entertainment Weekly Lisa Schwarzbaum
The drama ultimately retreats to safer, duller, more illogical, and more reactionary impulses and stereotypes.
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75
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San Francisco Chronicle Bob Graham
But the single most compelling performance may belong to Australian actor Guy Pearce.
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70
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Rolling Stone Peter Travers
Friedkin turns on the juice and Jones and Jackson let it rip.
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63
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Chicago Sun-Times Roger Ebert
Works splendidly as a courtroom thriller about military values as long as you don't expect it to seriously consider those values.
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63
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New York Post Jonathan Foreman
As mechanical and predictable as a cuckoo clock, it shouldn't work half as well as it does.
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63
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Charlotte Observer Lawrence Toppman
The setup doesn't make sense from the get-go.
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50
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USA Today Mike Clark
The sentiments here are thoroughly semper fi, but the result occasionally works at cross-purposes.
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50
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New York Daily News Jack Mathews
Sometimes, movies would work better if you couldn't see them.
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38
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Philadelphia Inquirer Carrie Rickey
A casualty of its own clumsy storytelling.
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38
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Mr. Showbiz
Pearce is shot in such distorting closeups that he looks like an overdeveloped athlete who's been getting steroid injections in his cheeks.
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