New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Samuel L. Jackson,
A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
Phil and Kate have a baby boy named Jake. They hire a baby-sitter, Camilla, to look after Jake and she becomes part of the family. The Sheridan's friend and neighbor, Ned, takes a liking to... See full summary »
Hayes Hodges finds his career aspirations dashed when he's wounded in Vietnam combat. He then returns to America and becomes a disillusioned lawyer who goes up against the service to defend Colonel Terry Childers, who is accused of inciting an incident that leaves many demonstrators dead. Hodges in no position to decline: Childers heroically saved his life back in Vietnam. Written by
When Hodges (Tommy Lee Jones) returns to the bombed-out embassy, there is a picture of then Vice President Al Gore on the charred wall. Gore and Jones were roommates at Harvard. See more »
During the courtroom scenes the bruises on Col. Childers' face from his fight with Col. Hodges move around. For example, when the verdict is read Col. Childers has a crescent shaped bruise under his eye and a cut or split in his lip. However, when he emerges from the courtroom following the verdict, the crescent shaped bruise is gone and there is no noticeable injury to his lip. See more »
Big missed opportunity: This could have been an intelligent movie about the fine line between self-defense and murder, the ambiguity in perception and judgement faced by people in dangerous situations(real life example: A Chicago police officer killed a woman who made a false move with a metallic object in her hand--it turned out to be a lock, not a weapon. Was the policewoman guilty of murder? Would we have done the same in her situation?) Instead the director turned this into jingoistic drivel. The portrayal of Arabs/Muslims is a really offensive stereotype: Gun-totin, rock-throwin, jihad-lovin, towel-head fanatics, every last one of them, man, woman, and child. Most disturbing thing about it:
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