A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
Jewish brothers in Nazi-occupied Eastern Europe escape into the Belarussian forests, where they join Russian resistance fighters and endeavor to build a village in order to protect themselves and about 1,000 Jewish non-combatants.
CIA analyst Jack Ryan must thwart the plans of a terrorist faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
Hayes Hodges finds his career aspirations dashed when he's wounded in Vietnam combat. He then returns to America and becomes a disillusioned lawyer who goes up against the service to defend Colonel Terry Childers, who is accused of inciting an incident that leaves many demonstrators dead. Hodges in no position to decline: Childers heroically saved his life back in Vietnam. Written by
A replica of the Marine Corps base at Camp Lejeune, NC, was built at the Vint Hill Farm Station, South Manassas, VA. Some 800 Marines were hired for the combat and other action scenes. See more »
When you see Col. Hodges and Col. Childers, it is obviously night, however one of the shots in the quick cuts shows a window with daylight. See more »
Colonel Terry L. Childers:
Yes they had weapons! You think there's a script for fighting a war without pissing somebody off? Follow the rules and nobody gets hurt? Yes, innocent people probably died. Innocent people always die but I did not exceed my orders.
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What a mess. Sleepwalking performances by two otherwise very fine actors (Tommy Lee Jones and Samuel L. Jackson), impossible plot holes, the use of every military and courtroom cliche imaginable, an awful script, and a continual need to suspend the viewer's disbelief. It's hard to believe such a good cast (including Guy Pearce, Ben Kingsley, Bruce Greenwood, Ann Archer) give performances that are either sad or so brief you wonder if they left much of this film on the cutting room floor. Not that it would have mattered--very little could have saved this disaster.
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