After hiding his loot and getting thrown in jail, Ruby, a brooding outlaw encounters Quentin, a dim-witted and garrulous giant who befriends him. After Quentin botches a solo escape attempt... See full summary »
An update of the 1977 comedy, Dick and Jane are living the good life. That is until Dick (Jim Carrey) loses his job shortly after getting a promotion that convinced his wife Jane (Téa Leoni) to quit her job. The money is gone, and the house ends up in foreclosure. Dick decides to turn to a hilarious life of crime to pay the bills with his lovely wife by his side. Then together they decide it's ... See full summary »
When petty thief Cosimo is given the plan for the perfect heist from a lifer in prison - the kind of job you dream about - he has to get out of jail, fast. But with Cosimo stuck in the ... See full summary »
William H. Macy,
Michael Lynch is Dublin's most notorious criminal, his brazen robberies making him the bane of the Gardaí and a hero to his fellow working class city Northsiders. When not playing happy families with his two wives - sisters Christine and Lisa - and his children, Lynch is busy plotting elaborate heists, thinking as much about the showmanship of it all as he is the loot involved. On his case is Garda Noel Quigley, his determination to convict Lynch slowly turning into an obsession. Inevitably, a showdown looms. Written by
As Michael is running out of the museum, stealing the painting of Judas kissing Jesus, the exhibition sign he passes reads "The Taking of Christ". See more »
This movie was set around 1991-3. However, visible in a number of places are both Fiat Punto cars and CitySwift buses. These were not introduced until 1994 and 1995 respectively. In the bank raid scene, the notes which are stolen are Series III Irish banknotes. These notes were not fully introduced until 1996, and the £20 notes shown in the raid were not even partially introduced at the time the movie was set See more »
On the wings of the Sopranos era concept 'crime is a business as any other', here comes the Irish version. The problem is that it lies entirely on the shoulders of Oscar-touched Kevin Stacey. It tries to be a very Irish film, with human and enjoyable gangsters, the cops are the villain, and the victims never really show up. The charm relies entirely on Kevin Stacey's performance, though some other good acting can be seen around - for example Linda Fiorentino who gets too little screen time, in my opinion, and some other supporting actors who must be Irish or British because they are both good, as well as fresh faces. However, acting only cannot save the movie, it is after all easy to forget, and certainly cannot provide the answer to the key question - can ordinary decent criminals really be ordinary decent humans?
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