When Will Stoneman's father dies, he is left alone to take care of his mother and their land. Needing money to maintain it, he decides to join a cross country dogsled race. This race will ... See full summary »
David Ogden Stiers
Michael Lynch is Dublin's most notorious criminal, his brazen robberies making him the bane of the Gardaí and a hero to his fellow working class city Northsiders. When not playing happy families with his two wives - sisters Christine and Lisa - and his children, Lynch is busy plotting elaborate heists, thinking as much about the showmanship of it all as he is the loot involved. On his case is Garda Noel Quigley, his determination to convict Lynch slowly turning into an obsession. Inevitably, a showdown looms. Written by
Originally this film was intended to be a film about Martin Cahill (aka The General) a Dublin crime lord. However when the makers discovered that John Boorman was making a film about him already, they changed the storyline. The original intent of the film can still be seen in certain sequences. When he tortures a member of his gang in the belief that he had stolen from him (there is a similar though more accurate scene in The General (1998)) and when visiting the gallery to steal the paintings (The General stole several painting that comprised part of the Beit collection in Russborough house) and also the fact that his 'wives' were sisters See more »
The priest (having found Caravaggio) talks about Holy Veronica in the Gospel of Luke. See more »
You know what you are? Wouldn't be everybody's cup of tea, but it suits me.
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One Day At A Time
Words & Music by Mari John Wilkin / Kris Kristofferson
Used by kind permission of The Valentine Music Group
Performed by Gloria
Courtesy of Outlet Recording Company Ltd.
Also performed by Michael Lynch and Gang See more »
Based on the real-life figure of Dublin gangster Martin Cahill (his story was also told in THE GENERAL, released in 1998), this fast-moving crime flick has little new to offer, but is worth a look for fans of the genre. Writer Gerard Stembridge takes the main facts of Cahill's life and gives them a slight spin (most especially the latter stages) to create an interesting mix of fantasy and reality. It's not as good as THE GENERAL; Spacey and Fiorentino struggle with their accents; and the finale is a bit much for us to swallow. But, for all its flaws, it's a lively and amusing piece, if destined forever to fall in the shadow of its more illustrious fore-runner.
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