The unexpected death of her husband sends a woman and her seven children, ages 2-14, into emotional turmoil and financial crisis in 1967 Dublin. She is forced to borrow money from a ... See full summary »
The third installment of Irish author Roddy Doyle's 'Barrytown Trilogy', following 'The Commitments' and 'The Snapper', depicts the hilarious yet poignant adventures of Bimbo. Upon being ... See full summary »
Based on the best selling autobiography by Irish expat Frank McCourt, Angela's Ashes follows the experiences of young Frankie and his family as they try against all odds to escape the ... See full summary »
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Duckers, Jimmy and Ray are three work-shy security guards at a shopping mall who spend much of their time mocking their Jobsworth boss Kenneth. One night they bunk off to watch and bet on a... See full summary »
The unexpected death of her husband sends a woman and her seven children, ages 2-14, into emotional turmoil and financial crisis in 1967 Dublin. She is forced to borrow money from a ruthless loan shark to make ends meet. She faces her dismal existence by selling fruits and vegetables at an open air market where she spends time with a best friend who gives her encouragement. Wishing to escape her existence, if only for a short time, she dreams of finding enough money to attend an upcoming Tom Jones concert. She realizes her dream by accepting her first date with a French baker. Her kids pool their money so she can buy a new dress. Of course, eventually the family has to face the loan shark, but this is a movie where obstacles are maybe too easily overcome. Written by
John Sacksteder <email@example.com>
Agnes Browne works on a fruit and vegetable stall on Moore Street, Dublin city centre's famous market street. In reality, the market stall scenes were shot on Thorncastle Street, and adjacent Bridge Street, in Ringsend, on Dublin's Southside. See more »
When the group are are coming out of Clery's department store, the physical bus stops in the distance are still from 1990s. Bus stops were green and oval in shape, whereas in the 60s and 70s they were round and black/cream. See more »
We're here for a good time, not a long time. And having a friend like you is as good as it gets.
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Yet another hidden gem. As a dealer in new and used movies, especially since I specialize in unusual, out-of-print, Indies, foreign, and other non-mainstream titles, I have the opportunity to discover many films in the hidden-gem category, like this one. Films get my attention when the demand is unusually high. This is no guarantee that the film is a good one, but if other factors are favorable, I may watch it. This one's a winner.
On my first viewing I thought it was a nice little film but nothing special. Mild thumbs up. I'm not sure why, but about a year later I decided to watch it again. I enjoyed it more the second time. Six months later I watched it a 3rd time and it seemed better yet. Today I watched it for the fourth time and I enjoyed every moment of it tremendously. The opening scene is just delicious, and hilarious. Even though I have a pretty good ear for the Irish idiom, I turned on the English subtitles and caught some bits of dialog that were not clear before.
If you are a film student, this a good one to study. It is extremely well crafted. Yes my dears, with no big stars and a small budget, you can make a fine film. The camera work is first class. Lighting is perfect. The colors pop out at you. No doubt Ms. Houston sought to bring her Ireland to life with all of it's vivid vitality, and she succeeded. She squeezed a lot into a small film. Humor, music, romance, pathos, and even a little suspense. Perfect editing. The film never lags. Perfect pacing. Perfect storytelling. Nothing is unnecessary and nothing is missing.
Yes, it is a bittersweet tale, but so is life. We have all been there. Agnes Browne and her brood are good souls, instantly likable. The beaming faces of those kids, ah, they'll steal your heart. That's what makes this movie a winner above all else. It's a movie with heart.
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