The film philosophical approach at redemption. The protagonist Manual Jordan has gotten parole from a life sentence for the murder of Abner Easley, and returns to the city he lived in to ... See full summary »
Billy Bob Thornton,
In the 1960s, a group of friends at an all girls school learn that their school is going to be combined with a nearby all boys school. They concoct a plan to save their school while dealing with everyday problems along the way.
When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister ... See full summary »
This is another telling of the holocaust, but this time from the perspective of a modern teenage girl who only grudgingly accepts the Jewish traditions, but when she is asked to "open the ... See full summary »
If you find your dad, what happens next? When she turns 18, unhappy Lidda Daniels leaves Southern California to look for Charlie, her father, a professional gambler who abandoned her years before. On her way to Vegas, she picks up Colonel, a video store clerk whom she finds attractive even though they've never spoken. He's is happy to go, in part because he sees himself as a great poker player. It takes Lidda time to track down Charlie, who's involved in his own tangles: he's freshly back in Vegas for high-stakes poker with Tony, an old nemesis. Tony is jealous of Charlie over a woman, plus Tony has a new habit of hiring a hit man to kill anyone who beats him. Can anyone win? Written by
This movie is so dumb. The James Caan parts of it are a lame excuse for soft-core porn and pseudo-gangster antics. The Kirsten Dunst/Vincent Kartheiser parts have the potential to be really, really good -- good dialogue building a truly interesting relationship. BUT. Kirsten's acting sucks -- it just sucks in every way possible. They have no chemistry.
The character of Lidda (Dunst) wasn't "bad" enough for me -- she wasn't much of anything, it was like she was reading her lines and had no clue what was going on. Vincent Kartheiser's Colonel was just about the only believable character -- I liked Colonel a lot. But it didn't help the film much.
I didn't appreciate the none-too-subtly cloaked symbolism (i.e. the "Second Chance Motel," the whole movie happening on and around Valentine's Day). The ending was also stupid -- it's supposed to be optimistic, a "fresh start," but PLEASE. You know she's going to keep smoking, and he's going to keep gambling, and they'll get sick of each other really fast and break up again. It didn't convince me.
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