A television actor drinks too much and gets blackballed from the industry, and then he decides to break back in by directing his own movie. Eventually, he gets sober, and then falls off the... See full summary »
Jamie Anne Allman,
An 80's one-hit wonder band named The Suburbans reform for a special performance at one of the ex-member's wedding. At the wedding, a young record company talent scout happens to be in the ... See full summary »
Donal Lardner Ward
Donal Lardner Ward,
Documentary look at Morty Fineman, a prolific maker of schlock independent films, who's down on his luck. Actors, directors, and writers, including Ron Howard and Karen Black, comment on his work, we see clips from some of his 427 titles, and we watch Morty try to get financing for a film about a serial killer. He hires his daughter, Paloma, as his business manager. His A.D., the long-suffering Ivan, stays by his side. Morty owes the bank $10 million from his one blockbuster failure. Can he find the financing, or is it time for Morty to retire. Meanwhile, Ivan hooks Morty up with a new film festival, in Chaparral, Nevada. Is this the ticket to renewal? Written by
I think Morty is a visionary.
I think Morty was and is an artist.
He's an innovator.
Very persistent. And you have to love him for that.
Morty would try things, and then 2 years later someone would copy it and win an Oscar for it.
This is the only man that I've ever worked with that I feel I can't take.
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The titles of all 427 of Morty Fineman's films are shown along with the end credits. See more »
This film is hilarious, sublime and simply outstanding - a great example of how a very funny film can be made on a low budget. The adventures of Jerry Stiller's character, Morty, are recorded in this "Mocumentary" with nothing but the absolute best of results. Jerry is in almost every frame and he carries the film in a Herculean effort. Getting less respect than Rodney Dangerfield could have ever described, Morty carries on in his own deluded yet unwavering way. Just watching Morty's morning routine was worth the price of the ticket alone. The previous reviewer compared this to a lame SNL sketch - my advice is to watch it again-sober-and watch for the nuances of Stiller's performance (including the unbelievable deadpan reaction he gives to hearing a brutal criticism of his work) instead of the in-your-face gross-out "humor" that passes for amusement in the mainstream farce released by Hollywood over the past 20 years. Super cameos by a wealth of indie and some not-so-indie directors are fabulous. Great stuff.
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