Two brothers in their early 20s, one black, one white, each the other's keeper since their family was torn apart by a decade old tragedy. Neville is a comedian struggling with his comedy, ... See full summary »
William, a once obese and troubled teen, goes back to his family's home after being gone, without word, for ten years and finds it (and his family) haunted with his past. He had moved to ... See full summary »
Dr. Lauren is staying in Prague for a conference and falls in love with Czech writer Jiri Kolmar. However, she learns some awful secrets about Jiri's family during the Nazi occupation and the concentration camps.
Roger L. Simon
Shane Bradley, who is fixated on ideas of luck and destiny, tries to win the girl of his dreams. After their relationship falters, Shane begins to think he might be unlucky and turns to ... See full summary »
Connie, an aging Bohemian photographer, meets mousy Harper, headed for Harvard Law from a high-powered San Francisco family, and immediately sees her beauty. He also guesses she has talent and invites her to be his pupil and share his bed. He's Alfred Stieglitz, she's Georgia O'Keefe, and he calls her his Guinevere. When she realizes she's the latest Guinevere in a string of ingenues, she bolts, only to return, sick of her family. She's blossoming, reading, learning, but hasn't yet taken her first photograph when he tells her they're going to L.A., broke, him drinking too much, to sell some photographs. On the trip, she finally snaps the shutter; so does her awe and dependence. Written by
During the non-union shoot in San Francisco, crew members struck and were joined by star 'Sarah Polley', who walked the picket line. Striking crew members report that they were quite touched by her action, which was more than a gesture, but rather a sincere belief in workers' rights. On her part, Polley called her union, the Screen Actors Guild, to tell them of her action, and the union representative told her they'd back her if she crossed the picket line. SAG assumed that she was calling to ask whether she could defy the strike and cross the picket line! A shocked and dismayed Polley stayed out with the strikers, and the strike ended after three days when their grievances were met. Subsequently, Polley has stated that she has been told that she lost several job offers due to this incident as producers don't want a union 'militant' despite the film industry being a craft industry dominated by the guild (union) system and she did what she felt was right. See more »
The wet spots on Harper's shirt after taking a shower. See more »
These photographs of me were taken when I was 21 years old. They were shot on Plus X with a 105-mm lens on a Nikon F-2, developed normal, two stops overexposed. I like this one a lot. The F-2 was lost forever to a pawn shop in Los Angeles four years ago. The photographer lived in San Francisco up until last week. He was the worst man I ever met, or maybe the best, I'm still not sure. If you're supposed to learn by your mistakes, then he was the best mistake I ever made. He was my ...
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Guinevere, for which I had high hopes, is a disaster. The basic story line (young woman falls in love with older man) is not the problem. The problem is that we are supposed to accept the premise that Harper Sloan (Sarah Polley) is an insecure, naive, helpless young woman. Suspending disbelief is one thing, but swallowing this nonsense is out of the question. We are told to believe that Sarah Polley, at age 20, needs something or someone to appreciate her for what she can become.
Sarah's character, Harper, is a beautiful, wealthy, college-educated resident of the San Francisco Bay Area. There is no way in the world she would still be this uninformed, inexperienced, and helpless. She has done well enough at college to be accepted into Harvard Law School. If we are to believe the film, she is incapable of any intelligent or creative thought or action. From what college did she graduate? Was she asleep for four years? Was she asleep for 20 years?
The only scene with any hint of reality or intelligence was the one in which Harper's mother, played well by Jean Smart, confronts the older man. Sarah Polley is beautiful and talented; she is wasted in this turkey. [For a film in which the director utilizes the talents of a young actor, avoid Guinevere and see Natalie Portman in Anywhere but Here.]
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