| Olivia Williams | ... | Audrey | |
| Balthazar Getty | ... | Julian | |
| Arly Jover | ... | Maria | |
| Jason Cairns | ... | Oscar | |
| Ruben Moreno | ... | Priest | |
| Daniel London | ... | Kevin | |
| Stacy Edwards | ... | Holly | |
| Steve Jones | ... | Tom (as Stephen Phillip Jones) | |
| George Lazenby | ... | Carlo | |
| John Taylor | ... | Dick (as John Nigel Taylor) | |
| Tim Curry | ... | Felix | |
| Octavia Spencer | ... | Waitress (as Octavia L. Spencer) | |
| Ray Berrios | ... | House Security Guard | |
| Peter Mark Vasquez | ... | Data Security Guard | |
| Ramiro Fabian | ... | Supervisor | |
| Jorge Luis Abreu | ... | Porter | |
| Forest Whitaker | ... | Mr. Ellington | |
| Inday Ba | ... | Punk Chick | |
| Steve Ransohoff | ... | Big Headed Alan | |
| Kevin West | ... | Bank Manager | |
| Shawn David Thompson | ... | Miranda Rights Cop | |
| Fitz Houston | ... | Plainclothes Cop | |
| rest of cast listed alphabetically: | |||
| Michelle Bonilla | ... | Young Mother | |
| Bruce Bohne | ... | Prison Guard (uncredited) | |
| Andrea Grano | ... | Wedding Party Guest (uncredited) | |
| Lauren Moore | ... | Maid of Honor (uncredited) | |
Directed by | |||
| Paul Rachman | |||
Writing credits | ||
| Shawn David Thompson | (written by) (as Thomas Durham) & | |
| William Quist | (written by) | |
Produced by | |||
| Richard Hicks | .... | associate producer | |
| Steven E. Hoffman | .... | producer (as Steven Hoffman) | |
| Betsy Mackey | .... | line producer | |
| Dennis Stuart Murphy | .... | line producer (as Dennis Murphy) | |
| Matt Salinger | .... | producer | |
| William Sherak | .... | executive producer | |
| Jason Shuman | .... | executive producer | |
| Josie Wechsler | .... | associate producer (as Johanna Wechsler) | |
| Ronnie Yeskel | .... | associate producer | |
Original Music by | |||
| Brian Tyler | |||
Cinematography by | |||
| Claudio Rocha | (director of photography) | ||
Film Editing by | |||
| Conrad M. Gonzalez | |||
Casting by | |||
| Richard Hicks | |||
| Ronnie Yeskel | |||
Production Design by | |||
| Alec Hammond | |||
Art Direction by | |||
| Dick Kyker | |||
| Marc Mileto | |||
| Andrew Rubenstein | |||
Set Decoration by | |||
| Catharine Tarver | |||
Costume Design by | |||
| Sophie De Rakoff | (as Sophie Carbonell) | ||
Makeup Department | |||
| Dara Akbarian | .... | key hair stylist: Argentina | |
| Dara Akbarian | .... | makeup artist: Argentina | |
| John Carl Buechler | .... | prosthetic effects | |
| Kathleen Freeman | .... | key makeup artist (as Kathleen Freeman-Smith) | |
| Sabine Roller | .... | additional hair stylist | |
| Sabine Roller | .... | additional makeup artist | |
| Tatiana Thorpe | .... | hair stylist | |
| Tatiana Williams | .... | hair stylist: New York | |
| Tatiana Williams | .... | makeup artist: New York | |
Production Management | |||
| Sergio Belloti | .... | production manager: Argentina | |
| Marjorie Ergas | .... | production supervisor | |
| Cynthia A. Fujikawa | .... | production manager: New York (as Cynthia Fujikawa) | |
| Isabel Henderson | .... | post-production supervisor | |
| Betsy Mackey | .... | production manager | |
Art Department | |||
| Denise Anderson | .... | assistant property master | |
| Mark Anderson | .... | property master | |
| James Darfus | .... | set dresser | |
| Camille Esposito | .... | set dresser | |
| Andrew Garcia-Price | .... | storyboard artist (as Drew Garcia-Price) | |
| Tara Georgenes | .... | assistant property master | |
| Sean Haines | .... | lead man | |
| Daniel Mendible | .... | key set dresser | |
| Kevin Pullen | .... | property master | |
| Carisa Rosenthal | .... | prop assistant (as Chris Rosenthal) | |
Sound Department | |||
| Doug Andham | .... | adr mixer (as Doug Andorka) | |
| William Fiege | .... | sound mixer: second unit (as Bill Fiege) | |
| Bryant Grizzell | .... | boom operator | |
| Vincent Guisetti | .... | foley artist | |
| David Hingorany | .... | sound recordist | |
| Eric Justen | .... | sound re-recording mixer | |
| Sean Keegan | .... | adr mixer | |
| Sean Keegan | .... | foley mixer | |
| Shawn Kennelly | .... | adr mixer | |
| Shawn Ian Kerkhoff | .... | assistant sound editor | |
| Laura Laird | .... | adr editor | |
| Randy Lawson | .... | sound mixer | |
| Wes Otis | .... | assistant dialogue editor | |
| Jesse Pomeroy | .... | adr supervisor | |
| Jesse Pomeroy | .... | dialogue supervisor | |
| Jesse Pomeroy | .... | supervising sound editor | |
| Sergio Reyes | .... | sound re-recording mixer | |
| Paul Stanley | .... | sound post-production coordinator | |
| Jussi Tegelman | .... | sound designer | |
| Scott Turner | .... | sound post-production coordinator | |
Special Effects by | |||
| John Carl Buechler | .... | special effects | |
| Lou Carlucci | .... | gun shot effects | |
| Robert Pendergraft | .... | special effects assistant | |
Stunts | |||
| Brian Avery | .... | stunts | |
| Jennifer Caputo | .... | stunts (as Jennifer Jo Caputo) | |
| Cole S. McKay | .... | stunts (as Cole McKay) | |
| Caroline Packman | .... | stunts | |
| Paul E. Short | .... | stunts (as Paul Short) | |
| Monica Staggs | .... | stunts | |
| Gary J. Wayton | .... | stunt coordinator | |
| Eileen Weisinger | .... | stunts | |
| Webster Whinery | .... | stunts | |
Casting Department | |||
| Julie Chavez | .... | casting assistant | |
| Debe Waisman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Christine Bieselin Clark | .... | wardrobe supervisor (as Christine Bieselin) | |
| Dan DeBono | .... | wardrobe supervisor: Argentina | |
| Arthur Kaz | .... | set costumer: Argentina | |
| Julie-Marie Robar | .... | set costumer | |
| Vera Wang | .... | costume designer: wedding dresses | |
Editorial Department | |||
| Michael Hatzer | .... | color timer | |
| Tim Heyen | .... | negative cutter | |
| Charles B. Unger | .... | first assistant editor | |
| Butch Wertman | .... | assistant editor | |
Music Department | |||
| Scott Hackwith | .... | composer: additional music | |
| Christopher Lennertz | .... | orchestrator | |
| Dana Niu | .... | score assistant | |
| Brian Tyler | .... | orchestrator | |
| Christopher Lennertz | .... | conductor (uncredited) | |
Transportation Department | |||
| J. Armin Garza II | .... | driver: camera car | |
| Geno Hart | .... | transportation coordinator | |
| Kirk Huston | .... | transportation captain | |
| Jon Kalikow | .... | transportation coordinator: New York | |
| Harry Marks | .... | transportation co-captain | |
| Bradley Sackin | .... | driver | |
Thanks | |||
| Cyril Drabinsky | .... | special thanks | |
| Avery A. Hoffman | .... | dedicatee | |
| Greg Mielcarz | .... | special thanks (as Greg Milcarz) | |
| Richard Riordan | .... | special thanks (as Mayor Richard Riordan) | |
| Jack Valenti | .... | special thanks | |
| Vera Wang | .... | special thanks | |
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| Best Laid Plans | Empire | Layer Cake | Perfect Stranger | The Salton Sea |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
A stylish thriller, with one major let-down: the whole premise is just so unbelievable that you really need to be able to suspend your disbelief for this one.
Four young art thieves, and their mentor (a surprisingly good, but underused Tim Curry), steal a priceless statue from an Argentinian millionaire, (a surprisingly good, but underused ex-James Bond, George Lazenby!) and ship it back to the States on a cargo ship. Recipient of the said statue hears that it isn't on the ship, and promises to kill all five if it isn't delivered - or make them pay $1 million. So, what would you do? Wait and see if it turns up, do a runner and leave the country? Or build up some elaborate insurance scam whereby one of you has to kill another one, so the rest of the gang can claim $1 million insurance? They opt for the latter, and all reality goes out of the window. It's a shame, because the four 'friends' are good together, and there are some genuine thrilling moments. Its pretensions to film noir are justified an only a few occasions, and the 'twist' ending doesn't really make up for the plotholes.
That said, certainly worth a look.