A young girl discovers her father has an amazing talent to bring characters out of their books and must try to stop a freed villain from destroying them all, with the help of her father, her aunt, and a storybook's hero.
Based on the 60's-era cartoon of the same name. Royal Canadian Mountie Dudley Do-right is busy keeping the peace in his small mountain town when his old rival, Snidely Whiplash, comes up with a plot to buy all the property in town, then start a phony gold rush by seeding the river with nuggets. Can this well-meaning (though completely incompetent) Mountie stop Whiplash's evil plan? Written by
Jean-Marc Rocher <email@example.com>
What we have here is a failure to communicate any of the satire created by genius Jay Ward! Mr. Wilson made so many mistakes in telling Dudley's story that I believe this is simply not the Dudley Do-Right story, this was someone elses story. The set up should have centered more on the Mounties and less on Whiplash's plan, which dominated the entire film. Never once did Dudley have to rescue Nell, in fact, she seemed smittened by Whiplash. This gave less-than-attractive Sara Jessica Parker very little to do, not that as an actress, she has much to bring to the table. Aside from this, her character, Nell, was (under) written as though the writer (s) didn't want the character in the first place. Maybe, because Parker was re-cast in the role. Second Choice?
The character of Horse, which could have been an interesting character asset to Dudley were is not for the fact that he disappears a quarter into the film without explanation, was handled wrong. Likewise, Eric Idle's character seemed as though he might have been three separate characters in an original draft of the script. And now strung together, so the producers could use Idle's talents.
The flavor of the original cartoon is no where to be found.
Fraser and Alex Rocco were as wonderful as Parker and Molina were not up to snuff. However considering what they had to work with -- they were all okay ... silly set-ups, no pay offs and a script that seemed aimless at times leaves devotees of genius Jay Ward saddened.
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