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In this, the third film, it's the pets who do the talking. The Ubriacco's find themselves the owners of two dogs, Rocks, a street wise cross breed, and Daphne, a spoilled pedegree poodle. ... See full summary »
Director:
Tom Ropelewski
Stars:
John Travolta,
Kirstie Alley,
David Gallagher
This time, a new baby is on the way, and it's a girl. Wrapped together with the standard conflict between mother and father, Mikey engages in a bit of sibling rivalry with his new sister.
Director:
Amy Heckerling
Stars:
John Travolta,
Kirstie Alley,
Olympia Dukakis
Amanda Lemmon is a street-wise orphan who's about to be adopted by a family who uses children for their own selfish gain. Her case worker, Diane, loves her and would like to adopt her, ... See full summary »
Director:
Andy Tennant
Stars:
Kirstie Alley,
Steve Guttenberg,
Mary-Kate Olsen
Teenager Holly Hamilton is tired of moving every time her single mom Jean has another personal meltdown involving yet another second-rate guy. To distract her mother from her latest bad ... See full summary »
A group of zoo animals decide to break their code of silence in order to help their lovable zoo keeper find love -- without opting to leave his current job for something more illustrious.
Two wealthy sisters, both heiresses to their family's cosmetics fortune, are given a wake-up call when a scandal and ensuing investigation strip them of their wealth.
Director:
Martha Coolidge
Stars:
Hilary Duff,
Haylie Duff,
Maria Conchita Alonso
Routinely exploited by her wicked stepmother, the downtrodden Sam Montgomery is excited about the prospect of meeting her Internet beau at the school's Halloween dance.
Director:
Mark Rosman
Stars:
Hilary Duff,
Jennifer Coolidge,
Chad Michael Murray
Michael Cromwell, a New-Yorker, suddenly learns that he has a 13-year old son that's been raised in the jungle. He brings the boy to New York, and that's where the fun starts...
Based on the 60's-era cartoon of the same name. Royal Canadian Mountie Dudley Do-right is busy keeping the peace in his small mountain town when his old rival, Snidely Whiplash, comes up with a plot to buy all the property in town, then start a phony gold rush by seeding the river with nuggets. Can this well-meaning (though completely incompetent) Mountie stop Whiplash's evil plan? Written by
Jean-Marc Rocher <rocher@fiberbit.net>
Who started this trend of turning '60s cartoons into new live action? I'd say Spielberg with The Flintstones. That one, at least, worked. But it was, sadly, the camel's nose under the tent.
Did Hugh Wilson even WATCH any Dudley Do-Right cartoons as a kid? Did he rent videos or catch the Cartoon Channel? None of that shows.
The classic scene of the cartoon, Snidely tying Nell to the tracks ... is STILL a cartoon here. They didn't even try to render the credits it in live action as with The Flintstones.
Dudley, a blonde in the cartoon, was a brunette actor. He smiles a lot, has a big hero's chin, and is sort of dim but not such a stumblebum.
And Nell, a redhead in the cartoon, was a blonde actress. But wait ... Sarah Jessica Parker isn't REALLY blonde. She had to color her hair or wear a wig and STILL got it wrong.
Nell in the cartoon was content to live at the camp. But she was NOT stuck between Dudley and Snidely. Rather, she was stuck on HORSE!! And what happened to Horse's Mountie shirt and hat? This one in the movie was just a regular saddled horse.
Inspector Fenwick in the cartoon is the camp commandant, a fist-pounding boss, not a soft-spoken retiree. And he wears the red uniform, just like Dudley. Was Hugh Wilson being "accurate" by having someone of the inspector's rank wear black? Why bother being accurate on this obscure point if you can't get the obvious things right?
The real Snidely Whiplash has green skin. I forgive Alfred Molina for not donning greasepaint through the film. But at least we get a scene of him with a green face in the mudbath. Snidely is the ONLY character they got right.
Other problems: The cartoon very obviously took place during the Klondike or Yukon Gold Rush days. The player-piano score gave it away. We;re talking late 19th century. They would NOT have helicopters, cars, tanks, etc.
I remember, back in the '60s, the trend was the turn our beloved live-action heroes into cartoons and see them REALLY soar. Gone were the expenses of having to string George Reeves up on wires to have Superman fly. Now we could see Superman really fly and take on actual comic-book supervillains instead of always gangsters. And we got the Lone Ranger, Batman and eventually Star Trek in toon form and they all worked by doing things that would have been way too expensive in live action.
Don't any of the directors remember that these cartoons were made for a reason? Too expensive to film live!
Spielberg made The Flintstones work as nostalgia because he has the cash to be exacting in detail. For Hugh Wilson and all the rest, the lesson is simple: Watch the cartoon, note recurring themes, and most of all, don't do the show if you ain't got the dough!
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Who started this trend of turning '60s cartoons into new live action? I'd say Spielberg with The Flintstones. That one, at least, worked. But it was, sadly, the camel's nose under the tent.
Did Hugh Wilson even WATCH any Dudley Do-Right cartoons as a kid? Did he rent videos or catch the Cartoon Channel? None of that shows.
The classic scene of the cartoon, Snidely tying Nell to the tracks ... is STILL a cartoon here. They didn't even try to render the credits it in live action as with The Flintstones.
Dudley, a blonde in the cartoon, was a brunette actor. He smiles a lot, has a big hero's chin, and is sort of dim but not such a stumblebum.
And Nell, a redhead in the cartoon, was a blonde actress. But wait ... Sarah Jessica Parker isn't REALLY blonde. She had to color her hair or wear a wig and STILL got it wrong.
Nell in the cartoon was content to live at the camp. But she was NOT stuck between Dudley and Snidely. Rather, she was stuck on HORSE!! And what happened to Horse's Mountie shirt and hat? This one in the movie was just a regular saddled horse.
Inspector Fenwick in the cartoon is the camp commandant, a fist-pounding boss, not a soft-spoken retiree. And he wears the red uniform, just like Dudley. Was Hugh Wilson being "accurate" by having someone of the inspector's rank wear black? Why bother being accurate on this obscure point if you can't get the obvious things right?
The real Snidely Whiplash has green skin. I forgive Alfred Molina for not donning greasepaint through the film. But at least we get a scene of him with a green face in the mudbath. Snidely is the ONLY character they got right.
Other problems: The cartoon very obviously took place during the Klondike or Yukon Gold Rush days. The player-piano score gave it away. We;re talking late 19th century. They would NOT have helicopters, cars, tanks, etc.
I remember, back in the '60s, the trend was the turn our beloved live-action heroes into cartoons and see them REALLY soar. Gone were the expenses of having to string George Reeves up on wires to have Superman fly. Now we could see Superman really fly and take on actual comic-book supervillains instead of always gangsters. And we got the Lone Ranger, Batman and eventually Star Trek in toon form and they all worked by doing things that would have been way too expensive in live action.
Don't any of the directors remember that these cartoons were made for a reason? Too expensive to film live!
Spielberg made The Flintstones work as nostalgia because he has the cash to be exacting in detail. For Hugh Wilson and all the rest, the lesson is simple: Watch the cartoon, note recurring themes, and most of all, don't do the show if you ain't got the dough!