Francois is a young carpenter married with Therese. They have two little children. All goes well, life is beautiful, the sun shines and the birds sing. One day, Francois meets Emilie, they ... See full summary »
The Exquisite Corpus is based on various erotic films and advertising rushes. I play on the "cadavre exquis" technique used by the Surrealists, drawing disparate body parts constellating ... See full summary »
A social movie about current life in the north of France. Freddy and his friends are all unemployed. They pass away time by wandering around on their motorcycles and by directing their ... See full summary »
A gardener tries his best to make his salad plants grow. It is only when he cries that his tears finally water the field and the salads grow huge. The incredible size attracts a multitude ... See full summary »
When an 11-year-old girl is brutally raped and murdered in a quiet French village, a police detective who has forgotten how to feel emotions--because of the death of his own family in some kind of accident--investigates the crime, which turns out to ask more questions than it answers.
In close-ups and extreme close-ups, we watch two small species of marine crustaceans, the slender long-legged stenorhynchus and the clumsy, short-legged hyas. To blend in, both cover ... See full summary »
A subtitle warns, "Beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the ... See full summary »
Neo-classical statues, Paris and Baudelaire - what more could you want?
Commissioned by French television, this is a short documentary on the neo-classical statues found throughout Paris, predominantly on the walls of buildings, holding up windows, roofs etc. (the title translates as 'the so-called Caryatides'). As one might expect from Varda, the film is strongly feminist, as she draws out wider symbolic and social implications from these images of women holding up huge weights, both then and now, but it is playfully so. The film becomes much sadder when she talks about Baudelaire, whose Paris these ladies grace; his poetry, success, notoriety; his subsequent physical decline, loss of voice and death. These statues are now so familiar that they are barely noticed, but in mapping the mental geography of a city, foreign viewers will be ravished by this Rameau-soundtracked exploration of a forgotten Paris.
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