Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
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Rachael Leigh Cook,
Shade is set in the world of poker hustlers working the clubs and martini bars of Los Angeles. The tale unfolds as a group of hustlers encounter "The Dean" and pull off a successful sting ... See full summary »
Carl Mazzocone Sr.,
FBI agent Jake Malloy just can't nail a serial killer who's been targeting cops. The killer has already killed nine cops. Not only does the killer despise policemen, but he also has a grudge against Malloy for pursuing him during a string of prostitute murders four years ago. The killer finally decides to hit Malloy where it hurts, killing one of Malloy's friends on the force, and brutally killing Malloy's fiancé Mary. The grief sends Malloy off the deep end and causes him to become alcoholic, forcing Malloy's colleague, Detective Hendricks, to sign Malloy up at a remote detox clinic in a snow-covered part of Wyoming. The clinic specializes in rehabilitating alcoholic cops. But the killer murders another patient and assumes the patient's identity at the clinic. While Malloy participates in group therapy sessions, the killer starts killing the patients. Among the endangered patients are Jaworski, Slater, Noah, Conner, and a dozen others, one of whom must be the killer. One by one, the ... Written by
While Universal now disowns this film in the US, there is proof that the film was produced by them as several of their DVDs spanning from late 1999 to early to mid-2000 featured an brief introduction of recent films in their DVD catalog, and this film was part of that intro. A quick shot of Sylvester Stallone from the film of him looking around with a gun in hand is seen after brief glimpses of other films such as The Mummy (1999) and Snow Falling on Cedars (1999). See more »
When Malloy is kissing his girlfriend after bringing her the toy monkey, his nose is on the right side of her nose. The POV changes and his nose is now on the other side. See more »
911, what is your emergency?
I'm tired of the way things are, as opposed to the way they should be.
Is this an emergency? Where are you located?
That really doesn't matter, so hear me out.
Can we have your name please?
Of course, "Common Denominator", your man in the street. Now don't ask a another question or I will be obliged to do bad. Doing bad, you would have to assume responsibility. No interruptions. That's natural selection. Born to win, born to lose, born to die, three ...
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Well, having not only spent two years on the shelf but getting released straight to video AND the original studio - Universal - disowning it (removing its logo and "Universal presents..." as well as giving it to another studio to release on DVD and video) I was expecting yet another Stallone bomb. Actually, while I would never say it's a good movie, it nowhere as bad as you might think - it's certainly better than recent Stallone turkeys like GET CARTER.
It's actually starts surprisingly well. Not only is Stallone's character given a lot of dialogue, Stallone actually *acts* when delivering it. The subsequent events that traumatize his character are well done, with a genuine eerieness to them. Things continue well for a while longer, showing the utter pit of despair Stallone's character has fallen in, and Stallone once again is up to this challenge.
Then he goes to the detox center, and the movie quickly falls apart. The biggest problems are:
(1) WAY too many characters. It was extremely difficult to remember who was who with all these people walking in and out of the camera. It's also difficult to separate each person in your mind because we hardly learn a thing about each character - if we are lucky.
(2) REALLY bad editing. Scenes (and some individual cuts) go by so quickly that we often don't get the chance to properly digest what we're given to ponder. Two things happening at the same time (in different places) are cut back and forth with no seeming purpose, and no coherent flow. Though the DVD has eight deleted scenes, it's obvious that there was originally a lot more shot. I have to agree with another poster that there are signs there was a desperate effort to save the movie in the editing room.
(3) Once in the detox center, poor Stallone has almost NOTHING to do. He's given almost nothing to say, and frequently sits on the sidelines while things are happening. Not exactly a star vehicle, this movie.
Still, there is a good amount of atmosphere, the movie is briskly paced (though sometimes incoherent because of this), and the sets/production values are pretty decent. While I wouldn't have recommended anyone to see it at a theater if it had gotten released there, you have to remember there have been far worse films (with and without Stallone) that did get such releases.
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