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Cyrano de Bergerac (1923)
"Cirano di Bergerac" (original title)

TV-G  |   |  Drama, Romance, War  |  18 January 1924 (France)
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Ratings: 6.9/10 from 225 users  
Reviews: 7 user

Cyrano de Begerac is joyous, witty, a poet, a leader and filled with plenty of charisma and bravado in 17th Century France. He has only one flaw: an unusually long nose which makes him ... See full summary »


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Title: Cyrano de Bergerac (1923)

Cyrano de Bergerac (1923) on IMDb 6.9/10

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Credited cast:
Pierre Magnier ...
Linda Moglia ...
Angelo Ferrari ...
Le Bret (as Schutz)
Alex Bernard ...
Umberto Casilini ...
Rest of cast listed alphabetically:
Gemma De Sanctis
Roberto Parisini


Cyrano de Begerac is joyous, witty, a poet, a leader and filled with plenty of charisma and bravado in 17th Century France. He has only one flaw: an unusually long nose which makes him unattractive to any woman. Thus, he cannot have the woman he loves, his cousin Roxanne. Roxanne loves an officer in his army who gets tongue-tied in front of women. Who will Roxanne love? Will Cyrano ever find love? Or will he find happiness in helping the officer woo Roxanne? This is a story of split personalities, human frailty and unrequited love. Written by erasmus

Plot Summary | Add Synopsis


Drama | Romance | War






Release Date:

18 January 1924 (France)  »

Also Known As:

Cyrano de Bergerac  »

Company Credits

Show detailed on  »

Technical Specs


(1999 alternate)

Sound Mix:



Aspect Ratio:

1.33 : 1
See  »

Did You Know?


Edmond Rostand's play was first performed in France in 1897. See more »


Version of Cyrano de Bergerac (1990) See more »

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User Reviews

A curio, more notable for its color than its other values
7 September 2004 | by (Putney, VT) – See all my reviews

The mere idea of a silent Cyrano is bound to be a compromise. This version propels the main points of the narrative quite well. Of course, the poetry of the spoken word is missing. At only 114 minutes, many scenes are deleted and character development is therefore lost. The original play runs approximately three hours.

Pierre Magnier as Cyrano reminds one facially of a cross between Cyril Ritchard and Lon Chaney. His performance is merely so-so. Both the Roxanne (Linda Moglia) and the Christian (Angelo Ferrari) are quite homely and therefore the edge of beauty vs. soul is quite tarnished.

The hand-applied color is the selling point in this production. At its best resembling one of those hand colored post cards so fashionable from the late 1890s through the 1940s, it is sometimes quite vivid - marvelous splashes of pastels in the costumes and scenery - and at other times, a failure. Many scenes are colored against a blue or red tint wash and this provides an unfortunate compromise, especially when within the same scene we return quickly to a shot set up and find the color palette considerably different from what we saw a few seconds ago. Not the tightest rein was held on color consistency within the same scene.

This is certainly a must-see -for its historical significance in use of color. That it has survived this long and in this shape is amazing.

One is unhappy, though, with the ending. It abruptly ends with one quick shot following Cyrano's last line. We are not permitted to mourn with his survivors or even view a well composed final tableau. We get the Panache line and then the FINIS title card.

Overall, don't look for a great film or even a particularly good film. It's merely competent - the historical value of the color is its only selling point these days.

3 of 6 people found this review helpful.  Was this review helpful to you?

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