In a post-apocalyptic underground society ruled by rival religious cults, Dakota is working as an assassin, or "Shepherd" for The Church of Miles. He has been given an assignment to take ...
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In a post-apocalyptic world survivors live underground organized in powerful cults. On of the Shepherds, a code name for assassin, has escaped to the surface with his targets and the cult leader who hired him can't allow that.
C. Thomas Howell,
Heidi von Palleske,
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Heidi von Palleske,
A tough, honorable former Navy SEAL gets more than he bargained for, but more than he can handle, when he accepts a job captaining a ship for a mysterious, sexy woman who turns out to be the wife of a ruthless drug kingpin.
In a post-apocalyptic underground society ruled by rival religious cults, Dakota is working as an assassin, or "Shepherd" for The Church of Miles. He has been given an assignment to take out a female Shepherd from a rival cult, but balks at completing the task when he sees that his target has a young child. The two assassins and the child all find themselves being hunted down by both cults, and so decided to stick together as they run for their lives. Along the way, they encounter several other strange religious compounds, as well as random thugs living on the outskirts of society. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
A giant piece of crap, but an amusing one. If it had kept up the energy it has at its outset, and if it, you know, made any kind of actual sense by the end, it might actually have been a decent B movie. As it stands, it's definitely of the so-bad-it's-good variety. C. Thomas Howell stars as a "shepherd" (which was the film's original title before it was rebranded with a more sci-fi title), which is some sort of religion-based assassin. You see, it's the future. Great wars were waged on land which have driven the survivors underground. Now a handful of crazy religions are fighting it out down there. Roddy Piper plays the major villain, a Christian preacher who is sick of losing ground to a cult of women under the watch of Sophia (Marina Anderson). Howell is tasked with assassinating a member of her cult (Heidi von Palleske), but she and her son remind him of his dead family so he saves her and tries to keep her from other assassins instead. Oh, and David Carradine is along for the ride as a ventriloquist. It's all very nonsensical, but the silly (but even sometimes clever) production design is fun and everyone overacts to a hilarious degree - except for von Palleske who comes off like a robotic Jessica Chastain.
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