| Mariel Hemingway | ... | Laura Barnes | |
| Mike Binder | ... | Marty Barnes | |
| Renée Humphrey | ... | Didi | |
| Taylor Nichols | ... | Billy | |
| Missy Crider | ... | Diva | |
| Christopher Lawford | ... | Dave Pembroke | |
| Joanna Heimbold | ... | Evie Pembroke | |
| Kevin Pollak | ... | Dr. Jerry Berman | |
| Stephen Baldwin | ... | Murphy | |
| Anita Barone | ... | Carol | |
| Kara Zediker | ... | Ellen | |
| Marisol Nichols | ... | Lucia | |
| Holland Taylor | ... | Muriel | |
| Melissa Denton | ... | Salon Customer | |
| Noah Stone | ... | Danny | |
| Jim Killeen | ... | Henry | |
| Robin Curtis | ... | Woman on Street | |
| Nancy Mura | ... | Woman on Street | |
| Judy Scheer | ... | Woman on Street | |
| Karen Dyer | ... | Woman on Street / Sex Monster Dancer | |
| Kathleen Mahoney | ... | Bartender | |
| Andy Fitzgerald | ... | Andy (as Andrew Horen) | |
| Crystal Kwon | ... | Sex Monster Dancer | |
| Anne Noelle | ... | Sex Monster Dancer | |
| Denise Cueba | ... | Sex Monster Dancer | |
| Kimberly Jameson | ... | Sex Monster Dancer | |
| Michele Bachar | ... | Sex Monster Dancer | |
| Krista Buonauro | ... | Sex Monster Dancer | |
| rest of cast listed alphabetically: | |||
| Shaune Bagwell | ... | Woman on Street (uncredited) | |
| Ben L. McCain | ... | Radio Shock Jock (uncredited) | |
| Butch McCain | ... | Radio Shock Jock (uncredited) | |
Directed by | |||
| Mike Binder | |||
Writing credits(WGA) | ||
| Mike Binder | (written by) | |
Produced by | |||
| Sharon Bialy | .... | associate producer | |
| Jack Binder | .... | producer | |
| Marc Frydman | .... | executive producer | |
| James Harbaugh | .... | executive producer (as Jim Harbaugh) | |
| Beth Maloney Jelin | .... | associate producer (as Beth M. Jelin) | |
| Peter Savarino | .... | executive producer | |
| Scott Stephens | .... | producer | |
Cinematography by | |||
| Keith L. Smith | |||
Film Editing by | |||
| Erik C. Andersen | |||
| Lee Grubin | |||
Casting by | |||
| Sharon Bialy | |||
Production Design by | |||
| Katie Lipsitt | |||
Art Direction by | |||
| Chuck Dutrow | |||
Set Decoration by | |||
| Rosie Tupta | |||
Costume Design by | |||
| Caroline B. Marx | |||
Makeup Department | |||
| Nanci Cascio | .... | additional hair stylist | |
| Daniel Curet | .... | hair stylist | |
| Cristina Fabiani | .... | additional makeup artist | |
| Francie Hart | .... | additional hair stylist | |
| Brigitte Hennech | .... | additional makeup artist | |
| Sergio Lopez-Rivera | .... | key makeup artist | |
| Deborah Mills-Whitlock | .... | key hair stylist | |
| Cherilyn Tinnerello | .... | additional hair stylist | |
Production Management | |||
| Jack Binder | .... | unit production manager | |
| B. Ted Deiker | .... | production supervisor | |
| Michael J. Harker | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jennifer Cook | .... | second assistant director | |
| Lynn K. D'Angona | .... | first assistant director (as Lynn d'Angona) | |
Art Department | |||
| Josh Bendon | .... | art department production assistant | |
| Victoria Littman | .... | on-set dresser | |
Sound Department | |||
| Sarah Brady | .... | adr supervisor | |
| John Brasher | .... | sound re-recording mixer | |
| David Chornow | .... | sound mixer: second unit | |
| Eric Emery | .... | boom operator | |
| Erik Emery | .... | boom operator | |
| Cormac Funge | .... | sound effects editor | |
| Carlos Isais | .... | foley recordist | |
| Bill Jenkins | .... | production sound mixer | |
| Jerry Jordan | .... | sound re-recording mixer | |
| Rick MacLane | .... | sound engineer | |
| Gina Nuccio | .... | adr assistant | |
| Elizabeth Rainey | .... | foley artist | |
| Scott Rusch | .... | foley recordist | |
| Renee Sabath | .... | dialogue assistant | |
| Mikael Sandgren | .... | dialogue editor | |
| Brian Smith | .... | adr recordist | |
| Christopher Sposa | .... | boom operator: second unit (as Chris Sposa) | |
| Michael Wetherwax | .... | adr editor | |
Casting Department | |||
| Shana Landsburg | .... | additional casting | |
Costume and Wardrobe Department | |||
| Alicia Osborne | .... | costumer | |
| Nadine Reimers | .... | costume supervisor | |
| Ric Spencer | .... | assistant costume designer | |
Editorial Department | |||
| Ryan Posly | .... | post-production assistant | |
| Jim Williams | .... | color timer | |
Music Department | |||
| Dondi Bastone | .... | music supervisor | |
| Dick Bernstein | .... | music editor | |
Other crew | |||
| Laura Aaronson | .... | set production assistant | |
| Caleb Bacon | .... | set production assistant | |
| Greg Beesemyer | .... | assistant to director | |
| Jennifer Bies | .... | set production assistant | |
| Sarah Harwich | .... | set production assistant: second unit | |
| Denis Hennelly | .... | production coordinator (as Denis Henry Hennelly) | |
| Jeremy Horelick | .... | set production assistant: second unit | |
| Travis Hurt | .... | set production assistant: second unit | |
| Amanda Kronenberg | .... | set production assistant | |
| Christian Linton | .... | set production assistant | |
| Ed Lippman | .... | location manager | |
| Diane Macke | .... | set production assistant | |
| Milos Milicevic | .... | set production assistant | |
| Mary Mitchel | .... | script supervisor (as Mary M. Patton) | |
| Karyn 'Pitch' Pitchley | .... | assistant: Ms Hemingway | |
| Amy Rubin | .... | set production assistant | |
| Pamela Russell | .... | production accountant | |
| Andrew Guy Sanborn | .... | set production assistant | |
| David Steiman | .... | key set production assistant | |
| Fred Tallaksen | .... | choreographer | |
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| Laurel Canyon | Nowhere | Bitter Harvest | Thirteen | Birthday Girl |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This low budget sex farce surprised me and turned out to be a madcap and funny comedy. Laura (Mariel Hemingway) and Marty (Mike Binder) are a regular couple with an ordinary sex life. But Marty is obsessed with a fantasy where he and Laura have a threesome with another woman. He goads her semi-seriously and when she finally shows some interest, he convinces her to invite over a girl from work who has been coming on to her.
But Marty soon learns that you have to be careful what you wish for. After an initial reluctance, Laura gets into it and finds she likes it. We're talking SERIOUS liking here. Marty is initially ecstatic that his fantasy has been fulfilled, but now that he has opened Pandora's Box (so to speak), he is not prepared for the Sex Monster that emerges. Laura becomes a sex crazed Lesbian nymphomaniac and proceeds to seduce all their female friends. This leads to numerous awkward situations, some zany, some silly and some just downright hilarious.
This film is just rollicking good fun. The sex is mostly implied, so if you were hoping to see Mariel Hemingway or anyone else naked, you are pretty much out of luck. There is a lot of moaning and bed shaking but nothing really provocative other than a couple of girl kissing scenes. But explicit sex isn't what this movie is about. It's about the comedy, and the comedy works, so it is just as well.
This is really the Mike Binder show. He wrote, directed and starred in the film. He didn't really excel in any of these roles, but somehow the whole exceeded the sum of the parts. He gave a generally droll performance which was occasionally terrible but more often comical. He was at his best when he was being tormented by Laura's obsession as he tried desperately to get the sex genie back in the bottle.
Mariel Hemingway was terrific in this film and made it truly funny. This is her second role with a bisexual theme having appeared in the heavy handed 'Personal Best' where she was an athlete who alternated between sleeping with her male coach and a female teammate. Her performance in this part was far better and she turns out to be a much better comedian than dramatic actress. She has a great ability to make humorous use of her 6 foot frame and made the most of the many sight gags in the script.
I rated this movie a 7/10. It doesn't redefine the genre, but it is a wacky sex farce that has more than its share of funny moments. If you are offended by profanity, sexual situations and lesbianism, you definitely want to skip it. But if you like a light hearted and offbeat roll in the hay flick, you'll probably enjoy it.