| Mariel Hemingway | ... | Laura Barnes | |
| Mike Binder | ... | Marty Barnes | |
| Renée Humphrey | ... | Didi | |
| Taylor Nichols | ... | Billy | |
| Melissa Lahlitah Crider | ... | Diva (as Missy Crider) | |
| Christopher Lawford | ... | Dave Pembroke | |
| Joanna Heimbold | ... | Evie Pembroke | |
| Kevin Pollak | ... | Dr. Jerry Berman | |
| Stephen Baldwin | ... | Murphy | |
| Anita Barone | ... | Carol | |
| Kara Zediker | ... | Ellen | |
| Marisol Nichols | ... | Lucia | |
| Holland Taylor | ... | Muriel | |
| Melissa Denton | ... | Salon Customer | |
| Noah Stone | ... | Danny | |
| Jim Killeen | ... | Henry | |
| Robin Curtis | ... | Woman on Street | |
| Nancy Mura | ... | Woman on Street | |
| Judy Scheer | ... | Woman on Street | |
| Karen Dyer | ... | Woman on Street / Sex Monster Dancer | |
| Kathleen Mahoney | ... | Bartender | |
| Andrew Horen | ... | Andy | |
| Crystal Kwon | ... | Sex Monster Dancer | |
| Anne Noelle | ... | Sex Monster Dancer | |
| Denise Cueba | ... | Sex Monster Dancer | |
| Kimberly Jameson | ... | Sex Monster Dancer | |
| Michele Bachar | ... | Sex Monster Dancer | |
| Krista Buonauro | ... | Sex Monster Dancer | |
| rest of cast listed alphabetically: | |||
| Shaune Bagwell | ... | Woman on Street (uncredited) | |
| Ben L. McCain | ... | Radio Shock Jock (uncredited) | |
| Butch McCain | ... | Radio Shock Jock (uncredited) | |
Directed by | |||
| Mike Binder | |||
Writing credits(WGA) | ||
| Mike Binder | (written by) | |
Produced by | |||
| Sharon Bialy | .... | associate producer | |
| Jack Binder | .... | producer | |
| Marc Frydman | .... | executive producer | |
| James Harbaugh | .... | executive producer (as Jim Harbaugh) | |
| Beth Maloney Jelin | .... | associate producer (as Beth M. Jelin) | |
| Peter Savarino | .... | executive producer | |
| Scott Stephens | .... | producer | |
Cinematography by | |||
| Keith L. Smith | |||
Film Editing by | |||
| Erik C. Andersen | |||
| Lee Grubin | |||
Casting by | |||
| Sharon Bialy | |||
Production Design by | |||
| Katie Lipsitt | |||
Art Direction by | |||
| Chuck Dutrow | |||
Set Decoration by | |||
| Rosie Tupta | |||
Costume Design by | |||
| Caroline B. Marx | |||
Makeup Department | |||
| Nanci Cascio | .... | additional hair stylist | |
| Daniel Curet | .... | hair stylist | |
| Cristina Fabiani | .... | additional makeup artist | |
| Francie Hart | .... | additional hair stylist | |
| Brigitte Hennech | .... | additional makeup artist | |
| Sergio Lopez-Rivera | .... | key makeup artist | |
| Deborah Mills-Whitlock | .... | key hair stylist | |
| Cherilyn Tinnerello | .... | additional hair stylist | |
Production Management | |||
| Jack Binder | .... | unit production manager | |
| B. Ted Deiker | .... | production supervisor | |
| Michael J. Harker | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jennifer Cook | .... | second assistant director | |
| Lynn K. D'Angona | .... | first assistant director (as Lynn d'Angona) | |
Art Department | |||
| Josh Bendon | .... | art department production assistant | |
| Victoria Littman | .... | on-set dresser | |
Sound Department | |||
| Sarah Brady | .... | adr supervisor | |
| John Brasher | .... | sound re-recording mixer | |
| David Chornow | .... | sound mixer: second unit | |
| Eric Emery | .... | boom operator | |
| Erik Emery | .... | boom operator | |
| Cormac Funge | .... | sound effects editor | |
| Carlos Isais | .... | foley recordist | |
| Bill Jenkins | .... | production sound mixer | |
| Jerry Jordan | .... | sound re-recording mixer | |
| Rick MacLane | .... | sound engineer | |
| Gina Nuccio | .... | adr assistant | |
| Elizabeth Rainey | .... | foley artist | |
| Scott Rusch | .... | foley recordist | |
| Renee Sabath | .... | dialogue assistant | |
| Mikael Sandgren | .... | dialogue editor | |
| Brian Smith | .... | adr recordist | |
| Christopher Sposa | .... | boom operator: second unit (as Chris Sposa) | |
| Michael Wetherwax | .... | adr editor | |
Casting Department | |||
| Shana Landsburg | .... | additional casting | |
Costume and Wardrobe Department | |||
| Alicia Osborne | .... | costumer | |
| Nadine Reimers | .... | costume supervisor | |
| Ric Spencer | .... | assistant costume designer | |
Editorial Department | |||
| Ryan Posly | .... | post-production assistant | |
| Jim Williams | .... | color timer | |
Music Department | |||
| Dondi Bastone | .... | music supervisor | |
| Dick Bernstein | .... | music editor | |
Other crew | |||
| Laura Aaronson | .... | set production assistant | |
| Caleb Bacon | .... | set production assistant | |
| Greg Beesemyer | .... | assistant to director | |
| Jennifer Bies | .... | set production assistant | |
| Sarah Harwich | .... | set production assistant: second unit | |
| Denis Hennelly | .... | production coordinator (as Denis Henry Hennelly) | |
| Jeremy Horelick | .... | set production assistant: second unit | |
| Travis Hurt | .... | set production assistant: second unit | |
| Amanda Kronenberg | .... | set production assistant | |
| Christian Linton | .... | set production assistant | |
| Ed Lippman | .... | location manager | |
| Diane Macke | .... | set production assistant | |
| Milos Milicevic | .... | set production assistant | |
| Mary Mitchel | .... | script supervisor (as Mary M. Patton) | |
| Karyn 'Pitch' Pitchley | .... | assistant: Ms Hemingway | |
| Amy Rubin | .... | set production assistant | |
| Pamela Russell | .... | production accountant | |
| Andrew Guy Sanborn | .... | set production assistant | |
| David Steiman | .... | key set production assistant | |
| Fred Tallaksen | .... | choreographer | |
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| Laurel Canyon | Nowhere | Bitter Harvest | Thirteen | Birthday Girl |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
When you're not expecting much, it doesn't take a masterpiece to impress you. I watched The Sex Monster knowing that it had a bisexual-relevant theme, but uncertain of whether it would be a positive or negative portrayal of bisexuality and sexual experimentation in general. I was not disappointed.
Mike Binder somehow managed to take all of the tired stereotypes about gender and sexuality, weave them into exaggerated characters, put the characters in awkward situations, and make it all uproariously hilarious. Some viewers, no doubt, will interpret the caricatured portrayals as perpetuating outmoded stereotypes and perhaps even contributing to those stereotypes. But Binder's wit is both subtle and blatant: the dialogue makes use of every cliche imaginable, yet is still fresh and funny.
If you're cheek is prepared to accommodate your tongue, definitely see this movie (rent it! and then buy it to show all your friends). Be warned, though, that what you assume about people may be forever changed.