Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the Army for special privileges for ... See full summary »
Emile de Antonio
Roy M. Cohn,
John L. McClellan
Abstract animation illustrates Edwin Gerschefski's modernist composition. Two dots - one blue and one orange - appear most often, sometimes large, sometimes small, sometimes overlapping. ... See full summary »
Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery. There are perils: a boy falls, a lion roars. The lyric flights of ... See full summary »
The story begins as an old fashioned circus parade is traveling through the countryside. In the back of the parade is a simple clown dressed in white almost like a harlequin, riding atop a ... See full summary »
Baraboo East Elementary School Students,
Ernie Gehr's structuralist masterpiece SERENE VELOCITY is a hypnotic film which is nothing more than a rapidly edited, rhythmic piece consisting of two shots of an office hallway (one long shot, one zoomed-in close up). Our persistence of vision makes us believe that this film is a perpetual zooming in and out from one end of a hallway to another. Rather, it is a carefully edited and timed film, which consistently cuts back and forth between these two shots. The result is a mesmerizing piece which, as it progresses, treats the eyes to much profundity out of something so simple. We begin to notice the perfect geometry of the composition as the lines of the hallway converge to the center. The film becomes some kind of cosmic heartbeat, as this meticulously timed work of art becomes visual music. There is no beginning, middle or end. It is for the eyes what Steve Reich is for the ears. For an equally hypnotic viewing experience, see also Gehr's masterpiece SIDE/WALK SHUTTLE.
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