| Billy Connolly | ... | Nickie Dryden | |
| Ken Stott | ... | Gary Keltie | |
| Francesca Annis | ... | Val Dryden | |
| Iain Robertson | ... | Flipper | |
| Annette Crosbie | ... | Lana | |
| Alastair Galbraith | ... | Colquhoun | |
| Shauna Macdonald | ... | Catriona (as Shauna MacDonald) | |
| Sandy Neilson | ... | Duncan | |
| Julie Wilson Nimmo | ... | Young Girl (as Julie Wilson-Nimmo) | |
| Alan Francis | ... | Young man | |
| James Thomson | ... | Jobbie | |
| Stephen Duguid | ... | Kev (as Steven Duguid) | |
| Matt Costello | ... | Policeman (as Matt Costelloe) | |
| Stuart Sinclair Blyth | ... | Policeman (as Stuart Blyth) | |
| Gordon Orr | ... | Scott | |
| Jenny Foulds | ... | Susie | |
| Neil McKinven | ... | Radio interviewer | |
| Andrew Neil | ... | Macrieff | |
| Ford Kiernan | ... | Janitor | |
| Ronni Ancona | ... | Valerie's sister (as Ronnie Ancona) | |
| James Logan | ... | Valerie's father (as Jimmy Logan) | |
| Una McLean | ... | Alice | |
| Dawn Steele | ... | Barmaid | |
| Deirdre Davis | ... | Doctor | |
| Debbie Murray | ... | Tattoo staff member | |
| Phil McKee | ... | Tattoo official | |
| Andrew Barr | ... | Lawyer | |
| Robbie Smith-Dempsey | ... | Policeman in court (as Robbie Smith Dempsey) | |
| Julia Currie | ... | Nurse in rest home |
Directed by | |||
| Anthony Neilson | |||
Writing credits(in alphabetical order) | ||
| Anthony Neilson | writer | |
Produced by | |||
| Graham Broadbent | .... | producer | |
| Liz Bunton | .... | line producer | |
| Damian Jones | .... | producer | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Dick Pope | |||
Film Editing by | |||
| John Wilson | |||
Production Design by | |||
| Mark Geraghty | |||
Art Direction by | |||
| Ken Wheatley | |||
Costume Design by | |||
| Trisha Biggar | |||
Makeup Department | |||
| Heather Millington | .... | assistant makeup artist | |
| Caroline Noble | .... | hair designer | |
| Caroline Noble | .... | makeup designer | |
Production Management | |||
| Alistair Hopkins | .... | post-production supervisor | |
| Brian Kaczynski | .... | production manager: second unit | |
Art Department | |||
| Paul Curren | .... | stand-by painter | |
| Sam Curren | .... | chargehand painter | |
| Laura Donnelly | .... | assistant art director | |
| Henry Gallagher | .... | painter | |
| Bobby Gee | .... | painter | |
| Peter Grant | .... | property master | |
| Richard Hassall | .... | stand-by carpenter | |
| Dennis Knotts | .... | dressing props | |
| Peter Knotts | .... | carpenter | |
| Sue Morrison | .... | production buyer | |
| Emer O'Sullivan | .... | art department runner | |
Sound Department | |||
| Tony Cook | .... | boom operator | |
| John Falcini | .... | sound re-recording mixer | |
| Anthony Faust | .... | foley editor | |
| Diane Greaves | .... | foley artist | |
| Zane Hayward | .... | supervising sound editor | |
| Stewart Henderson | .... | dialogue editor | |
| Colin Nicolson | .... | sound recordist | |
| Chris Nuttall | .... | sound | |
| Jason Swanscott | .... | foley artist | |
| Aad Wirtz | .... | sound re-recording mixer | |
Visual Effects by | |||
| Robert Duncan | .... | digital effects supervisor | |
| Dan Glass | .... | digital effects supervisor | |
| Drew Jones | .... | digital visual effects producer: CFC | |
Stunts | |||
| Ray De-Haan | .... | stunts | |
| Tracey Eddon | .... | stunts | |
| Neil Finnighan | .... | stunts | |
| Andreas Petrides | .... | stunt coordinator | |
| Andreas Petrides | .... | stunts | |
| Lee Sheward | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Joss Barratt | .... | still photographer | |
| Paul Bates | .... | electrician | |
| Lewis Buchan | .... | focus puller | |
| Stuart Bunting | .... | camera grip | |
| Willie Cadden | .... | gaffer | |
| Arthur Donnelly | .... | electrician | |
| Stewart Farmer | .... | electrician | |
| Lewis Foster | .... | camera operator: second camera | |
| Kathy Friend | .... | focus puller: second camera | |
| Ossie McLean | .... | clapper loader: second camera | |
| Jan Pester | .... | director of photography: second nit | |
| Alastair Rae | .... | Steadicam operator | |
| Colin Strachan | .... | camera grip | |
| Derek Walker | .... | clapper loader | |
Casting Department | |||
| Julie Austin | .... | casting: Glasgow | |
| Shaheen Baig | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Eleanor Baker | .... | wardrobe supervisor | |
| John Laurie | .... | wardrobe assistant | |
Editorial Department | |||
| Mark Eckersley | .... | first assistant editor | |
| Emily Grant | .... | second assistant editor | |
Music Department | |||
| Terry Davies | .... | conductor | |
| Peter Fuchs | .... | music recording engineer | |
| Steve Lindsey | .... | music supervisor | |
| Steve Parr | .... | music mixer | |
| Steve Parr | .... | music recordist | |
| Paul Talkington | .... | music coordinator | |
Transportation Department | |||
| Dave Williams | .... | facilities transport captain | |
Other crew | |||
| Drew Cain | .... | production runner | |
| Elaine Chin | .... | assistant to producers | |
| Wendy Ellerker | .... | production accountant | |
| Katie Goodson | .... | assistant to producers | |
| Margaret Graham | .... | script supervisor | |
| Glen Greer | .... | stand-in | |
| Michael Higson | .... | assistant location manager | |
| Robert How | .... | location manager | |
| Fry Martin | .... | assistant accountant | |
| Todd McNaughton | .... | stand-in | |
| Ruta Ozols | .... | production coordinator | |
| Roger Phillips | .... | title designer | |
| Alex Purbrick | .... | extras coordinator | |
| Amanda Street | .... | international sales: FilmFour | |
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| Mystic River | The Interpreter | B. Monkey | Freeway | 15 Minutes |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
My title isn't to imply that this movie isn't worth seeing. If you can stand the despair, this movie is fantastic.
I found that the words of the Greeks came back to me as I was watching The Debt Collector. "Those whom the gods will destroy, they first make mad". It seemed apt for a modern tragedy in the tradition of Sophocles.
The best technique that Neilson used was lighting. It's rare to have a movie that goes from such brightness to such gloom. The wedding scene, for instance, was as bright and cheerful as you expect such a scene to be, but after Keltie's parting shot, we are outside, in the rain, the dark, the gloom... perfect!
The violence is something that others have commented on. It is so unlike the Hollywood violence that we are accustomed to seeing. This violence is very real, and more shocking and horrifying because of it. All the male lead characters were capable of violence, and it made me wonder how close we all are from such displays.
The Debt Collector is a story of hatred gone to extremes. It spoke to me of how hatred and revenge are empty ideas... and how it is much more important, if difficult to forgive those who have harmed you, and not to live in the past.
This movie is not for everyone, but if you are interested in tragedy, then you should see this film.