The Criminal (1999)A musician is plunged into a world of femmes fatales, espionage, deceit, state-ordered executions and trial by media. Director:Julian SimpsonWriter:Julian Simpson |
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The Criminal (1999)A musician is plunged into a world of femmes fatales, espionage, deceit, state-ordered executions and trial by media. Director:Julian SimpsonWriter:Julian Simpson |
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| Cast overview, first billed only: | |||
| Steven Mackintosh | ... |
Jasper Rawlins
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| Bernard Hill | ... |
Det. Insp. Walker
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| Eddie Izzard | ... |
Peter Hume
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Natasha Little | ... |
Sarah Maitland
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| Yvan Attal | ... |
Mason
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| Holly Aird | ... |
Det. Sgt. Rebecca White
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| Andrew Tiernan | ... |
Harris
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Jana Carpenter | ... |
Grace
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Justin Shevlin | ... |
The Barker
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Barry Stearn | ... |
Noble
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Norman Lovett | ... |
Clive
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Timothy Bateson | ... |
Thomas
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| Abigail Blackmore | ... |
Arsey Barmaid
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Matthew Blackmore | ... |
Guy
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Ingrid Bradley | ... |
Scantily dressed woman
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Jasper Rawlins, a none-too-successful musician, finds himself chatting with a beautiful woman at his neighborhood bar. She goes home with him, direct and frank in answer to his nervousness. During the night, someone breaks into his flat and cuts her throat. He runs into the arms of the police, who dismiss his story, but release him while they search for the weapon. He investigates the crime, and over the next few days, meets a knowing pornographer, hit men, and other schemers. As dead bodies pile up wherever he goes, the police are soon looking for him with guns drawn. As he discovers secrets about a shadowy corporation, the police close in. Can he find someone to trust? Written by <jhailey@hotmail.com>
'The Criminal' is an overlooked gem that I hadn't heard of prior to it showing up on cable. It captures classic noir in a modern framework with all the appropriate darkness and unsympathetic characters. The British have a knack for such crime drama, and I cringed throughout imagining what the Hollywood version would be like. (I'm surprised filming hasn't already begun.) The cast is brilliant from the top to the bottom of the credits, and the lead, Steven Mackintosh, is particularly outstanding as the trapped innocent attempting to piece together what he's fallen into. When it comes time to pull together the plot elements, writer/director Simpson makes a long stretch and comes up with something outrageous and a bit too easy, and some of the concluding twists feel somewhat contrived, but by this time, it really doesn't matter. The film's fast pace, great acting, and dark cinematography have already succeeded in making it a thoroughly entertaining noir.