| Photos (see all 41 | slideshow) | Videos (see all 13) |
Directed by | |||
| Anthony Minghella | |||
Writing credits(WGA) | ||
| Charles Frazier | (book) | |
| Anthony Minghella | (screenplay) | |
Produced by | |||
| Steve E. Andrews | .... | associate producer | |
| Albert Berger | .... | producer | |
| Tim Bricknell | .... | associate producer (as Timothy Bricknell) | |
| William Horberg | .... | producer | |
| Bob Osher | .... | executive producer | |
| Sydney Pollack | .... | producer | |
| Iain Smith | .... | executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Ron Yerxa | .... | producer | |
Original Music by | |||
| Gabriel Yared | |||
Cinematography by | |||
| John Seale | (director of photography) | ||
Film Editing by | |||
| Walter Murch | |||
Casting by | |||
| Ronna Kress | |||
| David Rubin | |||
Production Design by | |||
| Dante Ferretti | |||
Art Direction by | |||
| Maria-Teresa Barbasso | (as Maria Teresa Barbasso) | ||
| Pier Luigi Basile | |||
| Robert Guerra | (supervising art director) | ||
| Christian Niculescu | |||
| Luca Tranchino | |||
Set Decoration by | |||
| Francesca Lo Schiavo | |||
Costume Design by | |||
| Carlo Poggioli | |||
| Ann Roth | |||
Production Management | |||
| Sally French | .... | unit production manager | |
| Steve Hutensky | .... | executive in charge of production | |
| Bogdan Moncea | .... | production manager | |
| Michael Saxton | .... | post-production supervisor | |
| Colin Vaines | .... | executive in charge of production | |
| Gian Paolo Varani | .... | production manager (as Gianpaolo Varani) | |
| Mari-Jo Winkler | .... | unit production manager: USA (as Mari Jo Winkler-Ioffreda) | |
| Andrea Alunni | .... | unit manager (uncredited) | |
| Gabriella Di Santo | .... | unit production manager: pre-production, Italy (uncredited) | |
Art Department | |||
| Fatiha Aitbadi | .... | dressing props | |
| Alessandro Alberti | .... | assistant art director | |
| Mihai Alecsa | .... | assistant construction coordinator | |
| Gianni Angler | .... | head carpenter (as Giovanni Angler) | |
| Barry Arnold | .... | stand-by props: second unit | |
| Lawrie Ayres | .... | greens | |
| Oana Babes | .... | art department coordinator | |
| Iulian Bostanaru | .... | draftsperson | |
| Alan Briant | .... | dressing props | |
| Roland Brooks | .... | scenic charge: USA | |
| Kenneth Bryant | .... | leadman: USA | |
| Diana Burton | .... | property master: USA (as Diana E. Burton) | |
| Dimitri Capuani | .... | assistant art director | |
| Teresa Carriker-Thayer | .... | art director: USA | |
| Alessandro Cedoloni | .... | head plasterer | |
| Temple Clark | .... | storyboard artist | |
| Vito Consoli | .... | head painter | |
| Geoff Cormier | .... | greensman foreman: USA (as Geoffrey Cormier) | |
| Cristian Corvin | .... | assistant art director (as Corvin Cristian) | |
| Alex Cosma | .... | buyer | |
| Giulia Chiara Crugnola | .... | set designer | |
| Steve Davis | .... | set buyer: USA (as Stephen Davis) | |
| Giancarlo Di Fusco | .... | stand-by painter | |
| Francesca Balestra Di Mottola | .... | draftsperson | |
| Frank M. Fleming | .... | set dresser: USA | |
| Patrick Fuhrman | .... | set dresser: USA | |
| Raffaella Giovannetti | .... | assistant set decorator | |
| Daniela Giovannoni | .... | draftsperson | |
| Michael D. Harrell | .... | assistant property master: USA | |
| Lisa Heathcote | .... | food stylist | |
| Roger Holden | .... | greens | |
| Peter Hooper | .... | greens | |
| Cristian Ivan | .... | assistant art director | |
| Susan Kaufman | .... | set decorator: USA | |
| Stephanie Kern | .... | stand-by scenic artist: USA | |
| Claire Kirk | .... | art department coordinator: USA | |
| Sabina Lepri | .... | art department coordinator | |
| Roberto Magagnini | .... | key swing gang | |
| Jon Marson | .... | greens (as Jonathan Marson) | |
| Charlie McGinlay | .... | prop painter (as Charles McGinlay) | |
| Gordon McVay | .... | on-set dresser: USA | |
| Rodolfo Mignacca | .... | head upholsterer | |
| Ilie Mihai | .... | construction foreman (as Mihai Ilie) | |
| Nick Milner | .... | stand-by greens | |
| Stefano Morbidelli | .... | stand-by swing gang | |
| Thomas A. Morris Jr. | .... | construction coordinator: USA (as Thomas Morris Jr.) | |
| Costin Nastac | .... | assistant art director | |
| Lisa Passerini | .... | head painter | |
| Raymond Perry | .... | property master | |
| Doug Petersen | .... | propmaker: USA | |
| Stelios Polychronakis | .... | graphic artist | |
| Serban Porupca | .... | assistant art director | |
| Olivia Postolache | .... | assistant art director | |
| Chuck Potter | .... | set decorator: USA (as Charles M. Potter) | |
| Salvatore Reitano | .... | head carpenter | |
| Bruno Robotti | .... | scenic foreman: USA | |
| Terry Royce | .... | supervising stand-by props | |
| Ida Sagnotti | .... | assistant set decorator | |
| Alessandro Santucci | .... | draftsperson | |
| Alessandro Santucci | .... | stand-by art director: second unit (as Alessandro Maria Santucci) | |
| Fulvio Sergianni | .... | head carpenter | |
| Fulvio Sergianni | .... | stand-by carpenter | |
| Luigi Sergianni | .... | construction coordinator | |
| Graham Stickley | .... | props storeman | |
| Micky Swift | .... | stand-by props | |
| Nadejda Tatarinova | .... | head painter (as Nadia Tatarinova) | |
| Petrus Toader | .... | assistant construction coordinator | |
| Ivano Todeschi | .... | head painter | |
| Ivano Todeschi | .... | scenic artist | |
| Maria Luisa Urbano | .... | draftsperson | |
| Lloyd Vincent | .... | stand-by props | |
| Vieru Vlad | .... | assistant art director (as Vlad Vieru) | |
| Stephanie Waldron | .... | greens | |
| Paul Waller | .... | model maker | |
| Tony Wright | .... | storyboard artist | |
| Ian Young | .... | dressing props | |
| Diana Apostol | .... | assistant construction coordinator (uncredited) | |
| Cristian Baluta | .... | buyer (uncredited) | |
| Sean Bernard | .... | painter (uncredited) | |
| Simon Brindle | .... | specialty property designer (uncredited) | |
| Alec Burnham | .... | assistant to art director (uncredited) | |
| Richard M. Cole | .... | propmaker gangboss: USA (uncredited) | |
| Daniel Dietrich | .... | construction foreman (uncredited) | |
| Sonya Duvall | .... | construction buyer (uncredited) | |
| James Fulgham | .... | greens person (uncredited) | |
| George Harding III | .... | lead greensman: USA (uncredited) | |
| Frank J. Hart | .... | propmaker (uncredited) | |
| G. Heath Hood | .... | property maker: post-production (uncredited) | |
| R. Mark Hughes | .... | third props (uncredited) | |
| Eric Hunsaker | .... | set dresser: Virginia (uncredited) | |
| Glauco Isidori | .... | painter (uncredited) | |
| Christopher Kuder | .... | carpenter (uncredited) | |
| Thomas F. Lombardi | .... | carpenter (uncredited) | |
| Donnie MacDonald | .... | set dresser (uncredited) | |
| Stephanie Macomber Kern | .... | stand-by painter (uncredited) | |
| John W. Morgan | .... | scenic painter (uncredited) | |
| Izabela Niculae | .... | assistant to construction coordinator (uncredited) | |
| William Scot Noonan | .... | propmaker (uncredited) | |
| Bozydar Orszula | .... | construction general foreman: U.S. (uncredited) | |
| James Passanante | .... | paint foreman: USA (uncredited) | |
| Gregg Perez | .... | carpenter (uncredited) | |
| Eugen Pisau | .... | props (uncredited) | |
| William Rampey | .... | propmaker (uncredited) | |
| Mike Raybould | .... | set dresser: Virginia (uncredited) | |
| Domenico Reordino | .... | painter (uncredited) | |
| Terry Royce | .... | props (uncredited) | |
| Bob Smith | .... | set dresser (uncredited) | |
| Claudio Stefani | .... | set dresser swing (uncredited) | |
| Dan Toader | .... | assistant set decorator (uncredited) | |
| Scott D. Warner | .... | gangboss (uncredited) | |
| E. Parker Webb | .... | greens (uncredited) | |
| Joan Winters | .... | graphic designer (uncredited) | |
Visual Effects by | |||
| Marcus Alexander | .... | digital lab editor: Framestore CFC | |
| Adam Glasman | .... | digital lab colorist: Framestore CFC | |
| Alex Hope | .... | visual effects producer: Double Negative | |
| Tim Keene | .... | digital lab producer: Framestore CFC | |
| Dennis Lowe | .... | visual effects supervisor | |
| Fay McConkey | .... | visual effects producer: Double Negative | |
| Claire McGrane | .... | digital lab producer: Framestore CFC | |
| Paul Riddle | .... | digital supervisor: Double Negative | |
| Oliver Atherton | .... | scanning and recording (uncredited) | |
| Richard Briscoe | .... | senior digital compositor (uncredited) | |
| Andy Burrow | .... | scanning manager (uncredited) | |
| Edward Xi Chen | .... | data operator (uncredited) | |
| James Clarke | .... | visual effects (uncredited) | |
| Ciaran Crowley | .... | digital compositor (uncredited) | |
| Sean Danischevsky | .... | digital compositor: Double Negative (uncredited) | |
| Jerome Dewhurst | .... | digital lab operator (uncredited) | |
| Andy Hague | .... | visual effects editorial (uncredited) | |
| Pete Hanson | .... | studio manager: Double Negative (uncredited) | |
| Jack James | .... | online editor (uncredited) | |
| Jody Johnson | .... | digital compositor (uncredited) | |
| Catalin Kislinger | .... | camera operator (uncredited) | |
| Andrew Lockley | .... | digital compositor: Double Negative (uncredited) | |
| Sarah Lockwood | .... | digital compositor (uncredited) | |
| Rebecca Manning | .... | data operation assistant: Framestore CFC (uncredited) | |
| Dan McRae | .... | digital lab (uncredited) | |
| Evonne Merlicek | .... | digital effects artist (uncredited) | |
| Neil Miller | .... | matte painter: Double Negative (uncredited) | |
| Mike Morrison | .... | data operator (uncredited) | |
| Paul Norris | .... | digital compositor (uncredited) | |
| Christopher Page | .... | digital cleanup artist (uncredited) | |
| Steve Parsons | .... | visual effects (uncredited) | |
| Dave Robinson | .... | systems engineer (uncredited) | |
| Xavier Roig | .... | visual effects: Double Negative (uncredited) | |
| Jeremy Sawyer | .... | data operator (uncredited) | |
| Matthew Shaw | .... | video editorial (uncredited) | |
| Kevan Shorey | .... | matchmove artist: Double Negative (uncredited) | |
| Matina Skouteri | .... | digital lab operator (uncredited) | |
| Jim Steel | .... | digital compositor: Double Negative (uncredited) | |
| Jelena Stojanovic | .... | sequence supervisor (uncredited) | |
| Maria Stroka | .... | film recording producer (uncredited) | |
| Paola Varvaro | .... | digital cleanup artist (uncredited) | |
| Tara Walker | .... | digital lab operator (uncredited) | |
| Pieter Warmington | .... | digital effects artist (uncredited) | |
| Stephen Willey | .... | systems engineer (uncredited) | |
| Aubrey Woodiwiss | .... | digital cleanup (uncredited) | |
| Doron Zar | .... | digital grading assistant (uncredited) | |
Stunts | |||
| Jessica Bouz | .... | stunt department coordinator | |
| Steve Dent | .... | stunt coordinator | |
| Mark Henson | .... | assistant stunt coordinator (as Franklin Henson) | |
| Vasile Albinet | .... | stunt performer (uncredited) | |
| Carlo Antonioni | .... | stunts (uncredited) | |
| Dicu Aurel | .... | stunt double: Jack White (uncredited) | |
| Georges Branche | .... | stunts (uncredited) | |
| Nick Chopping | .... | stunts (uncredited) | |
| Ricardo Cruz | .... | stunts (uncredited) | |
| Valter Di Francesco | .... | stunts (uncredited) | |
| Mary Fallick | .... | stunt double (uncredited) | |
| David Garrick | .... | stunts (uncredited) | |
| Julian George | .... | stunts (uncredited) | |
| Rob Inch | .... | stunts (uncredited) | |
| Morgan Johnson | .... | stunts (uncredited) | |
| Stephanie Lelievre | .... | stunts (uncredited) | |
| Alin Luchian | .... | stunt performer (uncredited) | |
| Dicu Marian | .... | stunts (uncredited) | |
| Peter Miles | .... | stunts (uncredited) | |
| Brian Nickels | .... | stunts (uncredited) | |
| Hernan Ortiz | .... | stunts (uncredited) | |
| Adrian Pavlovschi | .... | stunts (uncredited) | |
| Christie Sanders | .... | stunt double: Jena Malone (uncredited) | |
| Vasilescu Valentin | .... | stunt double: William Roberts (uncredited) | |
| Reg Wayment | .... | stunts (uncredited) | |
| Peter White | .... | stunts (uncredited) | |
Casting Department | |||
| McLean Alley | .... | extras casting | |
| Connie Czernek | .... | casting assistant | |
| Craig Fincannon | .... | location casting: USA | |
| Lisa Mae Fincannon | .... | location casting: USA | |
| Mark Fincannon | .... | location casting: USA | |
| Floriela Grapini | .... | extras casting assistant | |
| Michelle Guish | .... | casting consultant: UK | |
| Jason Heslep | .... | extras casting: USA | |
| Jason Heslep | .... | local casting: USA | |
| Gaby Kester | .... | casting associate: UK | |
| Maurice Lospinoso | .... | extras casting: USA (as Moe Lospinoso) | |
| Maurice Lospinoso | .... | local casting: USA (as Moe Lospinoso) | |
| Reg Poerscout-Edgerton | .... | extras casting | |
| Miura Smith | .... | casting coordinator | |
| Brendan Donnison | .... | adr voice casting (uncredited) | |
| Seth Whitlow | .... | location casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Amy Andrews | .... | costume supervisor: USA | |
| Eli Calin | .... | costume assistant | |
| Magda Candea | .... | costume assistant | |
| Nina Dorneanu | .... | costume assistant | |
| Adriana Dorobantu | .... | costume assistant | |
| Peter Edmonds | .... | costume equipage | |
| Serena Fiumi | .... | costume assistant | |
| Elena Fratila | .... | costume assistant | |
| Anne Gorman | .... | costume shop supervisor: USA | |
| Giampiero Grassi | .... | costume cutter: men | |
| Silvia Guidoni | .... | costume assistant | |
| Melissa Haley | .... | costumes coordinator | |
| Gordon Harmer | .... | wardrobe master: second unit | |
| Mike Hodge | .... | stand-by costume: second unit | |
| Peter Hornbuckle | .... | costume assistant | |
| Tom Hornsby | .... | costume assistant | |
| Carolyn Hunter | .... | costume assistant | |
| Carmen Ilie | .... | set costumer | |
| Aurelia Ivascu | .... | costume assistant | |
| Karen Keyes | .... | costumer: USA (as Karen D. Keyes) | |
| Keva Keyes | .... | costumer: USA | |
| Elsa Malandra | .... | costume cutter: women | |
| Michelle Matland | .... | assistant to costume designer | |
| Adriana Mattiozzi | .... | chief seamstress | |
| Verena O'Connor | .... | costumer: USA (as Verena D. O'Connor) | |
| Mariana Pal | .... | costume assistant | |
| Enzo Serafino Pellegrino | .... | head ager and dyer (as Serafino Pellegrino) | |
| Lindsay Pugh | .... | costume supervisor | |
| Doina Raducut | .... | set costumer | |
| Mioara Radu | .... | costume department secretary | |
| Adam Roach | .... | key set costumer | |
| Sunny Rowley | .... | costume assistant | |
| Jonathan Schwartz | .... | costume assistant | |
| Omar J. Simmons | .... | costumer: USA | |
| Paul Simmons | .... | costumer: USA (as Paul A. Simmons Jr.) | |
| Jessica S. Smith | .... | costumer: USA | |
| Hannah Sorkin | .... | costume researcher | |
| Mark Sutherland | .... | costume assistant | |
| Gina M. Timpanaro | .... | costumer: USA (as Gina Timpanaro) | |
| Adriana Vianu | .... | costume assistant | |
| J. Brad Watson | .... | costumer: USA | |
| Mitchell Bloom | .... | assistant costume designer (uncredited) | |
| Ecaterina Dorneanu | .... | wardrobe (uncredited) | |
| Fionnuala M. Lynch | .... | costumer: Ms. Kidman (uncredited) | |
| Boyd Miles | .... | costumer: Virginia (uncredited) | |
| Alice Powell | .... | seamstress (uncredited) | |
Editorial Department | |||
| Marcus Alexander | .... | digital lab editor: Framestore CFC | |
| Ion Mihai Bogdan | .... | additional trainee editor | |
| Linda A. Borgeson | .... | executive in charge of post-production | |
| Sean Cullen | .... | first assistant editor | |
| Adam Glasman | .... | digital film colorist | |
| Adam Glasman | .... | digital lab colorist: Framestore CFC | |
| Tim Keene | .... | digital lab producer: Framestore CFC | |
| Tim Keene | .... | digital laboratory producer | |
| Giulia Maura | .... | post-production coordinator | |
| Claire McGrane | .... | digital lab producer: Framestore CFC | |
| Claire McGrane | .... | digital laboratory producer | |
| Walter Slater Murch | .... | second assistant film editor | |
| Ilinca Nanoveanu | .... | additional trainee editor | |
| Geraint Huw Reynolds | .... | second assistant film editor | |
| Verity Wislocki | .... | post-production assistant | |
| Keith Croket | .... | assistant editor: New York dailies (uncredited) | |
| Rebecca Manning | .... | data operation assistant: Framestore CFC (uncredited) | |
| Dan McRae | .... | digital lab (uncredited) | |
| Susannah Reid | .... | editor trainee (uncredited) | |
| Timothy Serda | .... | technician: Final Cut Pro (uncredited) | |
| Matina Skouteri | .... | digital lab operator (uncredited) | |
| Maria Stroka | .... | film recording producer (uncredited) | |
| Jon Thompson | .... | post-production consultant (uncredited) | |
| Tara Walker | .... | digital lab operator (uncredited) | |
| Stephen Willey | .... | systems engineer (uncredited) | |
| Doron Zar | .... | digital grading assistant (uncredited) | |
Music Department | |||
| Riley Baugus | .... | additional musician | |
| John Bell | .... | orchestrator | |
| Nancy Blake | .... | additional musician | |
| Norman Blake | .... | additional musician | |
| Sue Bohling | .... | musician: solo cor anglais | |
| Fernand Bos | .... | source music editor | |
| Nicholas Bucknall | .... | musician: solo clarinet | |
| T-Bone Burnett | .... | executive music producer | |
| John Cohen | .... | associate music producer | |
| Mike Compton | .... | additional musician | |
| Tim Eriksen | .... | on-set music advisor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Allan Jenkins | .... | music editor | |
| Edgar Meyer | .... | additional musician | |
| Jill Meyers | .... | music business affairs | |
| Bob Neuwirth | .... | associate music producer | |
| Tim O'Brien | .... | additional musician: courtesy of Howdy Skies Records | |
| Sam Okell | .... | assistant scoring engineer | |
| Mike Piersante | .... | song recording & mixing | |
| Dirk Powell | .... | on-set music advisor | |
| Harry Rabinowitz | .... | conductor | |
| John Richards | .... | music engineer | |
| Randy Spendlove | .... | executive in charge of music | |
| David Theodore | .... | musician: oboe solo | |
| Kirsty Whalley | .... | music editor | |
| Rolf Wilson | .... | musician: solo violin | |
| Rolf Wilson | .... | orchestra leader | |
| Gabriel Yared | .... | orchestrator | |
| Roland Heap | .... | assistant scoring engineer (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Nicole Kidman | .... | musician: piano (uncredited) | |
| Debra MacCulloch | .... | music legal advisor (uncredited) | |
| Scott McRae | .... | music preparation (uncredited) | |
| Anthony Minghella | .... | score producer (uncredited) | |
| Kevin Townend | .... | orchestrator (uncredited) | |
| Gabriel Yared | .... | score producer (uncredited) | |
Transportation Department | |||
| Brian Baverstock | .... | transportation coordinator (as Bryan Baverstock) | |
| Ravi Dube | .... | transportation coordinator: second unit (as Ravi Dubé) | |
| Florin Gon | .... | assistant transportation coordinator | |
| Wayne Jones | .... | transportation captain: USA | |
| Sarbu Marian | .... | assistant transportation coordinator (as Marian Sarbu) | |
| Cindi Randall | .... | driver | |
| Lee Siler | .... | transportation coordinator: USA | |
| Kim Smallwood | .... | driver | |
| Mircea Tudor | .... | assistant transportation coordinator | |
| Elena Valeanu | .... | assistant transportation coordinator | |
| Kenneth Bennett | .... | driver: cast (uncredited) | |
| Russell l Byrd | .... | driver: cast (uncredited) | |
| Mickey Davie | .... | vehicle technician (uncredited) | |
| Robert Gillis | .... | transportation captain (uncredited) | |
| Brett Leslie | .... | driver (uncredited) | |
| Andrei Sendrea | .... | driver (uncredited) | |
| Scott Siler | .... | driver (uncredited) | |
Other crew | |||
| Ellie Aitken | .... | assistant: Ms. Kidman (as Ellie M. Aitken) | |
| Tamara Andrews | .... | animal wrangler: USA | |
| Gabi Antal | .... | accountant: Bucharest | |
| Simon Atherton | .... | supervising armorer | |
| Beverly Ballzigler | .... | production secretary: USA (as Beverly Lynn Ballzigler) | |
| Iulian Batog | .... | on-set translator | |
| John D. Bert | .... | military advisor: Civil War | |
| Mara Blaj | .... | production runner | |
| Cristian Bostanescu | .... | studio executive: Castel Film (as Cristi Bostanescu) | |
| William Brown | .... | advisor: civil war lifestyles | |
| Adrian Buescu | .... | administrative accountant | |
| Elaine Burt | .... | production coordinator | |
| Sabrina Canale | .... | assistant to producer | |
| Donna Casey | .... | accounting assistant | |
| Mara Cereda | .... | production coordinator: Rome | |
| Meredith Chislett | .... | assistant: Ms. Zellweger | |
| Diane Chittell | .... | shipping coordinator | |
| Diane Chittell | .... | travel coordinator | |
| Emily Chittell | .... | production runner | |
| Felicia Ciurus | .... | liaison: Brasov | |
| Rodica Gina Coclea | .... | accommodation coordinator (as Rodica Coclea) | |
| Rodica Gina Coclea | .... | assistant coordinator (as Rodica Coclea) | |
| Carmela Compagnone | .... | accountant: Rome | |
| Simon Crook | .... | unit location manager | |
| Steve Cummings | .... | armory technician | |
| Steve Cummings | .... | weapons armorer | |
| Fabrizio De Angelis | .... | chef | |
| Steve Dent | .... | horse master | |
| John DeSimone | .... | production office coordinator: USA (as John De Simone) | |
| Dianne Dreyer | .... | script supervisor | |
| Karen Eisenstadt | .... | production accountant: USA | |
| Jane Evans | .... | executive in charge of physical production | |
| Dr. Caroline Forte | .... | unit doctor | |
| Annie Frazier | .... | stand-in | |
| Ken Garside | .... | supervising armorer | |
| Greg Gilman | .... | key set production assistant: USA | |
| Fiona Gosden | .... | crowd assistant director: second unit | |
| Carolyn Hall | .... | financial controller | |
| Radu Hermeziu | .... | agronomist | |
| Dan Hillsdon | .... | cashier (as Daniel Hillsdon) | |
| Elizabeth Himelstein | .... | dialect coach: Ms. Kidman | |
| Karen Hogarty | .... | legal services | |
| Brian Howard | .... | facility manager | |
| Concetta Iannelli | .... | production workshop lead | |
| Ben Jackson | .... | assistant: Mr. Law | |
| Kevin Jenkins | .... | assistant location manager | |
| Captain Jeff Johnson | .... | marine coordinator: USA (as Capt. Jeff Johnson) | |
| Huw Penalt Jones | .... | production executive (as Huw Penallt Jones) | |
| Larry Kaplan | .... | publicist | |
| Charlotte Kirchgaesser | .... | assistant coordinator: Brasov | |
| Buddy Knotts | .... | helicopter pilot: USA | |
| Samantha Knox-Johnston | .... | production coordinator: second unit | |
| Michael Kraus | .... | military advisor: Civil War | |
| Gary Lamantia | .... | technician: Wescam, USA | |
| Emily Lascelles | .... | assistant production coordinator | |
| Rosalind Lawton | .... | legal services | |
| Chandra Leigh | .... | stand-in | |
| Cristina Leurini | .... | catering manager | |
| James Lockwood | .... | double: Reverend Monroe (as Jim Lockwood) | |
| George Marshall | .... | post-production accountant | |
| David Ray Martin | .... | supervising location manager: USA (as David Martin) | |
| Jennifer Massi | .... | archival assistant | |
| Cassius Matthias | .... | assistant: Mr. Minghella, London | |
| Ivan Mavor | .... | assistant accountant | |
| Bianca Milu | .... | stand-in | |
| Tim Monich | .... | dialect coach | |
| Della Moore | .... | production accountant | |
| Ali Moshref | .... | production accountant | |
| Jack Munn | .... | medic: USA | |
| Julian Murray | .... | cashier | |
| Magnus Wolfe Murray | .... | liaison: Romanian Army | |
| Andrea Nachman | .... | travel coordinator: USA (as Andrea L. Nachman) | |
| Petra Novotná | .... | double: Ada (as Petra Novotna) | |
| Mike O'Farrell | .... | catering consultant | |
| Katharine Otway | .... | legal services: Olswang | |
| Caroline Oxley-Mcleod | .... | unit nurse (as Caroline Oxley) | |
| Vlad Paunescu | .... | co-production executive: Castel Film | |
| Shannon Petska | .... | assistant production coordinator: Richmond | |
| Brian Pohanka | .... | military advisor: Civil War | |
| Sylvia Pyke | .... | assistant to executive producer | |
| Gill Raddings | .... | animal coordinator | |
| Gill Raddings | .... | animal trainer | |
| Paul 'Sled' Reynolds | .... | animal wrangler: USA (as Paul Reynolds) | |
| Steven John Reynolds | .... | assistant accountant: USA (as Steven Reynolds) | |
| Kathleen Richter | .... | payroll accountant: USA | |
| Claire Robertson | .... | cast accountant | |
| Christopher Ross | .... | technician: Panavision | |
| Christopher Ross | .... | technician: Panavision | |
| Donald Sabourin | .... | production coordinator | |
| Matthew Sampson | .... | production runner | |
| Floriana Sandu | .... | assistant location manager | |
| Lisbeth Savill | .... | legal services: Olswang | |
| Cristiano Sebastianelli | .... | payroll clerk: Rome | |
| Corina Serbanescu | .... | production assistant: Bucharest | |
| Michael Sharp | .... | supervising location manager | |
| Lisa G. Shillingburg | .... | assistant accountant: USA | |
| C.C. Smiff | .... | double: Inman (as CC Smiff) | |
| Ben Smith | .... | assistant location manager | |
| Heather Storr | .... | script supervisor: second unit | |
| Andy Surry | .... | production runner (as Andrew T. Surry) | |
| Robert Tatu | .... | stand-in | |
| Aminta Townshend | .... | trainee script supervisor | |
| Massimo Trapani | .... | craft service | |
| Don Troiani | .... | consultant: Civil War uniforms and equipage | |
| Rae Umsted | .... | assistant production coordinator: USA | |
| Luminita Velescu | .... | unit doctor | |
| Daniel Virgulto | .... | craft service (as Daniele Virgulto) | |
| Anne Wilson | .... | location accountant: USA (as Anne K. Wilson) | |
| Stephen Yetman | .... | location manager: Charleston, USA (as Stephen J. Yetman) | |
| Massimo Zei | .... | chef | |
| Alan Abrams | .... | legal counsel: Costa Abrams & Coate (uncredited) | |
| Phyl Allarie | .... | travel coordinator (uncredited) | |
| Damian Anderson | .... | production coordinator: Italy (uncredited) | |
| Clyde D. Baisey | .... | medic (uncredited) | |
| Joan Baker | .... | adr artist (uncredited) | |
| Cassandra Barbour | .... | rights and clearances (uncredited) | |
| Brian Bartelt | .... | production assistant (uncredited) | |
| Dawn Blacksten | .... | assistant location manager: Virginia (uncredited) | |
| Brooke Brunson | .... | production assistant (uncredited) | |
| Maggie Burke | .... | historical consultant (uncredited) | |
| Robin Citrin | .... | location manager: pre-production (uncredited) | |
| Cliff Duane Cochran | .... | production assistant (uncredited) | |
| Don Coppola | .... | production assistant: USA (uncredited) | |
| Tudor Cotovelea | .... | production assistant (uncredited) | |
| Rob Coughlin | .... | crane swinger (uncredited) | |
| Tona B. Dahlquist | .... | project manager: South Carolina Film Office (uncredited) | |
| D. Tobias Denney | .... | production assistant: USA (uncredited) | |
| Gabriella Di Santo | .... | pre-production manager: Italy (uncredited) | |
| Larry Donahue | .... | caterer (uncredited) | |
| Dave Evans | .... | armorer (uncredited) | |
| Katie Flynn | .... | production assistant (uncredited) | |
| Sarah Fralin | .... | production assistant (uncredited) | |
| Bianca Gavin | .... | assistant production coordinator (uncredited) | |
| Tracy Gossett | .... | assistant to actor (uncredited) | |
| David Greenbaum | .... | executive assistant: Harvey Weinstein (uncredited) | |
| Vanessa Hoffman | .... | production assistant (uncredited) | |
| David Honaker | .... | set production assistant (uncredited) | |
| Andrew Jack | .... | dialect coach: Ray Winstone (uncredited) | |
| Clara Jacobs | .... | production assistant (uncredited) | |
| Ian Kennedy | .... | office production assistant: New York (uncredited) | |
| Nick Komornicki | .... | armorer (uncredited) | |
| Shannon Kors | .... | executive assistant: Mr. Horberg (uncredited) | |
| Chandra Leigh | .... | double: Renee Zellweger (uncredited) | |
| Veronica Lemcoff | .... | assistant: Albert Berger and Ron Yerxa (uncredited) | |
| Warner Loughlin | .... | acting coach (uncredited) | |
| Sarah Lyle Fralin | .... | production assistant (uncredited) | |
| Jeremy Marks | .... | set production assistant (uncredited) | |
| Eve Petcher | .... | accommodation coordinator (uncredited) | |
| Tarah Phillippi | .... | accounting clerk (uncredited) | |
| Russ Richards | .... | re-enactor (uncredited) | |
| Eric Ian Robinson | .... | assistant: Harvey Weinstein (uncredited) | |
| Deborah Ross | .... | title designer (uncredited) | |
| Ken Roy | .... | representative: Central Virginia Film Office (uncredited) | |
| Jason J. Scott | .... | set production assistant: USA (uncredited) | |
| Laura Sevier | .... | rights and clearances (uncredited) | |
| Scott Slone | .... | production assistant (uncredited) | |
| Marius Stanciu | .... | location scout (uncredited) | |
| Kathryn Stephens | .... | office production assistant: Virginia (uncredited) | |
| Ovidiu Stoia | .... | production assistant (uncredited) | |
| Sheena Wichary | .... | assistant production coordinator (uncredited) | |
| Tim Wildgoose | .... | armory moldmaker (uncredited) | |
| Emily Ziff | .... | assistant: Philip Seymour Hofman (uncredited) | |
| Amelia Zontini | .... | set production assistant (uncredited) | |
Thanks | |||
| Ron Barden | .... | thanks: Price Waterhouse Coopers | |
| John Hadity | .... | special thanks | |
| Matt Landon | .... | special thanks (as Matthew Landon) | |
| Eric Roth | .... | special thanks | |
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| Gone with the Wind | Novecento | The Last Samurai | The Colt | The Notebook |
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There are a couple of things wrong with this episodic, rather sweeping film, but not enough to destroy it. Fortunately, the good outweighs the bad enough to make it worthwhile viewing. Law plays a shy, but thoughtful young man in Cold Mountain, NC. When the local minister's daughter (Kidman) moves to town, he is immediately taken with her and they share a few very brief, very stifled moments (including an impromptu kiss) before he leaves to fight in the Civil War. (An opening battle scene is so intense that the impact of it literally tears the clothes off one participant!) As they each experience great change, disappointment and destruction, it is their longing for each other that keeps them going. He can't wait to get back to her and she can't wait for him to come back. As Law treks across the southeastern coast, he comes upon a wide variety of opponents and allies. These are all played with great skill by a terrific gallery of solid, semi-name actors (Hoffman, Ribisi, Portman, Atkins, etc......) Meanwhile, Kidman faces the end of her gentle existence and almost existence itself until a scrappy, brassy local girl steps in to rescue her. Zellweger plays this feisty, mouthy girl, using every ounce of her acting prowess. The pair must fend off an opportunistic home guardsman played by a slimy Winstone. The film lurches forward with the all-important reunion moment dangling in front of the viewers like a carrot on a stick. It is solely due to the acting talent and intense chemistry of the stars and not the sketchy, spotty script that this moment carries any dramatic weight at all. Somehow, Law and Kidman manage the impossible, which is to create a romance and desire for one another that is never properly developed on the screen. They are forced to create everything through their expressions and body language and do just that. As good as they are, they are almost completely overtaken by the surprisingly wondrous and intriguing work of Zellweger. Her welcome dash of vinegar and bluntness is a perfect counterpoint for the dewy and sensitive lovers. Also, of particular note is another surprise - the downright striking job that Portman does as a lonely widow and mother. She outdoes herself in this brief role. As a matter of fact, nearly every performance in the film is excellent. The one exception is the horribly anachronistic and inexplicable presence of the peroxide blonde henchman to Winstone. His punk-rock, eyelinered look and shopping-mall line delivery remove the viewer from the already tenuous time period whenever he's on screen. (And is it ever stated why someone his age isn't IN the war??) That's one other problem. There is very little period feel to this film. It always seems like the actors are playing with clothes they found at Western Costume with their make up done by Ben Nye. Kidman's hair, while lovely, is absolutely ridiculous. It distracts from and detracts from scenes very often. Ditto her make up. One key scene near the end is a close up and her heavy mascara and shadow grey/purple eyeshadow (masterfully applied by those Hollywood wizards) turn what should have been an agonizing emotional moment into "Barbie Does the Civil War". Zellweger does better in the make-up department, though her chemically-whitened teeth do not go very far in suggesting her character's background. Her deliberately tousled hair is also a problem at times, but nowhere near the level of Kidman's. These are quibbles in light of the bigger problem which is an overriding predictability. Even to one who has never read the book, there is no doubt as to the ending of the film. There is very little room for surprise and what there is of that is telegraphed again and again. So the audience is left watching a 2-1/2 hour film with a foregone conclusion. (And this sometimes meandering work was originally FIVE hours long!) The amount of footage left on the cutting room floor makes for some uncomfortable continuity (such as when a character is tortured and watches 3 family members slaughtered and is next seen smilingly dancing a Christmas jig!) Nevertheless, the romance and beauty of the film still delivers and there is no doubt that Kidman is a MOVIE STAR. She glows and glistens and has every accommodation made to her. Even her old riding coat looks runway perfect. Law is achingly beautiful in the early scenes, but delivers a sincere, dedicated performance in spite of his physical features (which are all but buried as it wears on.)