HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ... See full summary »
There is a real Cold Mountain in North Carolina, located within the Pisgah National Forest southwest of Asheville. However, there is not and has never been a town named after the mountain. See more »
When Ada arrives with her piano tied by ropes to the wagon, she stops by Sally Swanger's home and she is sitting directly up against the piano with little to no space between her back and the piano. In the next shot as she passes Inman plowing the field she is turned around playing the piano and there is now space enough for her legs (and dress) between her and the piano. Since the piano was tied to the wagon, it is unlikely that they untied the piano to move it backwards in order to make a space for her legs so she could face/play the piano. See more »
Dear Mr. Inman, I began by counting the days, then the months. I don't count on anything anymore except the hope that you will return, and the silent fear that in the years since we saw each other, this war, this awful war, will have changed us both beyond all reckoning.
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Stunning photography, fine performances but flawed script and mixed results...
There are so many good things to praise in COLD MOUNTAIN that it pains me to say that staying with it to the very end is sometimes difficult because it drags in spots and some of the story-telling techniques are awkwardly staged.
Nothing but kudos for the casting. Nicole Kidman and Jude Law are in top form--with Law hiding his good looks most of the time under beard, stubble or mud. Renee Zellweger makes us understand why she won the Best Supporting Actress Oscar for her role as the tough but tender-hearted Ruby. Cinematography and background score are tops.
By the time the two lovers have been reunited for the finale, much has happened in the way of showing how war brutalizes men. Anthony Minghella doesn't flinch from showing the harsh realities of battle and then switching to scenes of pastoral splendor on the home front.
It's a film in which all the ingredients are put together with exceptional craftsmanship. So much so, that you wish the script had been a little stronger to make the two hours and thirty-four minutes more absorbing. Unfortunately, it tends to take too long to tell a tale that lacks the power of holding interest once it gets past the midway point.
Nevertheless, anyone interested in the Civil War period will find this a meticulous work as far as costumes, settings and use of folk music is concerned.
But be warned: This bittersweet romance at times is downright depressing and the gritty war scenes (and the brutality of certain Yankee soldiers) are about as graphic as such battle scenes usually get. The overall feeling is one of awe that so much has been accomplished and yet there is something unsatisfying about the tale itself.
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