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Cold Mountain (2003)

 -  Drama | Romance | War  -  25 December 2003 (USA)
7.2
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Ratings: 7.2/10 from 102,794 users   Metascore: 73/100
Reviews: 658 user | 198 critic | 41 from Metacritic.com

In the waning days of the American Civil War, a wounded soldier embarks on a perilous journey back home to Cold Mountain, North Carolina to reunite with his sweetheart.

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Title: Cold Mountain (2003)

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Won 1 Oscar. Another 19 wins & 66 nominations. See more awards »

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Storyline

This Civil War saga addresses romance, friendship, and the ravages of war--both in the field and on the home front. Captures the horrors of war for both those fighting it, and for those left behind. This is a tale of hope, longing, redemption, second chances, and faith. Written by Quickflix

Plot Summary | Plot Synopsis

Taglines:

If hate sends men to war, then it must be love that brings them home. ( Moviepix Canada) See more »

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated R for violence and sexuality | See all certifications »

Parents Guide:

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Details

Country:

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Release Date:

25 December 2003 (USA)  »

Also Known As:

Regreso a Cold Mountain  »

Filming Locations:

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Box Office

Budget:

$79,000,000 (estimated)

Opening Weekend:

$211,255 (Japan) (7 May 2004)

Gross:

$95,632,614 (USA) (25 June 2004)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The names of Sally Swanger's sons, "Acton" and "Ellis", are also the names that Anne Brontë and Emily Brontë used as pseudonyms to hide their genders when marketing their novels. They used "Acton Bell" and "Ellis Bell" and their sister Charlotte Brontë used the name "Currer Bell". See more »

Goofs

In the opening battle scene, the famous Crater at Petersburg is depicted as much wider and deeper than it actually was. See more »

Quotes

[first lines]
Ada: [voiceover] Dear Mr. Inman, I began by counting the days, then the months. I don't count on anything anymore except the hope that you will return, and the silent fear that in the years since we saw each other, this war, this awful war, will have changed us both beyond all reckoning.
See more »

Connections

Featured in A Journey to 'Cold Mountain' (2003) See more »

Soundtracks

The Cuckoo
Traditional
Arranged by Anthony Minghella and T Bone Burnett (as Henry Burnett)
Performed by Stuart Duncan and Dirk Powell
Stuart Duncan and Dirk Powell appear courtesy of Rounder Records
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Frequently Asked Questions

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User Reviews

 
A chilling vision of a tragic era
22 August 2005 | by (Princeton, New Jersey) – See all my reviews

'War movie' is a Hollywood genre that has been done and redone so many times that clichéd dialogue, rehashed plot and over-the-top action sequences seem unavoidable for any conflict dealing with large-scale combat. Once in a while, however, a war movie comes along that goes against the grain and brings a truly original and compelling story to life on the silver screen. The Civil War-era "Cold Mountain," starring Jude Law, Nicole Kidman and Renée Zellweger is such a film.

Then again, calling Cold Mountain" a war movie is not entirely accurate. True enough, the film opens with a (quite literally) quick-and-dirty battle sequence that puts "Glory" director Edward Zwick shame. However, "Cold Mountain" is not so much about the Civil War itself as it is about the period and the people of the times. The story centers around disgruntled Confederate soldier Inman, played by Jude Law, who becomes disgusted with the gruesome war and homesick for the beautiful hamlet of Cold Mountain, North Carolina and the equally beautiful southern belle he left behind, Ada Monroe, played by Nicole Kidman. At first glance, this setup appears formulaic as the romantic interest back home gives the audience enough sympathy to root for the reluctant soldier's tribulations on the battlefield. Indeed, the earlier segments of the film are relatively unimpressive and even somewhat contrived.

"Cold Mountain" soon takes a drastic turn, though, as the intrepid hero Inman turns out to be a deserter (incidentally saving the audience from the potentially confusing scenario of wanting to root for the Confederates) and begins a long odyssey homeward. Meanwhile, back at the farm, Ada's cultured ways prove of little use in the fields; soon she is transformed into something of a wilderbeast. Coming to Ada's rescue is the course, tough-as-nails Ruby Thewes, played by Renée Zellweger, who helps Ada put the farm back together and, perhaps more importantly, cope with the loneliness and isolation the war seems to have brought upon Ada.

Within these two settings, a vivid, compelling and, at times, very disturbing portrait of the war-torn South unfolds. The characters with whom Inman and Ada interact are surprisingly complex, enhanced by wonderful performances of Brendan Gleeson as Ruby's deadbeat father, Ray Winstone as an unrepentant southern "lawman," and Natalie Portman as a deeply troubled and isolated young mother. All have been greatly affected and changed by "the war of Northern aggression," mostly for the worse. The dark, pervading anti-war message, accented by an effective, haunting score and chillingly beautiful shots of Virginia and North Carolina, is communicated to the audience not so much by gruesome battle scenes as by the scarred land and traumatized people for which the war was fought. Though the weapons and tactics of war itself have changed much in the past century, it's hellish effect on the land is timelessly relevant.

Director Anthony Minghella manages to maintain this gloomy mood for most of the film, but the atmosphere is unfortunately denigrated by a rather tepid climax that does little justice to the wonderfully formed characters. The love story between Inman and Ada is awkwardly tacked onto the beginning and end of the film, though the inherently distant, abstracted and even absurd nature of their relationship in a way fits the dismal nature of the rest of the plot.

Make no mistake, "Cold Mountain" has neither the traits of a feel-good romance nor an inspiring war drama. It is a unique vision of an era that is sure not only to entertain but also to truly absorb the audience into the lives of a people torn apart by a war and entirely desperate to be rid of its terrible repercussions altogether.


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