A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
An ex-marine returns to Vietnam when he learns his former mercenary partner whom he thought was killed is being held by a sadistic general. Contains extreme violence, including torture, and... See full summary »
Thomas Ian Griffith,
Fighter navigator Chris Burnett wants out: he was looking for something more than the boring recon missions he's been flying. He finds himself flying the lone Christmas day mission over war-torn Bosnia. But when he talks pilot Stackhouse into flying slightly off-course to check out an interesting target, the two get shot down. Burnett is soon alone, trying to outrun a pursuing army, while commanding officer Reigert finds his rescue operation hamstrung by politics, forcing Burnett to run far out of his way. Written by
Jon Reeves <email@example.com>
Lt. Burnett's call sign is "Longhorn". Stackhouse's is "Smoke". See more »
In the scene where Burnett sets up a trap for the Tracker, Burnett is running towards him while firing his pistol. During this sequence the ejection of a spent casing can be seen (as well as the slide moving to the rear to eject) but there is no gunshot. The gunshot and subsequent muzzle flash happens noticeably after. See more »
I have 48 hours, my friend. Let's see who can wait longer.
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I don't think this is really considered a "war movie" in the normal sense but it might as well be since it involves all military people and the focus is an American Navy pilot who is shot down over Bosnia and runs for his life while waiting to be rescued.
Outside of Owen Wilson ("Lt. Chris Burnett") blaspheming about a dozen times, I thought this was a very entertaining film with spectacular sound and a couple of very intense action scenes. I always find man-on-the-run stories good, anyway.
The missile-jet scene has some of the best surround sound I have ever heard in an action scene, along with super visuals. Wilson's travails, as he tries to stay alive in hostile territory while red-tape holds up his rescue efforts, are fascinating. The action scenes are quite different, too.
This is a film I guarantee will not put you to sleep and, at the same, doesn't overdo the action. The end has the usual credibility gap with what I call "Rambo mentality," but overall is a gripping story.
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