A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
Fighter navigator Chris Burnett wants out: he was looking for something more than the boring recon missions he's been flying. He finds himself flying the lone Christmas day mission over war-torn Bosnia. But when he talks pilot Stackhouse into flying slightly off-course to check out an interesting target, the two get shot down. Burnett is soon alone, trying to outrun a pursuing army, while commanding officer Reigert finds his rescue operation hamstrung by politics, forcing Burnett to run far out of his way. Written by
Jon Reeves <firstname.lastname@example.org>
Not a spoiler, but the true awfulness of the film needs to be acknowledged
Having just watched this film (based on the participation of an actor I admire) I have to say that this film was can only be described as unintentionally funny throughout. Full of clichés (ie European general who doesn't care about the troops, gung ho Americans itching for action). Oh dear. The worst bit about this film is not the political idiocy of it, the emptiness of the plot, the disdain for life or the appalling editing (slow motion shots which are a reminder of the A Team) but the music. What does it say when a civil war in the former Yugoslavia is accompanied by rock music? Well, it says that this is essentially a movie for American teenagers who haven't a clue where Yugoslavia is (or was) but who do need to be made to sit still in the cinema. Result: with an action movie where random death happens to people they don't know about or care about but American lives are precious. Ultimately, this is a recruiting film for kids who think that they can be involved in foreign wars they know nothing about, get shot at, but come home safely. Dire.
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