The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
The Lisbon's house number is 2037, after Cecilia's death the 7 is no longer upright, as there is now only 6 members of the household. See more »
When the girls are locked up in their house, the front lawn is slowly covered with brown leaves to show the passing of several weeks. However, there is only one tree on the front lawn, and its leaves are green. The surrounding trees are also green and none of them show evidence of falling leaves. See more »
What lingered after them was not life, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself.
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Sofia Coppola's film is an adaptation of Jeffrey Eugenides excellent novel of the same name. It is a beautiful, visually stunning movie, but it fails to capture the book's spirit.
The Virgin Suicides presents itself as a story about five mysterious Lisbon sisters. It all starts when the youngest one, Cecilia, tries to commit suicide, but, unsurprisingly, tragic events don't stop there. In essence, this is a coming of age story for the group of boys, who watch the Lisbon sisters and fantasize about them long after they're gone. It's also the story about the death of suburbia in the 70s.
The cast is very good, if a little surprising. Kathleen Turner and James Woods are excellent as the parents. Kirsten Dunst might not seem as the perfect person to play the most rebellious of the sisters, Lux, but she is quite good in capturing the character's spirit. Josh Hartnett as the school hearth throb Trip Fontaine, proves to poses an acting talent in one of his earliest roles. Too bad some of his later work was forgettable (or embarrassing). But bringing Trip Fontaine to life was not an easy task, given the importance of the character and the fact the screen time was limited, and he pulls that off with ease.
Copolla does her best to keep all the important dialogues and scenes from the book. Great attention is given even to the little details only people who've read the novel will notice: the bracelets, brown-and white saddle shoes, Trip Fontaine's necklace. Directors and screenwriters rarely do that these days, and it's a big plus.
However, the film never manages to be more than just average, if stunningly beautiful. It somehow includes all the details, but completely misses the atmosphere and spirit of the novel. It's probably because of Copolla's choice to focus on the sisters themselves and not the boys; this way, much of the mystery about them is gone, and it was one of the driving forces in the book.
But a film doesn't need to be a great adaptation of the book to be good. However, The Virgin Suicides is never fully able to exist on its own; there are many scenes and situations that seem confusing if you're unfamiliar with the book. So at the same time it fails to capture the novel's spirit, while being too dependent on the novel to fully stand on its own.
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