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The Virgin Suicides (1999)

R | | Drama, Romance | 19 May 2000 (USA)
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents in suburban Detroit in the mid-1970s.

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3 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Adult Trip Fontaine (as Michael Pare)
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Leslie Hayman ...
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Anthony DeSimone ...
Chase Buell (as Anthony Desimone)
Lee Kagan ...
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Noah Shebib ...
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Storyline

A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to... Written by Huggo

Plot Summary | Plot Synopsis

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Love Sex Passion Fear Obsession See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong thematic elements involving teens | See all certifications »

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Details

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Release Date:

19 May 2000 (USA)  »

Also Known As:

Sofia Coppola's the Virgin Suicides  »

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$235,122 (USA) (23 April 2000)

Gross:

$4,859,475 (USA) (27 August 2000)
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Company Credits

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Technical Specs

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| (TV)

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

A.J. Cook and Hayden Christensen co-starred in Higher Ground - a short lived series about troubled teens. They played each other's love interests. See more »

Goofs

When the girls are locked up in their house, the front lawn is slowly covered with brown leaves to show the passing of several weeks. However, there is only one tree on the front lawn, and its leaves are green. The surrounding trees are also green and none of them show evidence of falling leaves. See more »

Quotes

Mrs. Buell: That girl didn't want to die, she just wanted out of that house.
Mrs. Scheer: She wanted out of that decorating scheme.
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Connections

Referenced in Palo Alto (2013) See more »

Soundtracks

Run to Me
Written by Barry Gibb, Robin Gibb & Maurice Gibb
Performed by The Bee Gees (as Bee Gees)
Courtesy of PolyGram International Music B.V.
Under License from Universal Music Special Markets
Published by Careers-BMG Music Publishing, Inc. o/b/o Gibb Brothers Music
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User Reviews

Captures the Dark Comedy and Lyric Poetry of the Book
31 January 2001 | by (Los Angeles, CA) – See all my reviews

I'm uncertain why the daughter of a Hollywood icon would select as her first director effort a nearly unfilmable book of linguistic time bombs and nearly unspeakable tragedy. Jeffrey Eugenides's book The Virgin Suicides is one of the underappreciated gems of the 1990s and surely Sophia Coppola must have known that the critics would have it out for anything she did (see reviews listed under "acting: Part 3, The Godfather"). So Coppola, daughter of Francis Ford, decided to do something unexpected: She made a gem of a movie that's easy to like and complex enough to savour.

Taking place "25 years ago" in "Michigan," The Virgin Suicides tells the story of a group of teenage boys and the Lisbon sisters, whose suicides changed them forever. The book is told with a rather unique choral narrator (the entire story is in the first person plural) which makes it clear that the focus of the story is not the Lisbons, but the boys and their attempts to restructure the events of what must have been their final summer of innocence. Similarly, the film features extensive voice-overs, culled from the book, coming from an unidentified member (or members) of the gang. You might wonder why you're never able to distinguish between any of the four or five or six males who wander through the story, or why at least several of the Lisbon girls also blend together, but rest assured it's intentional. The Virgin Suicides is very much about a baffled collective.

The movie begins with the first suicide attempt of the youngest Lisbon girl. When the doctor examining her asks why should would try to kill herself she offers the simple response, "Obviously, Doctor, you have never been a thirteen year old girl." The book and film are both really about men and how incapable we are of understand what it's like to be a thirteen year old girl or a thirty year old woman or really anything in between. And what's even more frustrating is the fact that women seem to understand men so devastatingly well (a trait perfectly personified in Kirsten Dunst's portrayal of middle sister Lux). The narrative such as it is marches inexorably through the gradual awakening of the narrators and the inevitable realization that they never knew anything.

Coppola, who also adapted the screenplay, makes decent use of the book's two metaphorical subplots -- an outbreak of Dutch Elm Disease and a cemetery worker's strike. The rot of suburban life lies at the core of this story and Coppola wisely never overplays her hand. She loves using mythic imagery, generally revolving around Dunst, an actress beginning to produce the kind of resume that speaks of longevity. Coppola's background in costuming is also evident, displaying the decadence and tackiness of the observing characters, contrasted with the spare Puritainism of the Lisbons.

Coppola gets mostly good performances from the young generation of her cast. As the only two characters to get individual notice, Dunst and Josh Hartnett do excellent work. She's the animal core of the film and he perfectly captures the perplexed, corrupted purity of the male side of the story. Playing against type, James Woods is excellent as the Lisbon's introverted henpecked father and Kathleen Turner is effectively scary as their domineering mother.

The film is also aided by some wonderful technical work including Jasna Stefanovic's nostalgic, but never cutesy production design and Edward Lachman's versatile cinematography. The soundtrack by the French band Air is also notable, mixed with various hit songs from the period.

The Virgin Suicides has perhaps too many moments of whimsy, where it seems too devoted to its source, even when the material doesn't translate properly. But still, it's the moments of magic -- the Lisbon girls prom, an eerie family party, and phone conversation spoken only with records -- that stand out. I'd give this one an 8/10.


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