The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to... Written by
After she had written the script, Sofia Coppola was heartbroken to discover that another company was already producing an adaptation of the book themselves. However, they were not happy with their script, so she showed them hers and they ended up using it instead. See more »
The amount of peach schnapps in the bottle changes from almost half empty to full when Trip hands the bottle to Lux's sister. See more »
[voiceover, reading from her diary]
Lux lost it over Kevin Haynes, the garbageman. She'd wake up at 5 in the morning and lay about on the front porch like it wasn't completely obvious! She wrote his name in marker in all her bras and underwear and mum found them and bleached out all the Kevins. Lux has been crying on her bed all day
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A strange, surreal flight-of-fancy of death and love, remembrance and how romanticized our memories become. It's also very funny, tending to mix the black comedy of something like "Heathers" with the stifling suburban scenario of "American Beauty" (but it's better than both). Kirsten Dunst is fantastic as the foxiest of five golden-toned sisters in the mid-'70s who feel trapped by their parents (a peculiar, but not overly monstrous couple), trapped by their feelings, trapped by time. They can breathe--and live freely--only in their fantasies (and perhaps in death), but do their realities represent a prison? It's the talent of writer-director Sofia Coppola not to push everything over-the-top; she's careful, she leaves the viewer contemplating the characters' motivations and actions. The situation is indeed unexplainable, yet it is in our nature to expect a resolution, to expect concrete evidence as to WHY and demand an answer. Yet there are no answers to the sadness of the strangers who live across the street, even as we pass through their lives and through their houses. "The Virgin Suicides" offers fascinating food for thought. *** from ****
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