IMDb > Miss Monday (1998)

Miss Monday (1998) More at IMDbPro »


Overview

User Rating:
6.3/10   128 votes
MOVIEmeter: ?
Down 29% in popularity this week. See why on IMDbPro.
Director:
Writers:
Benson Lee (writer)
Richard Morel (writer)
Contact:
View company contact information for Miss Monday on IMDbPro.
Release Date:
13 August 1999 (Italy) more
Genre:
Tagline:
a screenwriter is watching his main character come to life.
Plot:
A writer suffering a block decides to watch a young woman as a role model for his novel, but finds more than he bargained for. full summary | add synopsis
Awards:
2 wins & 2 nominations more
User Comments:
The individual or the type? more (12 total)

Cast

  (Cast overview, first billed only)
James Hicks ... Roman
Andrea Hart ... Gloria

Alex Giannini ... Steven
Nick Moran ... Jeremy
John Woolvett ... Mr. Plummer
Julie Alannagh-Brighten ... Marianne from Nightmare / Young Corporate Woman (as Julie-Alanah Brighten)
Louise Barrett ... Debbie
Sebastian Thompson ... Gloria's Boyfriend / Richard / City Man #2 (as Sebastian Thomson)
Pamela Hall ... Gloria's Mother
Dixie Crouch ... Gloria as a child
Josie Crouch ... Gloria as a child

Eric Edwards ... Taxi Driver #1
Alan Goldsmith ... Taxi Driver #2
Benson Lee ... Mr. Sukiyaki
Loma Ann Bonner ... City Woman #1
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Additional Details

MPAA:
Rated R for language and an intense depiction of emotional disorder.
Runtime:
90 min
Country:
Language:
Sound Mix:
Filming Locations:

Fun Stuff

Quotes:
Roman: [Talks to himself while practising his chat up line] Excuse me, this is going to sound strange, but, I'm not really not who I make myself out to be. I'm actually a screenwriter doing some research for my new screenplay, you wouldn't happen to be a shallow corporate bitch would you? more
Soundtrack:
Suite #1 for solo cello in C Major more

FAQ

This FAQ is empty. Add the first question.
1 out of 5 people found the following comment useful.
The individual or the type?, 6 March 2001
Author: Nozz from Israel

Strongly and admittedly influenced by Polanski, the writer-- in this film featuring the writer of a film featuring the writer of a film-- enters an abject little world fraught with the possibility of violent confrontation at any moment. He is following a wise-sounding credo that tells him that by deeply portraying the individual he will reveal the type (but try to portray the type and you will reveal nothing). Does he succeed? Or does the credo, by which he hopes to portray the type, lead him ironically to a revelation of the individual?

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